#millerkins

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US Vogue May 15, 1952

I.Miller Millerkins

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US Vogue February 15, 1961

Opera pump in beige calfskin open on the sides. High and thin heel. Superb with a pink suit from lunchtime, signed Palizzio, in Loewenstein leather.

Shown twice, the formal evening shoe in white satin with shiny stones and mother-of-pearl beads. By Delman.

Evening shoe in purple silk satin, mainly composed of airy bands, with closed toe, very high and thin heel. By Julianelli.

The essential “spectator” opera pump, in brown and white calfskin, from Mademoiselle, in Loewenstein leather.

Charming opera pump in silk shantung with cutouts on the instep. Here in yellow, but can be dyed any color, at Saks Fifth Avenue.

Linen opera pump, red, it can be dyed any color. Black calfskin trim, medium heel. By Newton Elkin.

For days in the city, a laced black calfskin pump with a bow on the front. By Mannequin, in Ohio leather.

Day shoe for the city, in chocolate brown lambskin, a closed pump with a designer look. By Barefoot Originals.

Honey beige calfskin pump that could go in town and in the country, medium heel, By Jacqueline.

Another red goatskin pump. Both city and country shoe, with rows of perforations. By Valley Leather Fleming-Joffe.

Presented in double exposure, superb shoe to go with a suit. In bright green calfskin, by Haymaker, in Eisendrath leather.

Shown twice: a low heel pump, beige in soft leather trimmed in brown, pretty and comfortable enough for sightseeing. By Millerkins, in Eisendrath leather.

Also shown twice, country walking shoes, almost a moccasin, in honey beige leather stitched in white By: Penaljo.

Photo Tom Yee vogue archive

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US Vogue August 15, 1961

Babouche in burgundy calfskin, with a tapered end and shiny knots; Charles Jourdan.

Ombre green lacquered lizard with thin toe; Margaret Jerold.

Opera pump in brown-pink patent leather, square toe; Herbert Levine. 4. Square toe shiny black lizard slingback pump; Millerkins.

Burnt red lizard shoe, square toe; Delman.

Cedar brown calf leather shoe with. instep strap: Saks Fifth Avenue.

Country shoe in black calfskin, square toe; Entrance.

Walking shoe in cedar brown grained calfskin, flat toe: Andrew Geller.

Walking shoe in cedar brown grained calfskin, flat toe: Andrew Geller.

Simone d'Aillencourt in a green brushed wool terry coat (Stroock fabric) lined with natural red fox. By Matline. Shoes by Papagallo, Bottoms by Archer, makeup by Estée Lauder.

Babouche en cuir de veau bordeaux, à bout effilé et nœuds brillants ; Charles Jourdan.

Lézard laqué vert ombre avec bout fin; Margaret Jerold.

Escarpin opéra en cuir verni marron-rose, bout carré ; Herbert Levine.

Escarpin à brides en lézard noir brillant à bout carré ; Millerkins.

Chaussure en lézard rouge brûlé, bout carré; Delman.

Chaussure en cuir de veau brun cèdre avec. sangle de cou-de-pied : Saks Fifth Avenue.

Chaussure country en cuir de veau noir, bout carré; Entrée.

Chaussure de marche en cuir de veau grainé brun cèdre, bout plat : Andrew Geller.

Simone d'Aillencourt dans un manteau de ratine de laine grattée vert (tissu Stroock) doublé de renard roux naturel. Par Matline. Chaussures par Papagallo, Bas par Archer, maquillage par Estée Lauder.

Photo Tom Palumbo vogue archive

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US Vogue November 1, 1961 💛❤️💛❤️💛

Raspberry satin pumps on a heel with an hourglass figure by Margaret Jerrold. Hanes seamless stockings in a rose warmed beige.

Saffron moire pumps with curved heels by Millerkins. Belle-Sharmeer fawn beige stockings.

Escarpins en satin framboise sur un talon avec une figure de sablier par Margaret Jerrold. Bas sans couture Hanes dans un beige réchauffé de rose.

Escarpins moirée couleur safran, à talons courbée par Millerkins. Bas beige fauve Belle-Sharmeer.

Photo John Rawlings

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