#naoki hamaguchi

[nintendocafe]

“Snowboarding! This is something that fans have really deep memories about! I’m afraid I can’t delve too much into the details, but we understand that it’s not going to be just a simple snowboarding minigame in FF7 Remake Part 3. We want to make sure that it’s incorporated into the story to have that sort of connection with the theming of it.” - Naoki Hamaguchi

[pandorawildflowers]

Following Summer Game Fest, Naoki Hamaguchi, director of Final Fantasy VII Revelation, gave a rather long interview on June 6th to the Japanese magazine Denfaminico Gamer, and on June 8th to the magazine Gamespark; addressing many players' questions such as traveling on the Highwind, Zack's presence, the new FITS system, or the inclusion of Wutai and Rocket Town!

Below are some links to read the interview if you're interested:

🇯🇵​ ​Japanese (original Denfaminico Gamer interview) 🇯🇵​ Japanese (original Gamespark interview)

🇬🇧​ English (summary of the Denfaminico Gamer interview)

🇫🇷​ French (complete translated Denfaminico Gamer interview) 🇫🇷​ French (complete translated Gamespark interview)

If you have a link to the full translation in your language and would like to share it, feel free to message it to me or leave it in the comments, and I will add it to the list 🤗

[kyzveryown]

I was just thinking about this, but after Kingdom Hearts is finished what's next? We know Nomura is looking to retire within the next few years so I can't imagine there's any other project(s) he'd want to work on outside of finishing up Kingdom Hearts and the FFVIIR trilogy. People give him a lot of shit for his crazy ideas, convoluted writing style (my only issue with him), and his influence on the Final Fantasy games, but the day that man retires will be a sad fuckin' day.

Before he retires though, I hope he gets to make Versus XIII. That shit is still weighing on his heart to this day. Hopefully Verum Rex will be his chance. It's unfortunate that it would have to happen through Kingdom Hearts but it is what it is. Either that or publish a biography about his life and career in the gaming industry. More likely than not he'll disappear and only come out of hiding once every few years or so. So, no different than what he does now.

Someone needs to carry on that legacy though. Maybe Hamaguchi will be the one. We'll see.

[planckstorytime]

Final Fantasy VII Rebirth: A World Beyond Anger (Part Six)

VI. … And Why It Doesn’t Matter

You thought I was done complaining? No, never.

Doubtless someone will punch holes in my theory, and I wouldn’t even feign indignation. The truth is that none of the explanations posed by fans have established a coherent story. But the fact that this is where our attention has been directed – away from the emotional moments that give stories relevance in the first place – exposes the shallowness of this trade-off. Even if my desired theory comes to fruition, I don’t think it redeems Rebirth’s rendition of Aerith’s death.

The consistency, or lack thereof, between the obnoxious multiverse stuff and the franchise’s established lore ultimately matters little when you’ve already squandered that critical moment that makes us care. From whatever universe you view it, Rebirth demonstrates a puzzling ambivalence to Aerith’s passing. The impact of loss never lands, because moments later you have Zack stepping in for a tag-team match with Cloud against Sephiroth. It’s framed as some fist-pumping “fuck yeah” moment, complete with embarrassingly out-of-place musical callbacks and quotes from Crisis Core (2007). It doesn’t feel like purposeful whiplash to create a sense of disorientation, but rather completely tone-deaf and disrespectful fanservice, all during a moment that should leave the player feeling hollow. And no sooner has Aerith left the building than she rises again like the goddamn Undertaker, kicking ass and eliminating any modicum of loss. Whether she’s in the lifestream or a parallel timeline or a phantom of Cloud’s addled mind is a distinction without a difference. Her death – and perhaps all death in the series – has lost its significance, because it feels merely inconvenient.

Hironobu Sakaguchi, creator of the Final Fantasy series and story planner for the original FF7, channeled the pain and shock of his mother’s death into the loss of Aerith. Where once there was a source of joy, now there is only a void that will never be filled. In the original game, you’ll always have that empty slot on your party selection screen to remind you of who you’re missing. It’s an aching, uncomfortable treatment of death in fiction that was unconventional for its medium at the time. It cut straight to players’ hearts. With this is mind, does Rebirth capture anything remotely comparable? Should we call Sakaguchi and tell him his mom is still kicking somewhere?

When asked about the scene by Game Informer, Nomura had this to say:

“Prior to Final Fantasy VII, there have been other titles where characters have experienced tragedy, but many of them have come back or been revived in some ways. But I believe that loss is something that happens unexpectedly, and it’s not something so dramatic or drawn out, but is something in which a person that you have just conversed with is suddenly gone and never to come back. I believe that the person who dies should not return in this title, and that is what we did with the original… I do believe that the way we have depicted it brings about a new emotion and a new feeling for both players who have played the original Final Fantasy VII and newcomers.”

I struggle to conceive what this “new emotion” could be. Bewilderment? I can’t imagine another response when the developers diminish the tragedy of a lost friend because they want you to be more invested in keeping track of the stupid cartoon dog! Nothing can rationalize the cluttering of this sequence with a shell game that asks us to follow the Black/White/Clear Materia. This sequence, and the events immediately leading up to it, should not have been reduced to a gimmick of prestidigitation. We’re not wondering what we’ll do without Aerith – we’re wondering which sleeve she’s hiding in, so to speak. All of these unnecessary contrivances dare you to solve them, encourage you to switch off your Lizard Brain. But if you turn off your Lizard Brain and welcome those higher mammal functions, you’re bound to see how stupid all of this truly is. For Christ’s sake, we’re naming these worlds after dog breeds! Is that really worth what we’ve lost?

Mechanically-speaking, too, I feel the 1997 game better executed the subsequent battle. There’s an often overlooked quality of the Jenova LIFE fight: It’s really easy. Equip the Water Ring you picked up five minutes earlier and you’ve essentially won the fight. This works really well because you’re not supposed to be thinking hard about strategy and tactics or rocking out to Jenova’s awesome theme song – the battle just gives you time to chew on what’s happened, all the while Aerith’s theme softly rings in your ears. Rebirth gives you a complicated, high-flying, multi-stage boss fight that drops your dead friend’s musical motif midway through. Now, your party is dropkicking an eldritch monster and shouting quips, while electric guitars and synths blare in the background. You need to be actively paying attention for the hour-long boss gauntlet that follows, and it feels wrong to me. I didn’t party wipe; I’m not bad at this game (I beat Gilgamesh at level 49, prior to the endgame) – but micromanaging a chaotic battle drains what little emotion remained. I just felt numb in between fits of laughter.

That is to say, the ending of Rebirth feels like a trip to the dentist.

New mysteries take priority over an earnest portrayal of events, and I just don’t think they’re compelling enough to warrant that. Our knowledge of them has barely advanced since part one. We knew going in that Zack was in a different world, denoted by a different Stamp. And now we know… that there are different worlds denoted by different Stamps. For all the rigmarole, we learned shockingly little. The mystery didn’t really progress, aside from showcasing such a circus of inconsistencies that we’re basically forced to accept that it operates on dream logic. The true ending remains to be seen, but if the clues only amount to “the clues not adding up”, then I’d say that this plotline hasn’t felt rewarding.

My gut tells me this all leads to a cul-de-sac. I judge these riddles as cynical mystery boxes with little concrete direction. Rebirth backtracks on several of Remake’s more audacious changes, completely dropping plot points in some cases. I suspect the final game will do the same, and we’ll have something approaching the original. After all, this “adds up” to Advent Children, by Kitase’s admission. The man likewise expressed that the story will likely be adjusted based on audiences’ responses to the ending of the second part. Given that the narrative disruptions have had mixed reactions at best this time, I believe it’s fair to guess that we’re just looping back to the OG plot anyway.

With all of this in mind, attempting to unravel these unknown elements seems like a massive waste of time. I don’t find this ending quite as intolerable as that of Remake, but it still comes off as tacky and desperate. I think the third part will likely still be fun and contain many of the great moments from the latter half of the original. But I can’t hide my disappointment that, even though my worst nightmares about the project didn’t come to pass, it didn’t fully rehabilitate itself in my eyes either.

I won’t lie – when I started to feel that familiar anger rising again, I got scared. I didn’t get the clean resolution that I wanted, and I worried that destructive obsession would take me over again. I feared I was about to relapse into the world’s stupidest addiction.

All of a sudden, it clicked together. I spent 120 hours staring straight at the answer, oblivious to it. Yet it finally came to me.

FULL ESSAY: https://planckstorytime.wordpress.com/2024/05/11/final-fantasy-vii-rebirth-a-world-beyond-anger/

[gamemories]

[verumleonhart]

I feel like we're in a good place with this, KH4, 7R 2 & DQ12. Unless management those something ridiculous again all these titles seem like they're out of Square's dark era.

Each team is headed by staff that knows what they're doing on a technical level so now I'm just waiting on certain things like gameplay & release dates.

[thechocobros]

Headcanon in which they send each other memes 

[nintendocafe]

"I can reassure players that we’re working on the Nintendo Switch 2 version of FINAL FANTASY VII REBIRTH, the second game in the series, and the third game too. They are being worked on for Nintendo Switch 2 alongside the other platforms right now.

One thing to reassure the fans who want to play these games on Nintendo Switch 2: I've got a personal policy where I don't want to make any versions of my games different or offer a different gameplay experience just because they're on different hardware. That might get confusing for players, and they might wonder which version of the game they should buy. That’s something I’d very much like to avoid. The Nintendo Switch 2 versions are being developed in a way that keeps the gameplay experience pretty much exactly the same as all the other platforms, so I hope this reassures Nintendo Switch 2 players." said Naoki Hamaguchi