scopOphilic_micromessaging_1332 - scopOphilic1997 presents a new micro-messaging series: small, subtle, and often unintentional messages we send and receive verbally and non-verbally. (2004 2007)
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scopOphilic_micromessaging_1332 - scopOphilic1997 presents a new micro-messaging series: small, subtle, and often unintentional messages we send and receive verbally and non-verbally. (2004 2007)
No, I should be protesting injustice. But not the injustices of today. People complaining about TV and TikTok influencers.
No, real stuff. Paris, 1968, in some arrondissement where the air smelled of rain, tear gas, Gauloises, and history trying to kick a door open.
I should be standing shoulder to shoulder with exhausted philosophers, angry students, dockworkers with trembling hands, and a communist puppet named Gérard who hasn’t slept since De Gaulle spoke on the radio.
The sort of protest where everyone believes the world might actually change by morning.
Not because they are optimistic. Because they are desperate enough to try anyway.
And somewhere in the crowd, between the red flags and existential collapse, there I am: a middle-aged felt revolutionary with a damp tweed suit and the vague suspicion that I missed my historical moment by about fifty years.
- IF I WERE A MUPPET
Gilles Caron
Be realistic, demand the impossible.
Photo: Gérard Aimé. “Mai 68, Les Murs Ont La Parole”.
Let’s be realistic, let’s demand the impossible!
The Speech of Enjolras at the Barricade. Volume 5, Book 1, Chapter 5.
Clips from <Il cuore di Cosette>.
Northern California Folk-Rock Festival, May 1968.
Beautiful photo of Tina in Partner (Bernardo Bertolucci, 1968) taken by Aldo Liverani.
Very special thanks to @74paris for sharing this beautiful gem!! ✨✨