Untitled, Lee Bontecou, 1998, MoMA: Drawings and Prints
The Judith Rothschild Foundation Contemporary Drawings Collection Gift Size: 9 1/2 x 12" (24.1 x 30.5 cm) Medium: Colored pencil on black paper
http://www.moma.org/collection/works/95582

seen from Canada
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Untitled, Lee Bontecou, 1998, MoMA: Drawings and Prints
The Judith Rothschild Foundation Contemporary Drawings Collection Gift Size: 9 1/2 x 12" (24.1 x 30.5 cm) Medium: Colored pencil on black paper
http://www.moma.org/collection/works/95582
Untitled, Lee Bontecou, 1973, Brooklyn Museum: Contemporary Art
Size: 18 3/8 x 24 13/16 in. (46.7 x 63 cm) Medium: Graphite on paper
https://www.brooklynmuseum.org/opencollection/objects/114773
Lee Bontecou’s All Freedom in Every Sense (exhibit) • Untitled, 1980-98 — I love the shadows in particular • #leebontecou #mobile #museumofmodernart #moma #sculpture • #vscocam #peoplewatching #lightplay #shadowplay #photobacklog #ipreview via @preview.app https://www.instagram.com/p/B37kohzlBUK/?igshid=10rv3yshsfwev
#leebontecou #nationalgalleryofart #washingtondc #jonescrew #roadtrip
NEW IN THE BOOKSHOP: LEE BONTECOU (2017) Since the 1960s, American artist Lee Bontecou has been internationally praised for her intriguing sculptures and installations. The rich, organic shapes of her sculptures seem to originate from a mysterious universe in which manʼs fears and desires are condensed. Recently the artist created Sandbox, a new installation in which she combines elements from her work from the 1960s to the present. A picture essay by Joan Banach, artist and friend of Bontecou, focuses on the genesis of Sandbox and maps the rich network of Bontecouʼs inspirations: pictures range from extracts from geological and historical books to images of works by old masters. The beautiful, detailed photographs were taken at the artistʼs studio. This publication also shows Bontecouʼs sketchbooks and the inspirational ʻwall of drawingsʼ in her studio. It is an intimate insight into the creative process of the artist. Published on the occasion of the exhibition at Gemeentemuseum Den Haag, The Hague, Netherlands, 25 February – 2 July 2017. Available in the bookshop and via our website. #worldfoodbooks #leebontecou (at WORLD FOOD BOOKS)
Fiber Sculpture Artist Research Presentations, Day Two
Learn more about the artists that were presented during class on Wednesday with the links for further study that you created in conjunction with the presentations, reposted below…
Images from top:
work by Lara Schnitger presented by Asia
work by Francoise Grossen presented by Casey
work by Janine Antoni presented by Gail
work by Yinka Shonibare presented by Sam
work by Elizabeth Higgins O’Conner presented by Vanessa
work by Lee Bontecou presented by Mai
work by Sarah Lucas presented by Walter
work by Ernesto Neto presented by Dang
Fifth Stone, Sixth Stone, Lee Bontecou, 1967–68, published 1968, MoMA: Drawings and Prints
Gift of the Celeste and Armand Bartos Foundation Size: plate (see child records): dimensions vary; page (each approx.): 20 1/16 x 13 3/16" (51 x 33.5 cm) Medium: Illustrated book with seven etchings with aquatint (including cover)
http://www.moma.org/collection/works/11377
Untitled from The New York Collection for Stockholm, Lee Bontecou, 1973, MoMA: Drawings and Prints
Gift of Steven M. Feinstein Size: composition and sheet: 8 7/8 x 11 15/16" (22.6 x 30.4 cm) Medium: Lithograph from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph
http://www.moma.org/collection/works/72050