Should we consider the idiom of Eurodance to be the 90's version of Eurodisco? Mind you, I'm probably stretching the things a bit, but there are a couple of common elements between the two. We are dealing with an European methodology of something that evolved from the music from the United States. Then again, I consider the genre of Eurodance to be a transposed variant of the hi-NRG from the USA, though several things got lost in the translation here, yet they made the style intriguing. I mean, check 2 Unlimited. Sure, you can denote a lot of pieces from the hi-NRG brand, but the results feels distinctly idiosyncratic. There's something highly weird about the whole enterprise as if the musicians here try to locate the sound they heard from somewhere else with their own set of tools.
