(part 1) Huh. That GRRM quote about running off with the stable boy is interesting. Mainly because Arya and Gendry definitely fit into that category. And “My Featherbed” seems to fit imply it too. I don’t know what that means for them in terms of the books tbh. Maybe Gendry will be legitimized in the end. Maybe he won’t and that’s why Arya and Gendry can’t be together. Maybe Arya has to take a position of leadership and put her duty and loyalty to the Starks over her love for Gendry.
(part 2) I’m one of the people who thinks Arya might end up as QitN in the books - which would probably get in the way of Arya and Gendry. It makes more plausible sense than the reason we were given on the show (Arya leaving everyone she loves because she wants to sail). It would fcking suck tbh, but it would follow GRRM’s style I guess. As idyllic as Gendry and Arya running off to be outlaws is (and something Arya fantasizes about at one point), it doesn’t seem like something GRRM would do.
A lot to unpack here. To start, is it possible that Arya will be forced to give up Gendry or something else she desperately wants at the end? Yes, GRRM is a monster. But I don’t think it’s likely in that context.
Above all, it’s important to remember that there is a war going on. Two wars. A massive, draining continental war, and then the war to end all wars, the friggin’ Apocalypse. And the thing about war is that rules break down. I hate quoting Littlefinger, but he did have a point when he said chaos was a ladder. In a nice au where all the Starks are alive and things are relatively stable, there is no way in hell that Arya can marry a bastard blacksmith, not even if he’s recognised but not legitimised and made Robert’s heir. The Starks would not let her, not even Ned. So if she falls in love with him in an Everyone Lives AU, she can’t have him.
But when war comes - let alone two wars, where one of them is the Apocalypse - the boundaries break down. Bastards like Jon and Ramsay get made their brothers’ and fathers’ heirs. Vassal houses like the Tyrells or the Boltons can step over their liege lords’ smoking corpses to become rulers. And unlikely, imbalanced relationships and marriages can spring up, like Alys Karstark and the Magnar of Thenn or Harry the Heir and “Alayne Stone”.
So yeah, in the chaos of war and doomsday, I think Gendry being a king’s bastard (and a landless knight!) won’t be huge impediments in the end.
As for Arya becoming QITN, I agree, I think it’s a possibility. Arya has queen imagery; while her sister named her direwolf Lady (and Lady died immediately, ouch), Arya named hers after a queen who brought her people to safety. In fact, more relevant than Arya’s queen imagery is her life imagery - and no, I’m not talking about her power of life and death in the HoBaW.
Arya has a lot of imagery and symbolism related to the life cycle: water, trees, acorns, the moon, various animals. These are symbols of natural feminity (as opposed to her sister’s stylised manufactured femininity, which is seen in her love of garden flowers and pretty dresses), or necessary but unforgiving elements like ice and fire. Whether she’s wearing a crown or not in the end, I think Arya will have a huge burden of responsibility as someone who’s destined to help rebuild and renew society in the wake of the War for the Dawn’s destruction. (I think Bran, Tree Boy Extraordinaire, will play a part too, but I’m not holding my breath for the rest of the Big Five surviving.)
I mention this because while those symbols I mentioned above are symbols of female fertility, do you know what’s a symbol of male fertility?
Bulls.
Bulls represent virility, strength, and industriousness, like water and acorns represent rebirth and adaptability.
Plotwise, the social order will basically have crumbled to a place where it’s not a big enough impediment to Arya and Gendry being together, while meta-textually, they have all these symbols that say they’re perfect for each other and for the smoking slag of Westeros.
So while we can never fully trust GRRM not to be an absolute bastard, I think we’re pretty much good.








