Nappinnai in Ponniyin Selvan
Krishna-Nappinnai cult was prominent in Tamil-speaking areas of South India in the seventh to tenth centuries. Nappinnai can be considered a mix of Satya of Ashtabharya and Radha. This cult is the prototype of the later Radha-Krishna cult in the North. She features prominently in the poetry of Alwars (Vaishnavite poet saints) as the worldly wife of Krishna as different from the divine consorts of Lord Vishnu.
In Tamil poetry, Nappinnai is the daughter of Yashoda’s brother Kumbakan. She grew up with Krishna and Balarama and Krishna marries her by taming seven bulls in a public tournament. Nappinnai is featured in non-Hindu sources too. For example, in Jivaka Chintamani composed by the Jain saint Tirutakkatevar, a King is told that he shouldn't hesitate to marry a lower class woman because Tirumal himself is married to cowherdess Nappinnai.
Krishna Mandapam at Mahabalipuram
Krishnan lifting Govardhana, Balarama on the right side, consoling an old couple. Nappinnai on the left side gazing at him admiringly, holding the hands of his sister Subhadra.
Aditha Karikalan, Thirukkoilur Malayaman and Parthibendra Pallavan spend their night in this complex near the iconic Shore Temple, at the end of Book 1. The young princes discuss about sculptures and poetry, which Parthibendran finds distasteful. Malayaman leaves them to watch villu pattu in the Pancha ratha complex and it is here that Karikalan narrates the story of his heartbreak. Now it is a closed structure, but originally it was an open air bas relief. The mandapam enclosing it was constructed only in the 16th century, during Vijayanagara period.
An entire chapter (Achchiyar Kuravai) of Silappathikaram is about Nappinnai playing Kuravai dance with Krishan and Balaraman. Manimekalai (Sangham epic, not PS character) too mentions this dance. When Vanthiyathevan gives Aditha Karikalan's letter to Kundavai, Kundavai's retinue is seen dancing to this, singing about various asuras trying to kill Krishnan.
When Karikalan goes to Kadambur, there too we see the preparations for the Kuravai.
While having a heart to heart conversation (as much as someone like Nandini can open her heart), Nandini tells Manimegalai about her hallucinations. According to her, when we love or hate someone intensely, we can see and feel them even in their absence.
This is something Nandini made up for her consolation, because Nappinnai is never seperated from Krishna. In fact, it said that Vishnu left his divine wives and descended from his seat to be Nappinnai's beloved.
You parted from the eternal Great Flower [Lakshmi] and from the Lady Earth, became a youth, and then united in marriage with the shoulders of the cowherd Pinnai.
In Kuravai Koothu, women sing that Krishna avoids Lakshmi because he is so enamored by Nappinnai.
Is Pinnai of bangled arms so beautiful that He who had won great reputation by measuring the universe, would not look at Lakshmi dwelling in his own breast ?
It is to this Nappinnai that Andal prays to give her an opportunity to get one with Krishna, as her other attempts to wake him up were futile.
Nandini must have heard of the North Indian narratives about viraha unmadini (driven mad by seperation) Radha which were in their infancy then. Nappinnai didn't have the habit of seeing hallucinations - it is Nandini who has mental health issues.
This connection also shows Nandini's guilt about her life's circumstances though they were beyond her control. When Vanthiyathevan tells her that her Krishnan is still waiting for her, she replies that she doesn't deserve it. After marrying Periya Pazhuvettaraiyar, Nandini is never shown praying earnestly - either she is lying about different prayers and austerities or she is using devotion to avoid questions.
Edit: After writing the original post, I thought I will read Thirumangai Alwar's poems because his poetry is specifically mentioned in the chapter which shows Karikalan, Parthibendran and Malayaman going to the port to oversee the loading for goods for Arulmozhi's army. Look what I found:
Pinnai's forehead is a gleaming crescent moon
So long ago in battle he subdued seven bulls for her hand
And now he owns beautiful Kanchi which is surrounded by beautiful cool ponds of waters
Where the sovereign of Pallavas who have the sharp blood stained sword in his hands
Who owns a drum with a bitter mouth
And the Conch with the roar of the sea
Pays his obeisance to his Lord.
(The poem says that the poet's god is the Lord of Kanchi who is worshipped by the Pallava King. The rest are the descriptions of the the god and the king. In PS, crown prince Karikalan is ruling from Kanchi with Parthipendra Pallavan as his vasal)
Are you even real, Maya Kanna?
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