1. Luigi Russolo with his Russolophone (with Depero’s dedication), 1934
2. Luigi Russolo (right) with his assistant Ugo Piatti and their intonarumori, 1913.

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1. Luigi Russolo with his Russolophone (with Depero’s dedication), 1934
2. Luigi Russolo (right) with his assistant Ugo Piatti and their intonarumori, 1913.
Luigi Russolo (Portogruaro, Venezia 30 aprile 1885 – Laveno Mombello, Varese 4 febbraio 1947) "Met of old chestnut trees", 1945. . . . . . . . .#art#artcomtemporaine#contemporaryart#luigirussolo#metofchestnuttrees#reuniondevieuxchâtaigniers https://www.instagram.com/p/B2B3w_ZClq6/?igshid=q2s7fcr7dy23
THE ART OF NOISES (1916). First Italian Edition, preceding all others. A book length expansion of the musical theories first put forth by author Luigi Russolo in a 1913 manifesto to fellow Futurist composer Francesco Balilla Pratella. Text in Italian. Perhaps the earliest treatise on the use of noise as an element in modern music, and one that would come to influence countless musicians and movements, including John Cage and Pierre Schaeffer. [email protected] #luigirussolo #theartofnoises #noisemusic #electronicmusic
Luigi Russolo, Enharmonic notation for Intonarumori
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Luigi Russolo (Italian, 1885-1947 )
Perfume (1910)
14.- Intonarumori
Era dispositivos utilizados en la producción de sonidos mediante un amplio espectro de modulación. Se entendían como material abstracto pues dejaban de pertenecer a la mecánica para pertenecer al hombre (según Russolo).
Uno de los planos utilizados para su diseño
Un poco más de Russolo y el instrumento intonarumori
https://proyectoidis.org/intonarumori/
AL estar compuesto de manera diferente el intonarumori necesitaba partituras especiales
Una serenata