Miles Aldrige, Vogue Italia Jan 2003
seen from Mexico
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seen from United States

seen from South Africa
seen from United States
seen from United States

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Miles Aldrige, Vogue Italia Jan 2003
‘Mystique’ Elibeidy Dani by Miles Aldridge for Numéro — December 2018. . . . . #fashion #mistique #milesaldrige https://www.instagram.com/p/CTTwnlfiGDp/?utm_medium=tumblr
repost:@ocula.art Miles Aldrige's works recall the glamour of cinema and the charge of the femme fatale set in the trappings of modern life. A globally renowned photographer, Aldridge combines a meticulous approach and a rare flair for drama and narrative. In his work with Maurizio Cattelan, the artist invited Aldridge to respond to his retrospective exhibition in Paris by allowing him to shoot his own responses to Cattelan's work after the museum closed at night. A resulting work, '(after Cattelan) #3)', features in Aldrige's solo exhibition 'ART HISTORY' at @alexdanielsreflex in Amsterdam. #milesaldrige #mauriziocattelan #alexdaniels #reflexamsterdam #amsterdam #photography #photographer #contemporaryphotography #mauriziocattelanhorse #reflexgallery #contemporaryart #contemporaryartist #visualartist #fineart #1134379 Image courtesy Reflex Amsterdam.
Tableau Research
This is some research into the tableau genre using two very different artists. A tableau is designing a set with models to show a scene or some kind of story. The first two images are from the work of Lottie Davies and they depict distorted childhood memories and a the first time a real couple met, and so these photographs are both grounded in some kind of reality despite having been constructed and obviously so. I real enjoy Davies heavy use of contrast and saturation in her images, making the images appear more dreamlike as to appear like memories.
The next three images are from the work of Miles Aldridge, his images more fashion and imaginative than Davies. I really love the clear stories we see from these photographs despite their obvious unreality. The use of breaking the 4th wall and having the model look directly at the camera plays into this idea of the constructed photograph, and so focuses more on the fashion in the piece.
Anja Rubik by Miles Aldridge for Vogue Italia