On March 7th 1924, Sir Eduardo Paolozzi, the renowned sculptor and artist, was born in Leith.
Eduardo Paolozzi was a prolific and inventive artist most known for his marriage of Surrealism's early principles with brave new elements of popular culture, modern machinery and technology.
The teenage Paolozzi was interned as an enemy alien. His father and grandfather were put on a ship to Canada and drowned when it was targeted by a German U-boat.
And with that his family life was deeply affected by the divisive nature of a country involved in conflict, which birthed his lifelong exploration into the many ways humans are influenced by external, uncontrollable forces. This exploration would come to inform a vast and various body of work that vacillated between the darker and lighter consequences of society's advancements and its so-called progress.
On the one hand, he would create abstract sculptures, which were dark and brutal in both material and form, portraying the idea of man as a mere assemblage of parts in an overall machine. On the other hand, he would create collages brighter in nature that reflected the way contemporary culture and mass media influenced individual identity. Some of these collages, with their appropriation of American advertising's look and feel would inspire the future Pop Art movement.
Paolozzi's early love of American culture and the collecting of its paraphernalia would lead him to make collages that were credited for launching the Pop art movement. He was the first to appropriate images from advertisements to create work representative of the shinier, happier lifestyles that were touted in American magazines and media.
Paolozzi was knighted in 1989 and by the end of his life was one of the country’s best-known artists. He died in April 2005 and left a major bequest to the Scottish National Gallery of Modern Art. His works are now presented in a designated Paolozzi Studio in Modern Two, recreating the chaos of Paolozzi’s own workspaces.














