Louis Eilshemius - "New York Roof Tops" (1908)
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Louis Eilshemius - "New York Roof Tops" (1908)
Meditation, 1919 by Louis Eilshemius (American, 1864–1941)
Louis Eilshemius - The Tempest
New York at Night, Louis Eilshemius, ca. 1910
Fifty-Seventh Street, Louis Eilshemius, 1908
Oil on fiberboard 25 15/16 x 9 ½ in. (65.9 x 24.1 cm) Smithsonian American Art Museum, Washington, DC, USA
Louis Eilshemius (1864–1941)
Born in New Jersey, studied in Europe, 1873-81, settled in New York City. Idiosyncratic painter who called himself a “Transcendental Eagle of the Arts” but whose increasingly subjective pictures received little attention during his lifetime. Charles Sullivan, ed American Beauties: Women in Art and Literature (New York: Henry N. Abrams, Inc., in association with National Museum of American Art, 1993) Born into a wealthy family, Louis M. Eilshemius studied art in Germany and at the Art Students League in New York. Eilshemius’s romantic landscapes were influenced by the French Barbizon and American Hudson River schools. He was active in New York at the same time as the painter Albert Pinkham Ryder and was greatly influenced by Ryder’s somber, moonlit scenes. Like Ryder, Eilshemius suffered several professional and romantic rejections and became a recluse. He finally experienced success as an artist in 1917, when French artist Marcel Duchamp “discovered” him at the Society of Independent Artists exhibition in New York. Although hailed as a modern, visionary painter, Eilshemius’s success appeared to fuel his peculiarities, and he abandoned painting in 1921.
Louis Michel Eilshemius (American, 1864–1941)
Shining Waters, ca. 1920
Oil on paperboard
Louis M. Eilshemius Dreaming of Temptation 1918