Incantation by John Dixon, after John Hamilton Mortimer
British, 1773
mezzotint on laid paper
National Gallery of Art, Washington, D.C.

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Incantation by John Dixon, after John Hamilton Mortimer
British, 1773
mezzotint on laid paper
National Gallery of Art, Washington, D.C.
Moretto de Brascia (b.1498 - d.1554), ‘Portrait of a Lady in White’, c. 1540, Italian, currently in the collection of the National Gallery of Art, Washington, DC
Who needs the Uffizi or the Louvre or the Musei Vaticani when you have the beautiful and lovely and absolutely amazing National Gallery of Art? Today I visited with my best friend for the first time in 9 months, and I've missed it so much. The NGA has always been the place that I've felt most comfortable in in DC, and I've missed that kind of comforting experience while I've been away. DC is a weird place, there's no denying that; it's full of power and politics and nationalism, but it's also full of culture, and the NGA is the best of the best. Can't wait to visit again so so soon 💕
Angel Standing, attributed to Rembrandt van Rijn
Dutch, 17th century
pen and brown ink over traces of charcoal on laid paper
National Gallery of Art, Washington, D.C.
Still Life with Flowers in an Alabaster Vase and Fruit by Anne Vallayer-Coster
French, 1783 (exhibited at the Salon of 1783)
oil on canvas
National Gallery of Art, Washington, D.C.
The Presentation at the Temple in the Dark Manner by Rembrandt van Rijn
Dutch, c. 1653
etching and drypoint on paper
National Gallery of Art, Washington, D.C.
Lucretia by Rembrandt van Rijn
Dutch, 1664
oil on canvas
National Gallery of Art, Washington, D.C.
Allegory of Painting by Rosalba Carriera
Italian, 1730s
pastel and red chalk on blue laid paper mounted on canvas
National Gallery of Art, Washington, D.C.