#lnkay

[mirasmixtape]

http://open.spotify.com/user/miratunek/playlist/7zOrMzFtOWWk0O4a2zoSAR

ocean - Yaeger

Nuggets - Mura Masa ft. Bonzai

VIP Wet Dreams - Tella Viv

Ashanti - Unge ferrari

Keep My Head Up - LNKAY

Not Down 4 Whatever - IMAN

Don’t You Worry - Marlene

Dela På Hälften (RMH Remix) - Parham ft Adam Tensta, Eboi, Nebay Meles

Spela Över - Parham

0400 - Julia Adams

Litt for mye - Lovless ft. Philip Emilio

Champagne - Adoo, Baba Moe, Sam-E

Mirror - Hyuna

Rough Soul - Goldlink ft April George

NA B YA - Peejay ft Zion.T

Bad4U - Loveless ft Awa

Alene - Arif

Vi Burde Ha Vært På Film - No. 4

Blood Under My Belt - The Drums

Gamble - TOKiMONSTA

Ring Ring Ring - Somdef ft. Verbal Jint, Paloalto, DPR LIVE & CAR, THE GARDEN

Where - Laybacksound

MAKE YOU SAY - Rachel Foxx

Beautiful Little Fools - Jorja Smith

Nostalgia - JON VINYL

Froot - Marina and the Diamonds

Make You Love Me - Jarreau Vandal ft Zac Abel

Det Hvide Snit - Aksglæde

[revelfantasy]

[luvneedsnosyt]

LNKAY - Keep My Head Up.

Shouts: Ultimate Music

[filipalfvag]

[filipalfvag]

[groovesnjams]

“Hurricane” by LNKAY

DV:

“And it hit me like a hurricane/ A bullet through my skin” isn’t the most consistent metaphor, but LNKAY largely makes it work through force of sonic will. “Hurricane” is a dynamo of a song, distinguished by whirring synths and one of the better quiet-loud-quiet arrangements I’ve heard in a while. “Sad songs love songs/ And they’re singing like,” LNKAY says, and the synth pulses. Her production’s as much a voice as her lyric; her vocal - spattered with “Ay”s and pitch-shifted background lurking, as much concerned with how her words sound as what they are - is as much a part of the production as its lead. Together, they tell a story - metaphors be damned. I might not be able to say quite what “Hurricane” means, but by the time the final chorus hits I’m sure that I know.

MG:

Taylor Swift’s strong suit, most seem to agree -- by virtue of unified silence, is not singing. She’s distinct, but limited. Like Tom Petty. So, it’s always strange and noteworthy when someone clearly emulates her vocal work. LNKAY hasn’t penned a Taylor Swift song, but she’s singing “Hurricane” like she has. She’s a bit yelpy. As good as her production is (and it’s a compelling mix of synthpop and trip hop) the vocal dampens it, too recognizable, too particular. This is a banner year for mixed metaphors and LNKAY takes the throne from “Phoenix.” Why she named this song “Hurricane” when she’s using a sex/gun lyric primarily is a little baffling. 

[lnkay]

i'm sure you guys have already noticed, but we changed our blog name 

lnkay ftw!