日高郡新ひだか町三石鳧舞の、道の駅みついしに隣接する、とうもろこしやで、つぶうどん、1,000円也。
Tsubu, whelk, udon noodles at Tomorokoshiya adjacent to Michi-no-Eki Mitsuishi, Mitsuishi-Kerimai, Shin-Hidaka-cho, Hidaka county, Hokkaido.
seen from France
seen from Germany

seen from China
seen from Bangladesh
seen from Poland
seen from United States
seen from Tunisia
seen from Belarus

seen from Portugal
seen from Malaysia
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States

seen from Türkiye
seen from Russia

seen from United States
seen from China
日高郡新ひだか町三石鳧舞の、道の駅みついしに隣接する、とうもろこしやで、つぶうどん、1,000円也。
Tsubu, whelk, udon noodles at Tomorokoshiya adjacent to Michi-no-Eki Mitsuishi, Mitsuishi-Kerimai, Shin-Hidaka-cho, Hidaka county, Hokkaido.
VA's KILLING It: Volume 1
Realizing the same person is the VA for:
Headcanons ask: can you rewrite Season 2 of Good Morning Call after Nao and Uehara breakup?
BUCKLE UP CAUSE THIS IS GONNA BE LONG:
The morning after telling Uehara “let’s break up” feels like waking up from a years-long dream. After icing her eyes (swollen from all the sobbing) she discovers that it takes no time at all to make one breakfast and one lunch instead of two. She’s finished so quickly that, for once, Nao’s early to her first class.
It’s in the middle of the period that she realizes with a jolt that she’s taking all general education courses, because she has no idea what to study. Her only dream has been to be Uehara’s girlfriend and, eventually, his wife.
At lunch, Ota and Marina talk about a hundred things going on that she can’t believe she doesn’t already know about. Every follow-up question is met with either a sheepish look (Ota) or a careless wave of the hand (Marina). “We’ve definitely talked about this before,” they say. “You probably don’t remember because you were busy with something.”
They’re sweet enough not to state the obvious about who that something is.
Was.
Within a few weeks, life without Uehara fills up with everything else that Nao has let fall to the wayside. She starts studying so she can actually answer questions in class, instead of making lists of the things that Uehara likes. Instead of desperately freeing up her weekends for potential dates with Uehara, she finally makes it to Daichi’s games. Nights usually spent watching the scary movies that Uehara orders online, are now reserved for low-budget spa nights with Marina, or going out for drinks with the girls from the sewing club.
When she goes out, men flirt with her, sometimes. Nao is still too shy (too heartbroken, she tells herself, though it sounds more like something that’s supposed to be instead of something that is) to ever flirt back.
Not texting him with dumb things, just anything she can think of to get a response, is harder than she thought. At some point, each of her friends will end up taking Nao’s phone and locking themselves in the bathroom with it. Nao’s always mad in the moment, but she ends up baking them dessert as a thank you every time . After all, it’s not like texting him would change anything, even if Uehara was the type to answer.
He probably would, Nao thinks. But that doesn’t mean she should do it.
Abe writes another play, and though he refuses to ever cast her with an onstage part again, he lets her be his stage manager. Though it fills her entire schedule for a solid two weeks, and she gets back to her apartment at wee hours of the morning, it’s an incredible amount of fun.
Even though the door next to hers remains closed, she knows Uehara’s light only goes off when she’s safely inside. It’s not enough, but it means something. Nao wouldn’t pretend otherwise.
Nao just barely passes her midterms by the skin of her teeth. She quits her job at the shop to find something on campus, so she can have more time to study. Luckily, the communications department offers one-semester positions at the help-desk to students. With her friendly demeanor and dedication to solving problems, Nao is readily accepted.
And if leaving her other workplace means that Natsume can’t watch her from the back room, eyes carrying all the hopes that he’s not brave enough to admit, then that’s just the way things are.
Mitsuishi comes to visit. Naturally, he hears the story from Uehara first. He asks Nao questions, some of which are an easy to answer (It wasn’t because of Saeko) and some of which are harder (I don’t know what it would take to fix it).
“It’s funny, Nao,” he says, slinging one arm around Marina’s waist and the other around Nao’s shoulders. “I thought you’d have to be a very different person to dump Uehara. But you seem even more like yourself, lately.”
She laughs, shakes her head as though she doesn’t understand. But that night, Nao turns the words over and over in her mind like a diamond, wondering how it was exactly what she needed to hear.
Right before second semester, the problems start. Natsume visits Uehara’s apartment at least three times a week--perhaps to try to accidentally-on-purpose run into her, or possibly to try to get them back together, or Uehara’s just making sure she doesn’t end up dating him. Nao doesn’t know what to say to either man; with the way they stare at her, she knows that they expect something. It’s her responsibility, in their eyes, to say something that will fix it. Or at least to give them a clue on how Uehara can.
But, if she’s being honest with herself (and she promised she would, now that she’s going to be a real adult)? Nao doesn’t want to.
Instead, she finds a new apartment a few blocks down and moves in when she knows Uehara’s out of town to visit Yuri and Takuya.
Maybe it’s the coward’s move, but she can breathe easier after it’s done.
Her new apartment is big and bright, and when she decorates Nao finds all kinds of things that she’s long left untouched. Old photos of her friends, Kitaura’s cell phone number scrawled on a piece of paper so they could keep in touch while at separate colleges, a gift card from Yuri to a “real grown-up lady’s store”. Her high school certificate, the lumpy hand-stitched handkerchief she started and abandoned for her dad’s birthday, and finally a report she made in junior high, writing that someday, she would go to school to be a kindergarten teacher.
Nao sits on the kitchen floor, sobbing in shame and embarrassment, for centering her entire life around someone other than herself. Pressing her hands to her cheeks, she promises that from now on, my dreams should be about me.
Because she’s still unpacking, Nao orders ramen for dinner. She calls Kitaura’s number, catching up while she eats. When she quietly admits that things are over with Uehara, Kitaura laughs and says, “I thought that might happen.”
Nao wonders how everyone but her could see it for so long. The lack of pity in Kitaura’s voice is strangely exciting, though.
They make plans to talk again, and visit over break. It’s a weird joy to schedule her time around a group of friends, instead of a single boyfriend.
She submits her request for an education major. The next time she orders ramen, Nao and the delivery boy stare at each other in stunned surprise. Issei, as it turns out, has wondered what she’s been up to.
They go to a movie. A comedy, one that they both laugh at. One night turns into another, and another, and another. Sometimes Ota joins them; sometimes it’s Daichi and Nanase; but most of the time, it’s just the two of them.
When she tells him about Uehara, sitting on the couch red-penning the poster for Abe’s latest project, Issei seems to freeze. His gaze is guarded when he asks, “Do you miss him, Nao?”
It’s hard to explain how the answer can be yes and no. But Issei is the kind of person that won’t judge her for struggling with something like that, so Nao tries her best to explain.
Sometimes she thinks about kissing Issei. Not now, when she’s still getting pieces of herself back; but maybe someday.
Part of her expects the day to come when Uehara knocks on her door, breathless and not wearing a coat, arms hanging loosely at his sides like he doesn’t know what to do with them. It’s deja vu, when he asks her to come back and says he’s sorry, really sorry, I don’t want to be without you anymore. He starts to say he loves her, and Nao feels the words from deep within her heart spill out from her lips before he can finish.
“The Nao that you remember, that you’re in love with, isn’t here anymore. She always chose you. This time, I choose myself.”
Shutting the door on him is the hardest thing she’s ever done in her life. But she does it, and the world doesn’t end.
Instead, Nao has finally found herself.
Starring: Mitsubishi Lancer Evo VIII MR FQ-340
By Morten Schwend
Find more Sailor Moon trivia at: www.tuxedounmasked.com
You know, I started watching Good Morning Call thinking it was going to be a really bad tv show BUT NOW I'M ACTUALLY OBSESSING OVER IT, THAT'S JUST SOME A+ MATERIAL RIGHT THERE I LOVE EVERYTHING ABOUT IT
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