#nainsukh

[niramish]

[pollyj]

The Marital Bliss of Nala and Damayanti: Folio from a Nala-Damayanti Series (detail)

Attributed to Ranjha , first generation after Manaku and Nainsukh

ca. 1800–10, India (Kangra, Himachal Pradesh)

In this painting based on the poem of Shrisharsh, the Naishadhacharita, the marital happiness of Nala and Damayanti is described. It is one of a larger group of pictures that remained unfinished but nonetheless are among the most accomplished works of the first generation after Manaku and Nainsukh.

About the Artist:

First Generation after Manaku and Nainsukh: Fattu, Khushala, Kama, Gaudhu, Nikka, and Ranjha

Active at a number of Pahari region courts, mainly in the Kangra Valley, ca. 1740–1830; sons of Manaku (Fattu and Khushala) and Nainsukh (Kama, Gaudhu, Nikka, and Ranjha)

The four sons of Nainsukh and two sons of Manaku are known collectively as the first generation after Nainsukh and Manaku. Building on the artistic legacy of their grandfather Pandit Seu and their fathers, the six younger artists left behind an extensive oeuvre that attests to the family’s consistent artistic vision and uniformly impressive output.

A relatively small court like Guler, the family’s home in Himachal Pradesh, could not provide a living for so many talented artists. Nainsukh left the atelier around 1740; he first worked in Jasrota, then in Basohli, and was ultimately joined there by his nephew Fattu and his youngest son, Ranjha. There were numerous small courts in the region, and they offered opportunities for talented painters seeking new opportunities. Surprisingly little is known about the authorship of individual series of paintings, and works cannot be assigned confidently to specific artists.

[juniper-girl]

Nainsukh (Amit Dutta, 2010)

[hariyali]

[saadiaaf]

Nainsukh (Amit Dutta, 2010)

[pacingmusings]

Andrei Rublev (Andrei Tarkovsky), 1966

Nainsukh (Amit Dutta), 2010

[philamuseum]

Attributed to the master Pahari painter Nainsukh, this is the opening page of the "Satasai," a devotional poem by the seventeenth-century writer Bihari. The verse invokes the deities Radha and Krishna, who sit on a jeweled throne. In front of them, a white-robed man bows slightly to the couple. The man is Bihari, honoring his divine inspiration at the beginning of his text. "The Poet Bihari Offers Homage to Radha and Krishna," around 1760–65, attributed to Nainsukh

[ambientlightning]

Attributed to Nainsukh - A Troupe of Trumpeters ca. 1735–40