Mika Kajava, Department of the Classics at Harvard University, 2004
An in-depth article about the Greek goddess Hestia, her worship, and cult.
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Mika Kajava, Department of the Classics at Harvard University, 2004
An in-depth article about the Greek goddess Hestia, her worship, and cult.
Esra Çayir, 2006
A great read for Hestia worshippers or any Hellenic polytheist.
Sarah Iles Johnston, Wiley-Blackwell, 2008
“The first English-language survey of ancient Greek divinatory methods, Ancient Greek Divination offers a broad yet detailed treatment of the earliest attempts by ancient Greeks to seek the counsel of the gods. Offers in-depth discussions of oracles, wandering diviners, do-it-yourself methods of foretelling the future, magical divinatory techniques, and much more. Illustrates how the study of divination illuminates the mentalities of ancient Greek religions and societies.”
Richard Seaford, Routledge, 2006
“Dionysos is one of the most-studied ancient Greek gods for students and academics. He is popularly known as the god of wine and frenzied abandon, and has great significance for theatre -- drama, in fact, originated as part of the cult of Dionysos. However, Seaford's book covers a wider range of issues, such as mystery, cult and philosophy, which have been overlooked by many studies. As a volume in the Gods and Heroes series, this work will provide an indispensable introduction to the subject, or reference point for higher levels of study.”
Georg Luck, The Johns Hopkins University Press, 2006
“Magic, miracles, daemonology, divination, astrology, and alchemy were the arcana mundi, the ‘secrets of the universe,’ of the ancient Greeks and Romans. In this path-breaking collection of Greek and Roman writings on magic and the occult, Georg Luck provides a comprehensive sourcebook and introduction to magic as it was practiced by witches and sorcerers, magi and astrologers, in the Greek and Roman worlds. In this new edition, Luck has gathered and translated 130 ancient texts dating from the eighth century BCE through the fourth century CE. Thoroughly revised, this volume offers several new elements: a comprehensive general introduction, an epilogue discussing the persistence of ancient magic into the early Christian and Byzantine eras, and an appendix on the use of mind-altering substances in occult practices. Also added is an extensive glossary of Greek and Latin magical terms. In Arcana Mundi Georg Luck presents a fascinating -- and at times startling -- alternative vision of the ancient world. ‘For a long time it was fashionable to ignore the darker and, to us, perhaps, uncomfortable aspects of everyday life in Greece and Rome,’ Luck has written. ‘But we can no longer idealize the Greeks with their 'artistic genius' and the Romans with their 'sober realism.' Magic and witchcraft, the fear of daemons and ghosts, the wish to manipulate invisible powers -- all of this was very much a part of their lives.’“
Fritz Graf, Sarah Iles Johnston, Routledge, 2007
“Fascinating texts written on small gold tablets that were deposited in graves provide a unique source of information about what some Greeks and Romans believed regarding the fate that awaited them after death, and how they could influence it. These texts, dating from the late fifth century BCE to the second century CE, have been part of the scholarly debate on ancient afterlife beliefs since the end of the nineteenth century. Recent finds and analysis of the texts have reshaped our understanding of their purpose and of the perceived afterlife. The tablets belonged to those who had been initiated into the mysteries of Dionysus Bacchius and relied heavily upon myths narrated in poems ascribed to the mythical singer Orpheus. After providing the Greek text and a translation of all the available tablets, the authors analyze their role in the mysteries of Dionysus, and present an outline of the myths concerning the origins of humanity and of the sacred texts that the Greeks ascribed to Orpheus. Related ancient texts are also appended in English translations. Providing the first book-length edition and discussion of these enigmatic texts in English, and their first English translation, this book is essential to the study of ancient Greek religion.”
Carol Dougherty, Routledge, 2006
“With no recent publications discussing Prometheus at length, this book provides a much-needed introduction to the Promethean myth of this rebellious god who defied Zeus to steal fire for mankind. Seeking to locate the nature of this compelling tale’s continuing relevance throughout history, Carol Dougherty traces a history of the myth of Prometheus from its origins in ancient Greece, to its resurgence in the works of the Romantic era and beyond. Offering a comparative approach that includes visual material and film, the book reveals a Prometheus who was a rebel against Zeus’ tyranny to Aeschylus, a defender of political and artistic integrity to Percy Bysshe Shelley, and a symbol of technological innovation during the industrial revolution; his resilience and adaptability illuminating his power and importance in Western culture. Prometheus is an essential introduction to the Promethean myth for all readers of classics, the arts and literature alike.”
Alberto Bernabé et. al, De Gruyter, 2013
“This book contributes to the understanding of Dionysos, the Greek god of wine, dancing, theatre and ecstasy, by putting together 30 studies of classical scholars. They combine the analysis of specific instances of particular dimensions of the god in cult, myth, literature and iconography, with general visions of Dionysos in antiquity and modern times. Only from the combination of different perspectives can we grasp the complex personality of Dionysos, and the forms of his presence in different cults, literary genres, and artistic forms, from Mycenaean times to late antiquity.”