canon davekat is my best friend and Fanon DaveKat is like if instead of coming back wrong they never died in the first place and some fucker cloned them like. Really Poorly. but everyone just decided that was about right and kept hanging out with the clone.
The part that gets me the most with modern DaveKat is the fact that they’re very aggressively in the spotlight. This… Is antithetical to the point of their relationship for me.
Dave and Karkat’s relationship started developing on The Meteor, earlier than some might think. Dave canonically thinks The Meteor is the place he grew the most as a person - it’s the first time he’s been able to really put his swords and shields down, rest, relax, and allow himself to love and be loved.
It is also the first place he’s ever had privacy.
Dave’s life has been absolutely fraught with constant surveillance. He never knows when there’s a camera on him, when Bro is watching, et cetera. Eyes, eyes, eyes. Eyes on him constantly. He never knows when his random fooling around in the walls of his own home are part of some creepy guys’s fetish material, he never knows when he’s going to be expected to pick up the sword and fight an unfair battle again, he never knows when he’s going to wander into some random traps burying him in his adult brother’s sex toys. Surveillance. Hypervigilance. Cameras. Cameras. Eyes.
His relationship with Karkat having been formed and developed largely offscreen… It meant things to me. Offscreen development is good sometimes, actually. This relationship, this thing that’s really helping Dave calm down and recover, is being done in private. Away from everyone’s eyes. Even those of the fans.
That’s perfect, I think. Their relationship being mostly offscreen really fits them.
But we’ve stripped all that away in favor of this fandom’s fetish for intensive, constant voyeurism. It’s worse, and it’s boring, and it sucks. Official material isn’t free of this criticism - I hate how DaveKat is so in your face these days. I don’t like that. It blows. I hate feeling the same as the cameras of his childhood.











