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Kurt Hummel Solos Ranked

Ever since I finished the Kurt Hummel Meta Series - Finding Kurt Hummel - I’ve been wanting to talk about the music a bit. Well, here we go. I have four different categories -- Solos, Duets, Small Groups Numbers, and Large Group Numbers, and I’m starting off with Solos.

Kurt didn’t have a ton of solos on the show, but that made them special when we did get one. Kurt’s solos are usually integral to his story line, and usually hold a great deal of emotion one way or an other. And while not all of them are 100% tied to his own plot - I think they all show bits and pieces of his character.

As a note - there are a few songs on here that may not initially be counted as a solo, but I’m doing so anyway -- either there’s a studio version with just his voice, or the tiny bit of someone else singing I’m kind of ignoring. For this discussion, I’m counting them as solos.

There are two songs, however, that I should mention first -- two short solos that didn’t have a studio release --

1. Pink Houses (Laryngitis, 1x18)

I still find this number quite hilarious. Kurt’s attempt at emulating his dad, and therefore singing John Mellencamp, to seem more ‘masculine’ is not only a great comedic spot, but shows us really what the opposite of who Kurt is. While, clearly, not a great song for Kurt -- we do at least get to hear Chris’s low register for once, and get a rare moment when we get to see Chris be actually comedic during a musical number -- something that didn’t happen all that often because Kurt’s musical numbers were usually serious in nature and involves a lot of crying. It’s not a great performance - but it’s a damn entertaining one.

2. Music of the Night (Choke, 3x18)

Another non-studio release for what is an extended comedic moment. Kurt’s right - his rendition of this is pretty bland, and you can tell he’s not putting forth his best effort. There’s clearly no emotional connection to the song that is a hallmark of his songs, especially his solos. That said - the scene itself is pretty entertainingly comedic -- from his ridiculous choreography, to Tina’s bored version of Christine, to the massive amount of candles on stage. The scene is a lot of fun - even if it’s not meant to be a serious performance.

So, with those out of the way....

Kurt Hummel’s Solos Ranked:

I should preface this with, these are, obviously, my own objective opinion. While I am taking into account performances and effectiveness of the song, at the end of the day, these are my own opinions, and everyone will have their own version of the list.

17. I’ll Remember (Goodbye, 3x22)

I don’t think that there are any bad Kurt solos. There are ones that I don’t think work all that well, and this is one of them. First off is the fact that I’m not a big fan of the song, originally done by Madonna. While the song does fit the moment lyrically, and I do buy Kurt singing it, the song itself isn’t that great. The performance is fine. Despite all the tears and wistful looks, it’s a bit standard of a performance that doesn’t lend itself to being all that memorable. Also, there’s the fact that this song is dedicated to all the men in the room. Ug, Glee your plot points suck sometimes.

16. Don’t Cry For Me, Argentina (Special Education, 2x09)

This is the first of a few songs on the list that are technically sung by two people, but this has a Kurt-only studio version, so it’s here as a solo. Kurt does relatively well vocally with this song. But it’s clear that it’s not his song at all. This is a Rachel song, which is made clearer as they sing it side by side as a comparison. While Kurt sings it technically and proficiently fine, he doesn’t embody the song the way Rachel does in the scene. (And that’s fine - the point is that it doesn’t fit him correctly.) Kurt is a little stiff and uncomfortable with this song, with a sense of emotion that doesn’t quite connect. And while fine for the scene that they’re doing - it lands this one low on my list.

15. I’m Still Here (Bash, 5x15)

This is Kurt’s last solo of the series, and, unfortunately, the only representative of season 5 (and 6), which is why it really pains me to put it so low on the list, but, also unfortunately, there are a lot of issues with it. First of all, at this point in the series, while old Diva Broadway numbers were his bread and butter - he had been growing past them, and while the song choice works for the story (mostly), the selection feels a little tired. Vocally, he’s proficient enough, though it lacks some of the grittiness and understanding of, say, an actual old school Broadway Diva. (I can see Rachel Berry singing this when she’s 80 a la Elaine Stritch.) The choreography is a little weird at times - but they did let Chris do the choreography of this one nearly by himself, and it shows a little.

One weird nitpick I have about this number is actually a production thing -- it’s clear that in the close ups Chris is doing better acting and giving more of an effort than he’s doing in the wide shots. It’s a weird thing to notice but between that and the tepid performance in general, it brings this one way down on the list for me.

14. Some People (Funeral, 2x21)

This one is a huge step above the others on the list, as the rest of this list is really a bunch of fantastic performances. Chris really brings it in this one (and fun fact, he helped do the choreography on this one), as Kurt’s energy is high and all of his moves here are quintessential Kurt classics. It’s like all of standard Kurt Hummel in one song, especially since it’s a classic old diva Broadway standard. While I don’t have any complaints about the performance, the reason it’s so low is for two reasons. The first one is the context -- it’s for an audition for a solo and not directly connected to any meaningful Kurt storyline. And secondly - it’s just not a favorite song of mine. But, Kurt at least gets to have a peppy and physically entertaining solo, which doesn’t happen very often, so it is worth a watch.

13. You Are The Sunshine of My Life

Honestly, the only reason this as low as it is, is because I’m not a huge fan of this song. There’s actually a lot of great things going on here. For one, this is a really sweet performance for Kurt as he sings a sentimental song for his dad. The choreography is silly, but it’s intentionally childlike as little Kurt came up with this with his dad. Kurt sounds really good when he’s in his lower register (I actually love his lower register - which isn’t complimented enough). And one thing I really like from second half of the series Kurt is that he’s less choreographed Broadway style and more reflective of the quirky weirdo that he is. And this performance is exactly that.

12. A House is Not a Home (Home, 1x16)

This is an interesting one, because there are a lot of great things going on here that bring it up the list, but a few things that very much drag it down. First of all -- it’s the first showcase in the show of something I don’t see Chris get much credit for (outside the fandom bubble). The fact that he’s able to act while sing. It’s a difficult thing that Chris does masterfully here -- it’s not easy to make a solo next to a piano visually enticing but he really sells it. Anyway - the way Kurt’s emotion bleeds through the song is perfect, it’s not too overt or too subdued. And we really feel everything Kurt is feeling in this moment. It feels real, in a way that isn’t apparent in a lot of the other characters when they sing songs (coughrachelcough). This song is a fantastic reflection of Kurt’s emotional stance, and fits into the story wonderfully.

Bringing it down... first of all, technically, Finn sings a verse of this. And while I don’t consider this at all a duet (duets, I feel, are sung together), it’s still there, and still a glaring ear-sore. (Sorry Cory.) It sticks out like a sore thumb that Finn’s voice is not suited for this material, and while I see what they were doing with the story, it’s cringey when it gets there. The other thing about this song is that it’s kind of uncomfortable to watch. Kurt sells all of his emotion, but it’s focus point is an unrequited love, and the discomfort on Finn’s face, as well as a few others, makes it not an easy watch. Still -- overall, this is a great number and a fantastic performance.

11. I’m The Greatest Star (I Am Unicorn, 3x02)

This is kind of an interesting one to talk about because there are a lot of conflicting things going on. It’s one helluva performance, it’s a terrible interpretation of the song, and it’s not a great choice of audition song for West Side Story (all of which was the point), but that doesn’t mean I don’t agree with Coach Beiste, that Kurt made the song his prison bitch. If nothing else -- this really showcases just how talented Kurt is -- not only can he act while he’s singing, he has other talents as well, such as climbing scaffolding and using sai swords. The comedic/tragic element of this song, for me, is the fact that Kurt’s trying to show off everything he’s able to do in one song -- and in effect, while being an incredible spectacle, kind of backfires for him. (If he had done this one for his NYADA audition - I would have bought Carmen Tibideaux’s remarks.) I think this is often an underrated Kurt solo due to the high level of proficiency that’s needed to pull this off -- but it’s also not the best Kurt has to offer.

10. Bring Him Home (Diva, 4x13)

This is another one of those Kurt/Rachel comparison numbers that I count as a solo because there’s Kurt-only studio version and because it’s not really sung together but side by side. What I really love about this number is that subtle delicacy that Kurt brings to the number. It’s sung with a restrained emotion that’s perfect for the number that is a pleasure to listen to when compared to the over-emoting mess that Rachel is doing next to it. The other fascinating thing I’m learning, as I do this list, is that there’s a sense of maturity about Kurt’s voice that I’m finding in the later seasons - which is really neat to listen for. My only real reason it’s as low on the list as it is - is because there’s the song holds no real weight for Kurt’s story. I kind of wish the Midnight Madness song had not been the popular number of the year thanks to Les Mis, but something more meaningful to their friendship - but ah well, for Kurt, it’s still masterfully done.

9. Le Jazz Hot (Duets, 2x04)

This is a fun number that really showcases Kurt’s talents and ability. I really love the moment at the end when he sings his entire range. Like I’m The Greatest Star and Some People, it’s a showoff number, but I think more so than those other two, Kurt really brings it extra in this one as the choreography and costume additions are incredibly inspired. It’s not his greatest vocal solo, or the most meaningful, which is why it’s a little lower on the list, but it’s quite entertaining to see Kurt push in so much on himself, especially when forced to do so by the story, and thus makes it a memorable solo.

8. I Want to Hold Your Hand (Grilled Cheesus, 2x03)

I believe with this one we’re getting into the iconic Kurt-solo territory. The show already knew that Chris was a great pretty crier, and that was used to great affect in this entire episode. The one really great thing that Kurt (and Chris in his acting) does is not over emote. He sings songs with great emotion, but it’s usually controlled and right under the surface, making it incredible compelling. (By contrast - Rachel is always over-emoting, and always giving the same kind of over emoting that feels bland the more you see it.) The fascinating thing is that Kurt draws you into his world and his pain with song, and while he’s not doing much but standing there, he is letting you get a glimpse of what is behind the guarded shield he uses so much. This is why Kurt solos are special, because they’re rare, and a rare glimpse of what’s going on in a character who blocks himself off so much from the outside world -- especially in the early years. While I just happen to like the other solos on the list more, I believe this is one of the best performances on the show.

7. Defying Gravity (Wheels, 1x09)

So. This is the last of the side-by-side comparisons that I have on the solo list. And I want to start by saying that vocally, even minus the intentionally botched note, it’s not very good. Honestly - go listen to the season 5 version, and you hear how much better a vocalist Chris became, and it’s really a treat to hear him grow into his voice. And I do think Rachel won this competition. However... there is something magical about this performance. First of all, the song is deeply resonant for Kurt (and for Chris) and that comes through clearly in the song. He embodies the emotion of the song in a way that Rachel (and I’ll argue Lea) doesn’t. The lyrics are meaningful, and are acted out superbly. And on top of that is a layer where Kurt is debating with himself as to whether or not he’s going to throw the song. The vocals might not be there, but the acting is, and the emotion is, and on that alone brings this song so high on the list. This is a character defining song if there ever was one.

6. Blackbird (Original Song, 2x16)

Do yourself a favor - go on Netflix and watch this one, the youtube version cuts off Kurt’s head, which really is a disservice to the song and the performance, but it’s the only link I could find.

First of all, I’m biased, because I really love this song. Kurt sings it beautifully, too, which helps. But really -- I think it’s an incredible story element on multiple levels. Kurt’s singing a eulogy for a dead bird, which is bizarre when written out. But this moment is perfect. It’s a moment where Kurt’s restrained emotion is channeled beautifully through song, and we see, again, an element of Kurt himself, who has been caged throughout the whole Dalton arc. So, it’s not only about the death of Pavarotti, but about the death of Kurt trying to be something he’s not - and the freedom that comes with allowing yourself to be you.

On top of that, it’s a pivotal moment in the Klaine story, where Blaine finally gets to see the raw emotion of who Kurt is, and realizes he’s in love with him. The fact that this song is so multilayered on top of a great and beautiful performance is really what makes it one of my favorites.

5. I Have Nothing (Dance With Somebody, 3x17)

This might be the most controversial choice on this list, but I’ll stand by it because it is one of my favorites. Yes, Kurt is straining to get to some of those high notes, vocally it’s a bit raw and forced. But my god, it’s one of the most stunning displays of emotion that he ever gets to do. Not only is this song about him, and the type of person he is, it’s also about love, and how Kurt expresses love.

Like so many of his best performances, there are a lot of layers going on here. Not only does it have the emotional intensity that A House is Not a Home did, but it has a razor sharp, singular focus that the other song lacks. Kurt is expressing himself, the best way that he can, to communicate to Blaine -- and the two of them have an unspoken dialogue during the song, which is really incredible. (The acting chops for both Chris and Darren here are really remarkable.) It is the most romantic performance on the list, and one of my favorite moments on the show.

4. The Boy Next Door (Choke, 3x18)

Believe it or not, this is one time I’d actually recommend the studio recording over the show performance. Despite lacking the Gold Lame Pants of Infamy, the studio version really showcases just how amazing this performance is. But anyway - unlike Carmen Tibideaux, who clearly doesn’t know our Kurt Hummel, there is nothing surface level about this performance. And unlike I’m The Greatest Star - this isn’t Kurt trying to shove everything he can do into one performance, it’s showcasing who he is as a person and a performer. Vocally, it’s fantastic, and I’m glad the later seasons allow Kurt to do more songs settled in lower registers - as that part of his vocal range is really quite beautiful. Visually, this is Kurt emulating a bit of Hugh Jackman while retaining some of his own, unique elements. This performance is truly special because it’s a time when Kurt realizes that it’s okay for him to be himself, and lets that shine through song.

3. Rose’s Turn (Laryngitis, 1x18)

Kurt’s first real big solo in the show, and it’s absolutely stunning. The fascinating thing about this one is, again, just how much is going on here. Kurt slowly gets to unravel, shaking off the expectations that he thinks society is putting on him, and blossoming into who he really is. This song is perfect for him as a character in this moment. While the vocals are a little shaky at times (I’m noticing that a lot about season 1 Kurt) the performance is not. We never really get to see Kurt be angry and gritty through song again, but I’m glad we do have this moment to show how it would go. I love everything this number chooses to be, and everything that it says about Kurt, which is why I feel it’s one of his best numbers.

2. Being Alive (Swan Song, 4x09)

There is something kind of magical about this song. And this is the reason that I find it tragic we don’t get an emotionally powerful song from Kurt after this point. (Though - after this point, we don’t get a long going individual Kurt arc either, so I suppose it makes sense.) But here’s the thing about this song... It is Kurt going inside himself, and reflecting on all the pain and heartache that his life has given him, and all the struggles he’s had in the change from child to adult, and almost unknowingly, as the song continues on, getting lost on that emotion as he reflects. It’s very hard for, I believe, for a musical number such as this to work on TV -- that relies on more action and visuals than other mediums. But as I’ve stated in all of these other entries -- Kurt (and Chris, really) is the master of reflecting all these different, conflicting emotions on his face, and making it visually compelling, even if it’s one person in a room, and nothing else going on. The emotion, the complexity, the story is all there in a performance much more mature than anything that had come before it. This is really one of the most beautiful and richly developed performances on the show, and truly one of the best that Kurt has to offer.

1. As If We Never Said Goodbye (Born This Way, 2x18)

I debated for a while which would take the top spot, and what I kept coming back around to was that while Being Alive is the most technically proficient, and deeply profound of Kurt’s solos... As If We Never Said Goodbye is the epitome Kurt’s character and story all wrapped up in one. It is his most iconic solo, and for a reason. It’s all of the emotion, vulnerability, and deeply layered story telling we get so often from Kurt Solos. It perfectly describes the journey this character has been on and where it’s going, as well as just being a fantastic performative piece. It’s helped by the fact that the show allows the whole five minute song to be sung, where we get to follow Kurt as he moves from one stage of his life to the next, again another song about coming out of his shell to reveal his true identity and what is buried in his heart. This song is why I love the character, and why I love his story. The fact that it’s subtle and refined, but having so many layers if you’re willing to look. It’s beautiful and imperfectly perfect, just like Kurt Hummel.

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