US Vogue February 15, 1961
Opera pump in beige calfskin open on the sides. High and thin heel. Superb with a pink suit from lunchtime, signed Palizzio, in Loewenstein leather.
Shown twice, the formal evening shoe in white satin with shiny stones and mother-of-pearl beads. By Delman.
Evening shoe in purple silk satin, mainly composed of airy bands, with closed toe, very high and thin heel. By Julianelli.
The essential “spectator” opera pump, in brown and white calfskin, from Mademoiselle, in Loewenstein leather.
Charming opera pump in silk shantung with cutouts on the instep. Here in yellow, but can be dyed any color, at Saks Fifth Avenue.
Linen opera pump, red, it can be dyed any color. Black calfskin trim, medium heel. By Newton Elkin.
For days in the city, a laced black calfskin pump with a bow on the front. By Mannequin, in Ohio leather.
Day shoe for the city, in chocolate brown lambskin, a closed pump with a designer look. By Barefoot Originals.
Honey beige calfskin pump that could go in town and in the country, medium heel, By Jacqueline.
Another red goatskin pump. Both city and country shoe, with rows of perforations. By Valley Leather Fleming-Joffe.
Presented in double exposure, superb shoe to go with a suit. In bright green calfskin, by Haymaker, in Eisendrath leather.
Shown twice: a low heel pump, beige in soft leather trimmed in brown, pretty and comfortable enough for sightseeing. By Millerkins, in Eisendrath leather.
Also shown twice, country walking shoes, almost a moccasin, in honey beige leather stitched in white By: Penaljo.
Photo Tom Yee vogue archive
