#myrant

[dykekarkat]

my one rlly annoying andreil fanfic pet peeve is when people forget about the dorm switch. like the dorm switch??? the narrative moment that shows andrew letting go of his controlling deal with aaron and choosing to pick neil and give himself a future???? like why is aaron here if ur setting the fic after what happened in canon 😭

[maxverstockexchange]

your tifosi mom might be on to something because i think max really wanted and asked for hulk in that second seat and hulk wanted it too but then redbull decided not to for some goddamn reason

Also the more you post about your mom the more I think she's just a verstappie in disguise... has Max's autism swagless behavior charmed her away from the ferrari greek tragedy?

See, the whole reaspn hulkstappen isn't gonna happen comes down to the fundamental flaw of RB'a driver program, which is the fucking car they're being shoved into at the prestige team.

As @dannielricciardo layed out in this and other posts (along with some good analysis by @slutforpringles ), rb drivers are supposed to get their wiggles out in the sister team, and then it is of crucial importance that they can start winning immediately in the prestige team. The problem is that the prestige car isn't a normal car and hasn't been for some time (i'm remembering now when checo was testing the ferrari for cadillac last year and said it was way more "normal" than the rb20 ever was, hysterical choice of adjectives tbh). The prestige car simply isn't meant for a newbie, not even a talented newbie who's proven themselves on the vcarb- it needs an experienced hand that can deal with a car that is not only difficult but also quirky. Furthermore, to drive next to Max fucking Verstappen, you need that second driver to either be someone young who can take the Ls, learn, and then inherit the earth after max leaves (what they're probably gonna try with arvid). Or someone older whose legacy is already secure. The former option is out of the question due to the afformentioned nature of the refurbished Tennant T7 they're calling a racecar. The latter was fulfilled easily and beautifully by checo, and should have been daniel (‼️) after checo started passing away (it should have been daniel for many reasons but i digress). Note now that checo! Did not come from the rbr driver program! And there enlies the root of the problem!! This entire fuckass situation!!! Until they fix their car, the rbr driver program is essentially rearing talent for other teams. They're not going to put hulk in that seat because it would mean admitting to the truly absurd (ABSURD!!!!!) failure of the situation! I wasn't around for 2021 but my assumption is they only ever let checo in that seat to begin with because they knew they had a shot to win a title and so compromises had to made.

[harris-the-great]

I love ii but it WILL be the death of me. I keep thinking about how Baseball's storyline is just so damn tragic, and nobody notices. "Always strikes out", And he 𝘩𝘢𝘴 his whole life (his whole time on the show).

Not rejoining, even when he earned it (Paper most likely had the sympathy of fans due to Paper having been there the longest, but Baseball had also been there almost just as long, and- 𝘨𝘦𝘵 𝘵𝘩𝘪𝘴. He 𝗱𝗶𝗱𝗻'𝘁 threaten to kill anyone upon his release! /sarc)

having a constant stream of ridicule from the other contestants regarding his weight lasting S1 AND the start of S2. Why do they even CARE about his weight brah. Ohhh, that's right! Meshart4 fated him to never get what he wants, like people 𝘯𝘰𝘵 seeing him for only his weight. Womp womp, I guess. Wow Mephone, projecting, much? (Also [in my opinion] weight seems VERY irrelevant for objects to care about, due to how most things that could change the appearance of a human [such as; diet, physical strength, hygiene.] Don't really change an object's appearance.) ((Also also being criticized for his armless-.. ness(?) Ouch.))

As much as being a team leader seems like it would be a 𝘨𝘰𝘰𝘥 thing, with the team he had, it was like being a single mom of 10. Having to mediate all of the drama in his team whilst leading it in the first place put so much pressure on him, not to mention having the weight of his friend's problems weighing on him making things harder to deal with. The reason he and Nickel had that lil tussle back in s2e10, was BECAUSE Baseball had so many bad things happening to him. He just wanted that little reassurance that even with all the crap happening, he was an at least half-decent leader, and all he got was his best friend making a joke about it, and downplaying Baseball's very real feelings. He tried to save it, but just that first comment I feel definitely affected Baseball in a negative way.

//(Lil detour time, I wanna talk about how Nickel affected Baseball in GENERAL [for the better AND the worse.], Baseball clearly views Nickel as his best friend, even after everything they've gone through in season 2, but I don't think that's necessarily a good thing. I think it shows that Baseball was too scared to try and make new friends in the game, as to not accidentally make an enemy. I feel this is because Baseball was slowly realizing that most things he tried to do wouldn't go his way, so he'd cling on to Nickel as his only friend, hoping not to lose him, feeling lucky to have him at all (and Nickel would know all about luck/jjjjjjj). This lead to Baseball disregarding some of Nickel's actions towards himself and Suitcase as to preserve his relationship with Nickel. Though, I do feel that the bond they had was real. It started in season 1, where there was less drama built up over time(ex; Tophy and Knife in s2e1 planting the seed for their inevitable rivalry, vs Taco randomly being that bitch and that hoe. /silly), so Baseball most likely wasn't thinking about "preserving his friendship" with Nickel, but rather being friends with him in general. This gave them that time to have genuine interactions that build up the trust between the two. This is why Baseball played along with whatever Nickel did, 𝘣𝘦𝘤𝘢𝘶𝘴𝘦 𝘩𝘦 𝘵𝘳𝘶𝘴𝘵𝘦𝘥 𝘩𝘪𝘮. That friendship was real, and Nickel was taking advantage of Baseball without even realizing it. I doubt his did this consciously due to his s3 arc, and how he was programmed that way. Nta. /silly. Nickel getting eliminated was a real roadblock for Baseball because (as aforementioned) Nickel was Baseball's only real friend in the game at this point, and Baseball still had that very real connection with him. This is why I feel he was so awkward in s2e14, as he was trying to have that confidence that Nickel had, and he never did. As much as that's really good for him- like, yay! You go girl!! It's inadvertently horrible for him specifically, because he is hardwired to have all of his efforts for naught. It took Baseball all of s2e15 talking to Suitcase to realize all of Nickel's wrongs, and how ignoring them put him in the wrong too. Once he finally realized that, it seemed like Baseball was really coming into his own! Working out his own issues bit by bit.

WRONG!!🤑👅💜 s2e16. We got only one Baseball and Nickel interaction, but it was enough to change Baseball for the rest of the life he had left. Watching Nickel die/get X'd was like s2e13's elimination put to an extreme. It's clear that - even thought he was working out his issues - Baseball still had that strong attachment to Nickel. People respond to grief in many ways, but when things get too much for one person, they can simply go numb. Baseball was in a very sensitive mental state, and this really hit him where it hurts most. His best friend. He went numb, not telling anyone what he saw. Even in Baseball's last moments, he tried to take that leader-like stance, and help everyone but himself, just as Nickel told him he could.) // lil detour over (I say lil as if this wasn't long as HELL💜)

Though I did connect back to the main claim occasionally, Nickel was a very important part of Baseball's character development that matters to this conversation imo.

Getting out in s2e15 was also (possibly) a place where Baseball's programming played a part (alternatively, he got out because Suitcase had too many negative experiences with Baseball, and thought that her deep emotional views of him would impair her gameplay in the finale.) "Always strikes out", even with the people he thought were friends. Even with the person he thought was his friend. Even with Suitcase. I feel the reason Baseball had the response he did, was him coming to terms with things just not going his way, which sets him up in that sensitive mental state in s2e16. He seemed to have come to terms with Suitcase choosing Knife, and didn't want to procrastinate on the obvious, that he was just never enough. Not enough for Suitcase, not enough for his team, not enough to win the game.

He just wasn't the guy who could do it. And he knew he never would be.

He always strikes out.

[l-747]

What an incredible combination of flags huh ok sure do you want to put more flags there mr gay boy

[qazastra]

doing my part (not getting a blepharoplasty) #myhoodedeyes

[mysteryflavorsoda]

Rurik Liderc and the stereotype of the broken (but sexy) anti-hero

(and how it makes him worse as a character)

Heyy, I'm back, kind of! This is my first actual rant, so I'm sorry if it's a bit boring or confusing. Feel free to ask me anything! This is just something that I've always had looming in the back of my mind, and I really want to talk about it. 

In October 2005, Pop Punk band Green Day released their seventh studio album, American Idiot. It follows the life of the central character, Jesus Of Suburbia, a middle-lower-class all-American teen who hates his town and pretty much everything. He's pretentious, a rebel, angsty; a faithless, working-class man who hates the system he's placed in, screaming for the rebels living in post-2000s America. It comes as no surprise, then, that @angeutblogo's Lasser would inspire her iconic character, Rurik Lidérc, off the song that describes this main character.

As the years went by, Rurik gained more and more traits, hobbies, a story, friends, and of course, multiple lovers. As it is today, you could call him a multifaceted character- I'm here to say that this perhaps might've been his downfall, too. As it stands, Rurik is a badly constructed character, where new information contradicts old information and traits that are not in line with the logic set upon him initially are imposed. It seems that the creators try and stuff him to the brim with different exciting ideas, but ultimately end up getting a messy clump of characteristics that results in many users having to redefine him with headcannons and rereadings, myself included, because he ends up being so confusing.

First, Rurik being a US Army veteran is one of the biggest pillars in his personality. Although not a lot of information is revealed about that part of his life specifically and the effects it had on him, we can deduce that it greatly affected him in more than one way, changing him fundamentally; PTSD. A prime example is that Lasser has stated that he has an aversion to loud noises, such as fireworks and thunder, but then proceeds to state that it only makes him have a minimal response of being "more alert". How can he be fundamentally changed as a person due to trauma and still only suffer minor damage? Are the creators afraid of making a character that's fully and realistically traumatized by war because it would compromise his appealing "sexy bad boy" nature? But then, that very nature is driven forward by the very fact that he's traumatized, that he's "angsty". It just confuses me how posts speaking of his trauma are immediately followed by posts describing his kinks and hypersexuality, and descriptions of his mental state are switched out for retellings of future events where "everything is all right finally", not bothering to make him go through the process of recovery, and research of trauma responses or toxic relationships is traded for discussions of what motorbike he has. It almost seems like the creators want him to be many different things that cancel each other out.

Thus, this contradiction leads us to the next point: Dante and Rurik have an open relationship, despite Rurik being shown to be possessive and emotionally immature. Rurik is, in simple terms, a manchild at times, stalking Dante when he feels like it, being insecure, and being sad by small things Dante says, in addition to threatening his exes. Those are toxic, insecure behaviours, of course, but it gets brushed off as "oh, but it ends in them sexually punishing each other" (going into how their relationship is sexualized, but that's a topic for another day), which in itself is contradicting because it's written to be a healthy relationship that's good for the both of them. And yet, we get bombarded with recounts of Dante being toxic to Rurik and vice-versa. He's also said to get extremely uncomfortable when Dante flirts with other women because he "can't compare", so how on earth could they have an open relationship without constant interventions and fights?

I believe that, if Rurik is insecure, it would naturally cause him to believe that Dante is replacing him if he flirted with another person. This is because he has a fragile ego, and people like him tend to fall into that insecurity (speaking out of experience and my interest in human psychology), and it would lead to constant fights, doubts, manipulation, and overall a bona fide toxic couple. Perhaps even worse than Lurik, as Dante is constantly described as psychopathic and manipulative, even to Rurik himself. They're shown to kind of fix everything with sex and "punishments", downplaying the other's insecurities and genuine feelings and promoting unhealthy dynamics. Rurik is not written to be someone who could have an open relationship that would be fair to himself and Dante, and yet, they push on, because of course they do; they are entirely centred around having sex, after all.

So, where am I going with all this? In all the glamourized media that we see, there's a strong tendency to try and make perfect characters. Rurik Lidérc is broken, angsty, insecure, and repressed, but that doesn't get in his way at all! All he wants is sex, drugs, and rock and roll. He reminds me of James Hurley from Twin Peaks: his conflict can be so well-explored, his trauma could be so fleshed out and the effects of trauma on the human mind could have given us a beautiful story of redemption, of growth, of understanding. But God, he just keeps making out with Donna all the damn time, and the camera always focuses on him like he's in a Playboy magazine. The realism, the beauty, the relatability- it's all sacrificed for middle schoolers to ogle at him and go "Wow, he's so misunderstood! I could fix him!". But that comes at the cost of a character that has the full potential to be truly amazing, as I've seen with my friends in the fandom.

When you look at Rurik Lidérc, he comes across as well-researched because he's traumatized, but it doesn't take long before you realize that that's quite a far-fetched idea. It seems like he's just a list of ideas and randomness that no one bothers to organize, and that deeply saddens me because I've seen the interesting directions he could be taken in, and I just wish the love and care put into this character also shined through through the creators.

[confusedkittensposts]

Spn is funny because they had heroes who claimed higher ground solely because they were human

most "bad guys" turned into good becuse the obejctive was saving Winchesters and as long as someone was useful to them or contributed to their benifit that character was "good"

I am not denying that sam and dean were heroes or that they didn't do anything good. but the Winchesters were not exceptionally Good and noble.

[simp-pony]

About Poppy

A lot of us are very bothered by Poppy’s response toward MC and the whole Benji thing. That she stayed mean and chose to mock MC, and even accuse her of ‘faking’ the whole thing,

Honestly, I don’t know anymore-

I like Poppy because I think that her character has the potential to have a satisfying redemption arc. She COULD be that interesting complex ‘mean girl’ who only maintains her persona to hide the other side of her. Especially because we were hinted her soft side earlier back in chapter 6. And for a wlw like me this could be a very compelling enemies to friends to lovers trope if it’s done well.

But honestly after this chapter, I just don’t have much faith in PB handling her character. It seems like they’re going on a direction where Poppy is still that one dimensional mean girl who only cares about her reputation.

I hope I’m wrong though, I hope that there’s a twist at the end or something.

I just hope that the potential... won’t be all wasted like that.