Check out this interview with filmmaker and media educator Aggie Ebrahimi Bazaz! Aggie was NAMAC's Program and Communications Director from August 2012 through August 2014, she is currently a filmmaker-in-residence at Interlochen Arts Academy.
What have you been up to since leaving NAMAC?
I am currently living in Interlochen, Michigan as Filmmaker-in-Residence at Interlochen Arts Academy.
Interlochen is many wonderful things,Ā including an arts boarding school for advanced and exceptionally dedicated students in music, dance, creative writing, theater, visual arts, and of course film. Iām housed in the Motion Picture Arts Department and am teaching a class in post-production, advising students,Ā working with theĀ stellar faculty toĀ help guide studentsā thesis projects, and I also have some time to focus on my own work. Ā
Iāll be at Interlochen through December. From here, I will move into a Visiting Assistant Professor positionĀ for the spring of 2015, teaching Documentary Research & Experiments in Documentary Form. And between now and then, Iāll be applying to full-time academic positions that begin fall semester of 2015.
Now that NAMAC's less on your mind, what kinds of things have you been thinking about?
I wouldnāt say NAMAC is less on my mind. As a documentary filmmaker and educator, what I learned at NAMACĀ is daily relevant. ThroughĀ theĀ vantage point I had at NAMAC, through dailyĀ conversations with the encyclopedic mind of Jack Walsh, and building upon my education at Temple University and what I learned through membership in the Philadelphia Independent Film and Video Association, I am now well aware of emerging trends and leading voices in the documentary landscape across production, distribution, community engagement, funding, policy issues, and more. As an educator, I can share this information with my students so that they understand themselves as not just students, but as media professionals entering an industry. That is, I can share with my students more than just mutable information; I can share with them a methodology for continuing education about their profession: how can they stay abreast of current trends? Why is it important to do so? How will legislative actions continue to influence their work, and what can they do about it? I learned all of this through my work at NAMAC and it will influence my work for as long as Iām in this field.
In addition, much of my focus at NAMAC was in strengthening national ties within the youth media sector and promoting the visibility of this important work. Now that Iām at Interlochen, IĀ am continuing to buildĀ my understanding of youth media through my daily work as a teaching artist. I am optimistic that this experience will add great value to what I can contribute to the National Youth Media Network. Ā
Which reminds me: Every year, Interlochen hosts a youth-centered film festival, the Future of Cinema Film Festival. Young people from all over the country submit and if accepted, many of them attend in person to meet the faculty here and visiting professional filmmakers. Iād love to see a strong youth media voice in the Festival program. Itās free to apply and a good networking opportunity for students who are able to attend in person. Just something for youth media orgs to keep on your radars for next year!
What's different about life where you are now?
Itās certainly much colder. I donāt ride a subway, donāt see anyone with Google Glass, and while the coffee is refreshingly, reasonably priced, I canāt find a good avocado.Ā
I guess the biggest difference is that Iām here to be a filmmaker and educator. Thatās my daily responsibility.Ā And I get to do that among aĀ faculty supportive of my work, a student body immersed in theirĀ craft, and an environment carefully designed to encourageĀ reflection,Ā diligence, andĀ production. All of this motivates me to make time daily for my own work, which is something Iāve always had a hard time doing. So I guess the biggest difference is that here, for these few months, Iām honoring my need for creative space and for the nurturing of my voice.Ā
What are you hoping to accomplish in your new position?
Ideally, Iād like to reinforce my relationship to my voice as a storyteller / writer / filmmaker, while also preparing myself for a full-time teaching positionĀ at the college level. At the same time, I know that we are living inĀ an unstable time. Change, in the words of a NAMAC 2013 RegionalĀ Gathering attendee, is the new constant, and that applies as much to the academy as anywhere else. While the academy used to be a relatively linear career pathāyou study for years, make work, and land a jobānothing is very linear anymore forĀ people in the arts and humanities. Iāve been intrigued by the latest issue of Imagining Americaās journal, Public,Ā which explores how people are adapting to this shift.The issue asks: What alternatives to single-discipline job trajectories do public scholars, artists, and designers find and generate? What are ways of applying knowledge and skills associated with one arena to something else?Ā
So thatās all to say, I am hopeful that my residency will be a rich time to reflect on my voice as an artist and educator, preparing me for aĀ full-time academic position. At the same time, I want to stay open and adaptive, seeking the mostĀ fruitful way, whatever it may be, to apply my talents, knowledge, and skills towards socially conscious storytelling.Ā
What will you miss most about NAMAC?
The people. I miss daily the community of mediaĀ artists, media educators, nonprofit visionaries,Ā advocates and allies with whom I was fortunate enough to intersect. I miss the thirty-minute phone call to work on one paragraph in a grant report. Miss those first few minutes of every conference call where we caught up with each otherās lives and weather conditions. And I miss the joy of developing new partnerships, visioning the field at its best, and taking what steps available to hold space for independent media and media education to flourish. I do hope to stay in touch with many people in the NAMAC family. I can be reached via email at aggie.ebrahimi [at] gmail and on Twitter @agg_star.