In the week leading up to 10 November 1987, the city of Dhaka was tense. President Hussain Muhammad Ershad had cut off the Bangladeshi capital from the rest of the country, severing virtually all communication channels. Schools, colleges, and universities had been shut and students ordered to vacate halls. Political protests and rallies had been banned, and Ershad, a military dictator, was using emergency powers to detain hundreds of pro-democracy activists. But opposition political forces were mobilising thousands of supporters to press for the president's resignation. On the morning of 10 November, I was among the thousands of activists heading for the protest. We never made it. At about 9am, me and several other protesters were picked up by riot police. We were beaten mercilessly, bundled into a lorry and taken to the police station. As the day wore on, more political prisoners were brought in. There were running battles all over Dhaka. Some of the protesters brought in had bullet wounds. Among the bodies one stood out - it had a slogan painted on the bare chest. The words, in bright white paint against the man's lifeless brown skin, electrified us. "Sairachar nipat jak" - "Down with autocracy". The body belonged to a man named Noor Hossain. We didn't know who he was then. We didn't know that the spot where he was gunned down would be named after him. We didn't know he would go on to become famous - his sacrifice immortalised in books and films, in poems and on postage stamps. We didn't know that a photograph of him taken moments before he died would become a symbol of our generation's long and bloody struggle for democracy. The day after Noor died, aged 26, pictures of him appeared on the front pages of newspapers around Bangladesh, shocking the government and inspiring millions. The protests he and I were involved in in 1987 were violently put down, but three years later another protest movement succeeded in toppling President Ershad, and many of those protesters were inspired by the image of Noor Hossain.
Moazzem Hossain, ‘Noor Hossain and the image that helped bring down a dictator’, BBC




















