#londondesignmuseum

[moodboardmix]

Triumph Motorcycles ‘Trident’

Pictured at London Design Museum 

[jeeez-louise]

A visit to the Design Museum meant getting a sneaky peek of some dramatic silhouettes from Azzedine Alaia (at Design Museum)

[sbknews]

New Triumph Trident 'Design Prototype'

An original British design showcases the unique style and attitude of the new middleweight Triumph roadster to come. Revealed at the London Design Museum, the Trident design prototype marks the beginning of a new modern chapter for a legendary name, introducing a new triple-powered dimension to the competitive middleweight roadster world. Trident design prototype revealed at the London Design Museum An original British design, built to showcase the Trident’s new contemporary design take on Triumph style and attitude Introducing three key advantages into this highly competitive category - Triple cylinder power and torque rich performance - Class leading technology as standard - Triumph’s accessible agile and confidence inspiring handling This new entry point into Triumph’s award winning Triple roadster line-up will be competitively priced to deliver great value for a new generation of riders. Arriving in Triumph dealers for spring 2021, with more news to come soon. Four year design project: The Trident design prototype comes as a result of a 4 year development programme led by a dedicated team in our design facility in the UK, Triumph’s global headquarters, where every single Triumph is designed and prototyped. Conceived and developed by the Hinckley design team, with additional styling input from Rodolfo Frascoli, the Trident brief was focused on delivering a distinctive, dynamic and attractive new take on Triumph style and attitude. Read the full article

[informedinnovationinc]

7 weird, wonderful, ingenious ideas for dispensing hand sanitizer

Bubbles, capsules, and paint: Sanitizer gets a new look in 2020.

Design competition, in partnership with the British Red Cross and London Design Museum, offers creative takes on how to stay clean

[karolis-project]

‘’The world’s leading design museum and European Museum of the Year 2018 ‘‘

-The Design Museum gives some new fresh ideas that can inspire olders so youngers , that can benefit them in the future by refreshing their brains!

Advertisement tri-face billboard was designed by  Morag Myerscough .

For me it looks like a space ship in the future design.

[drawdownbooks]

Ineke Hans: Was ist Loos? / Available at www.draw-down.com / Designed by #IrmaBoom Office / Current relevance characterizes the hybrid design objects of contemporary Dutch designer #InekeHans (b. 1966). Taking account of today’s social developments, the blurring of borders between work and personal life, and challenges created from a networked, globalized world, Hans asks questions about the functionality of contemporary #design and how people, objects, and spaces interact. This catalog was created on the occasion of Hans’s first solo exhibition in Austria and provides an overview of Hans’s recent work while also exploring the present and the future of design. The exhibition's title is a pun merging the German phrase for “What’s going on?” with the name of architect Adolf Loos. Alongside images of Hans’s work, the publication—innovatively designed by Irma Boom Office—includes contributions by professional acquaintances. Deyan Sudjic, director of the #LondonDesignMuseum describes how the examination of design leads to interpretations of history and how Hans’s designs are socially embedded. Bart Lootsma, professor of architectural theory at the University of Innsbruck, provides insights into the working attitude and methods of Hans, also in relation to other developments in Dutch design. A conversation between Ineke Hans and Oliver Stratford, editor in chief of Disegno Magazine, traces the influences and approaches of the designer. https://www.instagram.com/p/BtBN2oDg8UP/?utm_source=ig_tumblr_share&igshid=17jnake4bzvho

[voxfrock]

A couple of crick-necked minutes into Azzedine Alaia I twigged what a lovely trick it is. Through a hearttwanging forest of mannequins, tall as trees and in sinewy gowns cut to puddle on their bolstered plinths, your perspective is skewed to his. You must look up, up, always up, to couture exquisitely sculpted to ribcages and busts, up to artworks pinched and snipped and fashioned to cascade just so over supermodel hips, up to the hollows where, say, Grace Jones's cheekbones would jut between the slippery folds of a silk mantilla. It's his lense, his angled view of a world of rare women and, his posthumous gift to us now. He collaborated on the Design Museum's exhibition long enough to commission backscreens from his artist mates (Aussie icon Marc Newsome is one) that are gobsmackers in their own right, and plumb his archive for the most incisive clues to his life and oeuvre. Away from the frocks, a clip room filled my own AA gaps (though I wrote volumes about his work and his swivel moment in fashion history, I regret I never interviewed him), revealing the warmth of his friendships, his ever-open kitchen, and naturally, his rapier couture and tailoring skills applied to a body conscious, second skin view of clothing. One final gossipy revelation I smiled to hear: he could also be prickly. It's a quality bristling among my most precious friends, known for their refusal to suffer fools or play social games. Ergo, I suspect AA and I might have hit it off. (PS: if you are fortunate to pop in to the exhibition before it goes pfft in August, pause a tick for the clip of AA dancing with his beloved - pony-sized - St. Bernard; proof joy is as vital as oxygen to a creative life.) #azzedinealaia #london #designmuseum #londondesignmuseum #couture #hautecouture #legend #couturier #designer #paris (apologies for the black cover - still experimenting with vid-apps!) (at Design Museum)

[voxfrock]

A couple of crick-necked minutes into Azzedine Alaia I twigged what a lovely trick it is. Through a hearttwanging forest of mannequins, tall as trees and in sinewy gowns cut to puddle on their bolstered plinths, your perspective is skewed to his. You must look up, up, always up, to couture exquisitely sculpted to ribcages and busts, up to artworks pinched and snipped and fashioned to cascade just so over supermodel hips, up to the hollows where, say, Grace Jones's cheekbones would jut between the slippery folds of a silk mantilla. It's his lense, his angled view of a world of rare women and, his posthumous gift to us now. He collaborated on the Design Museum's exhibition long enough to commission backscreens from his artist mates (Aussie icon Marc Newsome is one) that are gobsmackers in their own right, and plumb his archive for the most incisive clues to his life and oeuvre. Away from the frocks, a clip room filled my own AA gaps (though I wrote volumes about his work and his swivel moment in fashion history, I regret I never interviewed him), revealing the warmth of his friendships, his ever-open kitchen, and naturally, his rapier couture and tailoring skills applied to a body conscious, second skin view of clothing. One final gossipy revelation I smiled to hear: he could also be prickly. It's a quality bristling among my most precious friends, known for their refusal to suffer fools or play social games. Ergo, I suspect AA and I might have hit it off. (PS: if you are fortunate to pop in to the exhibition before it goes pfft in August, pause a tick for the clip of AA dancing with his beloved - pony-sized - St. Bernard; proof joy is as vital as oxygen to a creative life.) #azzedinealaia #london #designmuseum #londondesignmuseum #couture #hautecouture #legend #couturier #designer #paris (at Design Museum)