kyoka: certified represser, fake idgafer, bisexual disaster. i love them soooo!!!!!!

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kyoka: certified represser, fake idgafer, bisexual disaster. i love them soooo!!!!!!
sos.
english language bootcamp, with @lgckyoka
english was tough. it wasn't something junkyu had really tried to practice much before in the past, though now as a trainee, he knew that knowing a decent amount of english could come in handy in the future. so these last few weeks, he had been watching gossip girl each week for at least an hour, without subtitles. and it was safe to say he was pretty confused.
though as the weeks went past, things were starting to make a bit more sense. it wasn't like he was a fluent speaker, but he was starting to understand the basic phrases and how to form introductory sentences. so knowing kyoka was willing to help him out, honestly meant a lot.
"hello, my name is choi junkyu, it-" he pauses himself, thinking about the correct wording. he's aware there's a coach watching over them, and even that just adds a tiny bit more pressure. "it's.." he glances up at kyoko, hoping for a little bit of reassurance that he was doing well as he continues. "nice to meet you. i am.. twenty-five years old.."
villain verse talk >:)
i originally had kyoka locked up after accidentally killing a girl who was bullying her ( it was self defense tbh cause homegirl was literally beating kyoka's ass ) but like what if what IFFFF a villain saw everything and that the hero who found kyoka was just gonna arrest them & not listen to anything they were saying so they unalive said hero and take her in? like eventually she'd find her way to the league or mla and be the ears of the operation, ya feel? like imagine all the ambushes that could have been avoided bc kyoka out here like "uhhh i just heard a barrage of ppl we gotta GO"
i dunno much to think abouttt :)
whiplash.
hosting worshops, with @lgckyoka
the last time junkyu found himself in this sort of position was a month or two ago, when kyoka had offered to help junkyu with his english bootcamp training. he was extremely appreciative, especially because back then, his english was still lacking in many ways. while he wasn't terrible at english then, he was good enough to communicate decently enough, even if it took him a few moments to think of the right word and pronunciation.
and now, they find themselves in one of the practice rooms in a similar situation, though this time it's more focused on the hosting workshops than english. but, to make things more fun, the two of them decided to blend it with some english. kill two birds with one stone, right?
for someone who's more used to being in front of a camera now, holding one wasn't as easy as junkyu thought. "when you film your vlog, how are you going to hold the camera?" junkyu asks curiously, fiddling around with the camera in his hands, moving it from one place on the table close by to in his hands and at a distance to film himself.
𝗠𝗨𝗦𝗘 𝗗𝗘𝗠𝗘𝗔𝗡𝗢𝗥 𝗔𝗡𝗗 𝗠𝗔𝗡𝗡𝗘𝗥𝗜𝗦𝗠𝗦 𝗧𝗜𝗠𝗘
𝗘𝗬𝗘𝗦. avoids eye contact when nervous, maintains eye contact when agitated, avoids eye contact due to being neurodivergent, enjoys eye contact as a means to read and convey emotion, looks down when emotional, looks up when emotional, cries openly, wipes tears quickly, suppresses tears, wandering gaze when lost in thought, holds gaze while thinking, seeks out eye contact for reassurance, seeks out eye contact to gauge enthusiasm during conversations, eyes constantly move during conversation, expressive eyes, emotions only evident through eyes, uses eye contact to intimidate, looks up while thinking, looks down while thinking.
𝗛𝗔𝗡𝗗𝗦. clasps behind back, rest in lap, fidgets with clothes, twiddles thumbs, chews at nails, pushes back cuticles, draws patterns on table/counter surfaces, makes animated gestures while speaking, only gestures to emphasize, utilizes sign language, speaks only through sign, callouses, scars, smooth, wrinkled, worn, soft, delicate, boney, slender, thick, veiny, touches others while speaking, reaches out while laughing, reaches out to comfort others, reaches out to seek comfort, places face in hands when exasperated, places palms over eyes to hide when overwhelmed, rests chin in hands, taps fingers when impatient, taps fingers when nervous, taps fingers while thinking, scratches scalp, strokes chin, rubs back of head, toys with objects around them, runs fingers over surfaces while walking by.
𝗠𝗢𝗨𝗧𝗛. chews lip, chews at inside of cheek, licks lips, bites tongue, chews on straws, resting frown, resting smile, neutral resting expression, resting pout, grinds teeth, flexes jaw, covers mouth when laughing, covers mouth when shocked, covers mouth when concerned, hands to lips while thinking, covers mouth when chewing, chews with mouth closed, chews with mouth open, smirks, grins, subtle smiles, wide smiles, sad smiles, intimidating smiles, menacing grins, openly smiles, tries to suppress smiles, bares teeth when angry, lips quiver when emotional, stutters, speaks quickly, speaks slowly, good pronunciation, poor pronunciation, moderate pronunciation, purses lips, sucks in lips, holds mouth open when shocked or confused.
𝗟𝗘𝗚𝗦. bounces leg when nervous, draws knees to chest when sitting, draws knees to chest as a means of comfort, sits on knees, sits with legs criss-crossed, sits with legs spread open in chairs, crosses legs when sitting in chairs, sits with one leg folded under the other, places feet on furniture, never places feet on furniture, sits on counters, sits on desks, sits on tables, sits on edge of seat, sits hunched over with forearms on knees, arches one knee up, sits on the arm of chairs/couches, feet on dashboard, swings legs back and forth when sitting somewhere elevated, wiggles toes when nervous, wiggles toes as a general tick, shuffles feet, kicks foot into ground, stomps feet, loud footsteps, quiet footsteps, silent footsteps.
𝗛𝗔𝗜𝗥. runs fingers through hair, tugs at hair, picks at scalp, chews on hair, twists locks of hair while thinking or nervous, smooths out locks of hair while thinking or nervous, prefers hair out of face, prefers long hair, prefers short hair, wears hair back, keeps hair down, smooths back hair, plays with other’s hair while talking, plays with own hair while talking, strokes hair to comfort others, likes having hair stroked for their own comfort, braids others’ hair while talking, braids own hair while talking, flips hair out of face, pushes hair out of face, leaves hair alone even when falling into face.
the significant novelty of kyoka‘s first full length album »is (Is Superpowered)« is that she uses her own voice much more often than usual, in the form of short snippets as well as longer sung melodies. these elements are set and arranged as if they were an autonomous instrument, and sometimes they give the impression of being a babelesque language mix-up, or even a kind of cryptic message for the listener like found in the song »meander«. the production process of the record was heavily supported by her label mates frank bretscheider and robert lippok, which is, in this way of forming a production team, a unique constellation in the history of raster-noton. whereas lippok focused on preserving the roughness and complexity of kyoka‘s compositions, bretschneider concentrated on refining them regarding their fluidity and focus. both tried to keep the vitality and hyperactivity of the initial tracks without losing their distinctive eccentricity. although kyoka‘s sound is often kind of chaotic, it is by no means stressful but rather energizing and easy to enjoy. the only exception to this can be found in »piezo version vision«, the noticeably roughest track of the record. her particularly progressive style is best reflected by the song »re-pulsion«, a rolling groove combined with unusual clicks and snares and topped with crazy sounding voice fragments. the album thus further deepens what was already initiated with her first ep »iSH«, released as part five of raster-noton‘s unun series. it presents a stylistically broader spectrum of kyoka‘s music but at the same time exhibits the fresh and positive, sometimes even childlike attitude she is already known for. this eventually renders »is (Is Superpowered)« a perfect extension of our label catalogue.
the significant novelty of kyoka‘s first full length album »is (Is Superpowered)« is that she uses her own voice much more often than usual, in the form of short snippets as well as longer sung melodies. these elements are set and arranged as if they were an autonomous instrument, and sometimes they give the impression of being a babelesque language mix-up, or even a kind of cryptic message for the listener like found in the song »meander«. the production process of the record was heavily supported by her label mates frank bretscheider and robert lippok, which is, in this way of forming a production team, a unique constellation in the history of raster-noton. whereas lippok focused on preserving the roughness and complexity of kyoka‘s compositions, bretschneider concentrated on refining them regarding their fluidity and focus. both tried to keep the vitality and hyperactivity of the initial tracks without losing their distinctive eccentricity. although kyoka‘s sound is often kind of chaotic, it is by no means stressful but rather energizing and easy to enjoy. the only exception to this can be found in »piezo version vision«, the noticeably roughest track of the record. her particularly progressive style is best reflected by the song »re-pulsion«, a rolling groove combined with unusual clicks and snares and topped with crazy sounding voice fragments. the album thus further deepens what was already initiated with her first ep »iSH«, released as part five of raster-noton‘s unun series. it presents a stylistically broader spectrum of kyoka‘s music but at the same time exhibits the fresh and positive, sometimes even childlike attitude she is already known for. this eventually renders »is (Is Superpowered)« a perfect extension of our label catalogue.
Kyoka. is (is superpowerded) GREAT ALBUM, thanks @el_reg :)