Feb 1
US Vogue February 15, 1962
Van Raalte
(pumps by Julinelli)
seen from China
seen from United States
seen from China
seen from Singapore
seen from Australia
seen from Japan
seen from Romania
seen from United States
seen from Russia
seen from Malaysia
seen from South Africa
seen from Netherlands
seen from United States
seen from United States
seen from United Kingdom
seen from Russia
seen from United States
seen from United States
seen from Philippines
seen from Belize
US Vogue February 15, 1962
Van Raalte
(pumps by Julinelli)
Raquel Welch in portraits shot by David Bailey for a fashion editorial featured in the March 1st, 1967 issue of Vogue magazine. Raquel modeled designs by Pauline Trigere and Geoffrey Beene, shoes by Julianelli, glitter stockings by Van Raalte, and jewelry by Hattie Carnegie and Mimi di N. Her hairstyles were by Michael of Leonard.
Dashing Italian businessman Charles Julianelli and his designer wife Mabel--for decades they made the finest women's shoes (my mother was a fan). Power dressing on the job....
US Vogue November 1, 1954
Sunny Harnett wears a Ceil Chapman dress in yellow silk satin by Marché, pristine white kidskin gloves with sixteen buttons by Wear-Right, and rhinestone-embellished satin slippers by Julianelli. A Marquise diamond necklace and pear-shaped diamond earrings by Cartier complete the ensemble.
Sunny Harnett, porte une robe de Ceil Chapman en satin de soie jaune, signée Marché, des gants en chevreau d'un blanc immaculé à seize boutons signés Wear-Right et des Pantoufles de satin ornées de strass par, Julianelli. Un collier de diamants Marquise et des boucles d'oreilles en diamants poire : Cartier, parachèvent l'ensemble.
Photo John Rawlings
US Vogue December 1958
The wrap dress is a godsend for the hostess who's also a cook and all-around handyman. What is it? Just the right amount of brightly colored printed cotton, buttoned at the straps, fastened with a wide pink belt, and just warm enough to withstand the heat of a 200°C oven. Fantastic? Fantastic. By Haymaker—reds, pinks, and oranges galore. Bottoms, Mary Grey; pink silk sandals, Julianelli.
La robe-enveloppe, une véritable aubaine pour l'hôtesse qui est aussi cuisinière et femme à tout faire. De quoi s'agit-il ? D'une quantité idéale de coton imprimé aux couleurs vives, boutonnée aux bretelles, fermée par une large ceinture rose, et juste assez chaude pour supporter la chaleur d'un four à 200 °C. Formidable ? Formidable. Par Haymaker – rouges, roses et oranges à profusion. Bas, Mary Grey ; sandales en soie rose Julianelli.
Photo Karen Radkai
US Vogue March 15, 1967
Editha Düssler wears a suit in lightweight Fibranne, pale sky blue. The jacket is tailored to the waist, with buttoned pocket flaps, over a full-skirted dress with deep, unironed box pleats and flap pockets. By Originala. Earrings by Kenneth Jay Lane, hat by Adolfo, orange patent pumps with low heels, Julianelli, tights, Roman Stripe.
Editha Düssler porte un tailleur en Fibranne légère, bleu ciel pâle. La veste est rétrécie jusqu'à la taille, avec des rabats de poches boutonnés, par-dessus la robe à jupe ample, à plis creux profonds et non repassés, et à poches à rabat. Par Originala. Boucles d'oreilles de Kenneth Jay Lane, chapeau de Adolfo, escarpins orange vernis à talons bas, Julianelli, collants, Roman Stripe.
Photo Irving Penn vogue archive
US Vogue March 15, 1967
Editha Düssler wears a white Fibranne suit with a diagonal closure. A short, straight-back jacket with brown buttons and a dress with a wide, diagonally draped skirt. By Originala. Hat by Adolfo, earrings by Pakula, bracelets by Smith St. Jacques, orange patent low-heeled pumps by Julianelli, tights by Roman Stripe.
Editha Düssler porte un tailleur en Fibranne blanc à fermeture diagonale. Veste courte à dos droit avec boutons marrons, robe à jupe large drapée en diagonale. Par Originala. Chapeau de Adolfo, boucles d'oreilles de Pakula, bracelets de Smith St. Jacques, escarpins orange vernis à talons bas, Julianelli, collants, Roman Stripe.
Photo Irving Penn vogue archive
US Vogue March 15, 1955
Joan Romano in a white lace dress: the top is fitted at the hip; the skirt so light that it blows without a breeze. An Estevez creation for Grenelle, from Stern & Stern lace. Satin sandals, Julianelli. Sandal stockings, by Prim.
Joan Romano dans une robe blanche en dentelle : le haut est ajusté à la hanche ;la jupe si légère qu'elle souffle sans une brise. Une création Estevez pour Grenelle, de dentelle Stern & Stern. Les sandales en satin, Julianelli. Les bas pieds sandales, par Prim.
Photo Horst P. Horst vogue archive