Nov 2, 2017
The Song of Tkvarcheli by Maria Gruzdeva
mariagruzdeva.com
via British Journal of Photography
seen from China
seen from Spain
seen from Türkiye
seen from United States
seen from Venezuela
seen from United States
seen from Ecuador
seen from United States
seen from Tunisia
seen from United States
seen from Türkiye
seen from Malaysia
seen from Türkiye
seen from United States
seen from United States
seen from Saudi Arabia
seen from United States
seen from Yemen
seen from United States
seen from Iraq
The Song of Tkvarcheli by Maria Gruzdeva
mariagruzdeva.com
via British Journal of Photography
Maria Gruzdeva, from ‘The Borders of Russia’
A complicated Soviet past coupled with the vast geography of Russia has made border territories a problematic area politically, physically and culturally. The inherent disturbance of boundaries, whether due to the process of unification or disintegration, has always been connected with the issue of self-loss. Border territories, as the most distant and disturbed areas of the country, illustrate like no other, the state of present-day Russia; how it is shaping its identity and its relationship with the Soviet consciousness, which it seeks to both outlive and preserve.
The project has taken an approach of an ethnographic journey, an investigation of the political and cultural symbols we naturally or artificially embed in the surrounding landscapes to mark the territory with what relates to or signifies our identity. It explores the connection between the disturbance of territorial boundaries and identities and serves as a study of cultural symbols associated with collective identity and landscape as its metaphoric representation.
Maria Gruzdeva, from ‘The Borders of Russia’
A complicated Soviet past coupled with the vast geography of Russia has made border territories a problematic area politically, physically and culturally. The inherent disturbance of boundaries, whether due to the process of unification or disintegration, has always been connected with the issue of self-loss. Border territories, as the most distant and disturbed areas of the country, illustrate like no other, the state of present-day Russia; how it is shaping its identity and its relationship with the Soviet consciousness, which it seeks to both outlive and preserve.
The project has taken an approach of an ethnographic journey, an investigation of the political and cultural symbols we naturally or artificially embed in the surrounding landscapes to mark the territory with what relates to or signifies our identity. It explores the connection between the disturbance of territorial boundaries and identities and serves as a study of cultural symbols associated with collective identity and landscape as its metaphoric representation.
Maria Gruzdeva, from ‘The Borders of Russia’
“Cityscape, Sovetsk, Kaliningrad Oblast.”
© Maria Gruzdeva
via Hyperallergic
Maria Gruzdeva
”The Borders of Russia” Maria Gruzdeva
On April 12th 1961, Yuri Gagarin became the first man in space. His orbit of the Earth made him a celebrity worldwide. His name is still synonymous with the Space Race and with Russian space exploration. Direction–Space! project is an analytical, visual and documentary photographic study of the Russian space industry’s two most iconic sites - Star City and Baikonur. Cosmonauts have lived and trained in Star City since the 1960s. In the Soviet era, it was a top secret location. Now also known as ‘The Yuri Gagarin Russian State Science Research Cosmonauts Training Centre’ it is still a military research centre and consists of a training facility and a residential area for the cosmonauts and their families as well as the military and civilian personnel serving the facility. Baikonur, situated in Kazakhstan, was the world’s first space launch facility and it is still the largest. Nowadays, the site is rented and administered by Russia. Direction–Space! series explore the reality of the space community at first hand, investigating the physical and psychological space as well as the routine and lives of its residents and their habitat. Generation of cosmonauts have trained in these surroundings and because of the reticence and insularity of this world the physical space and its spirit have been preserved. The series reveals these traces of history, power and ghost-like presence left behind. It is this space that holds the weight of the past and shapes the reality of people who live and work there currently. Direction–Space! offers a new insight into the subject central to the Cold War history of the Soviet Union and raises questions over attitudes and perceptions that have been formed over the past decades.
LS 22 | Outer Spaces
Maria Gruzdeva - Direction Space
www.landscapestories.net