LET ME TELL YOU ABOUT STEPHEN BLACK, FAIRY KING, AND WHO I THINK HE COULD REASONABLY GET IT ON WITH
or not a fairy king--he’s still a mortal man, but when a mortal man becomes king of a faery realm the difference slowly goes away.
ANYWAY, ON TO PEOPLE I THINK HE COULD GET IT ON WITH:
1) JOHN USKGLASS.
Stephen and the Raven King occupy so much of the same mythological space. It’s only reasonable that the Raven King would come to check out his successor once he was finally crowned king of Lost-Hope.
(Because, of course, he IS John Uskglass’s successor. John Uskglass was the nameless slave, raised in a foreign court, a King in Faery before he was a King in England, and he wrote about Stephen in his own Book. OBVIOUSLY the reason John Uskglass does this is because, three hundred years after abandoning England to take care of Other Matters, he’s finally settled on the matter of his succession. Stephen WILL be king of England--because he’ll be the King of the North.)
Anyway, the Raven King shows up to teach the Nameless King about his duties and magical governance and eventually claiming the Northern throne, and the Nameless King is very hostile and indignant about all this at first, because he’s only JUST set Lost-Hope to rights, and he isn’t at all sure that England won’t be an even more disorderly mess (and anyway, he’s not sure about returning to England at all), and also John Uskglass is infuriating and infuriatingly handsome and they definitely make out on the other side of the rain.
2) JOHN CHILDERMASS.
The cards have always told John Childermass that he’ll serve the cause of English Magic, that English magic will be his master and he will have no other, that one day he will meet his King.
He is very surprized, therefore, to read on Vinculus’s left elbow that he has MET his king, and that he is destined to restore the throne in the North.
Or: instead of attending to the Nameless King himself, the Raven King sends his vassal. Childermass shows up in Lost-Hope full of visions and prophecy and unseelie advice, and it’s killing him, because why should John Uskglass care if the conduit is used up, so long as it serves its purpose?
He and Stephen bond over their years in service and the fact that they are both their own masters now--except for John Uskglass. A state of affairs neither of them is currently happy with.
The heir and the vassal plan a coup. And they make out on the other side of the rain.
3) JOHN SEGUNDUS. (WHY IS EVERYONE CALLED JOHN.)
John Segundus, a hapless Seer, ends up ensnared in a bargain with one of Stephen’s eldritch subjects that means he must spend seven years and a day in Faery before he may return to England.
Stephen Black cannot stop his subjects from stealing Christian men and women, and he cannot revoke their bargains, but he CAN demand that his subjects turn them over to him, as tribute.
John Segundus, therefore, is a guest in Lost-Hope for seven years and a day. He and Stephen obviously fall in love and make out on the other side of the rain.
4) ARABELLA STRANGE
Arabella Strange, to the shock of her countrymen, turns out to have learnt exactly as much from Jonathan Strange as the servant Childermass learnt from Mr. Norrell, with the distinct advantage of having spent some time in a fairy court, learning their ways.
Her decided goal, of course, is rescuing her husband. She does not succeed in so much as contacting the Dark Tower again--but she DOES manage to contact the King of Lost Hope. (Stephen is very shocked to find Arabella Strange’s image appear in a pool of spilled wine on the flagstones of Lost Hope. Arabella herself is determinedly staring into mirror after mirror, hoping for a glimpse of the Dark Tower.)
After enquiring if Mr. Black himself would like to be rescued, and being reassured that being the King of Lost-Hope is quite different from being a prisoner in Lost-Hope, and much to be preferred to being a black servant in imperial England, Arabella asks whether Mr. Black might not contact her husband.
As it turns out, that is perfectly within the power of the King of Lost-Hope.
Arabella begins a correspondence with Jonathan through Stephen, but it quickly turns into a correspondence with Stephen himself, until the two of them are looking into the lees of wine cups and the reflections in mirrors simply to talk, simply to share with each other. Slow burn semi-epistolary romance, in other words, ending with the return of the Dark Tower, farewell kisses on the other side of the rain, and Mrs. Strange’s second more permanent disappearance into Faery.
5) EMMA POLE
They’ve been each other’s only solace for years and years, and Lady Pole is NOT AT ALL PLEASED that everyone seems to have been rescued except for poor Stephen, who is still trapped in Faery. Her letters to the Prince Regent and the Cardinal and the Times are impassioned but ultimately futile, so Emma decides to do something about it herself.
She is understandably leery of doing anything so rash as inviting more magic into herself, but as Sir Pratchett pointed out, offering up someone else’s liver never works. She drinks a potion brewed by the only magician she trusts--Segundus--and manages to visit Stephen in a dream.
Stephen is unutterably glad to see her.
It turns out that visiting Faery in dreams is only terrible when you are made to do terrible things. It is quite different when one is walking arm in arm with one’s favorite person in the world, discussing the running of a grand house, just as you imagined you would when you were going to be married, and he was your husband’s butler. Before either of them quite realize it, Emma is functionally the Queen of Lost Hope.
6) ARABELLA STRANGE AND EMMA POLE
A combination of 5 and 6, with the additional context that Arabella and Emma are living together in Italy, not yet in sin (but Emma for one totally wishes they were.) Epistolary correspondence leads to a three-way, and two queens in Lost-Hope.
7) THE GENTLEMAN WITH THE THISTLEDOWN HAIR. (This one’s unrequited.)
In the show, Stephen buries the Gentleman in a tree within his own ballroom. It’s unclear if the Gentleman is alive or dead--I’m calling him alive, but imprisoned, like Merlin, in the tree.
Stephen often goes down to speak to him. The gentleman rants continually of Stephen’s betrayal, of Stephen’s wickedness, but is sometimes persuaded to sulkily give up the history of his kingdom, the secrets to ruling a Faery brugh.
Couldn’t you have loved me, Stephen? the gentleman asks plaintively, from his hollow prison. Couldn’t you have loved me at all?