#1540s

[history-of-fashion]

1547 Jacopo Robusti (Tintoretto) - Portrait of a man

(Kröller-Müller Museum)

[jeannepompadour]

Catherine Parr, Queen of England by an artist of the English School (after Hans Eworth), c. 1548 

[suburbanbeatnik]

A sketch I did of the hero and heroine from my latest time travel romance project, HUNT THE WHITE HIND. Cathy's a time traveler from the 1980s (hence the Casio wristwatch), while Father Nicolas is a Franciscan friar from the Coronado expedition in the 1540s. I've written 44k words, and I'm really happy with my progress!

However, I'm taking a break now, and working on my backlog of commissions. More new art will be posted soon!

[lionofchaeronea]

Title: The Flight into Egypt Artist: Jacopo Bassano (Italian [Venetian], 1510-1592) Date: 1540s Genre: religious art (Christianity) Period: Late Renaissance (Cinquecento) Movement: Venetian School Medium: oil on canvas Dimensions: 157.5 cm (62 in) high x 203.2 cm (80 in) wide Location: Toledo Museum of Art, Toledo, OH, USA

[artschoolglasses]

Close Helmet with Moveable Face Defence, German, 1543

From the Philadelphia Museum of Art

[historical-fashion-polls]

which outfit would you rather wear? (ca. 1530-1590)

left ❤️🖤🤍

center left 💚💜🤍

center right 🤍🩵💚

right 🩵💛💙

Voting ended onSep 28, 2024

submitted by @shilohta 🤍🩵💚

[blondebrainpowered]

Helmet shaped like a griffin. Milan, Italy, 1540-1545 AD.

This splendid Burgundian unfortunately represents the only surviving element of a parade armor probably Medicean executed around 1540-1545. The burnished and gilded iron mezail stamp simulates, in embossed form, a dragon's head topped with a serrated crest, the wide open mouth closed by a mobile bavaria representing the features of a face with a terrifying expression. A theme relating to the attraction of the mannerist taste for expressionism and the fantastic.

A feather holder is attached to the back of the stamp, while a necklace of interlacing runs over the gorget and covers it -neck is covered with stylized scales.

[artinpl]

Silesian Cranachiana: Epitaph of canon Lorentz Potschel (Laurentius Potschel, d. 1539) with the scene of the Expulsion of the merchants from the Temple by Silesian follower of Lucas Cranach the Elder, 1540s, Archdiocesan Museum in Wrocław (oil on panel, 182 x 130 cm). Originally in the Romanesque church of Saint Giles (święty Idzi, heilige Ägidius) in Wrocław (after "Führer durch das Erzbischöfl. Diözesanmuseum in Breslau" by Alfons Nowack, p. 53, item 175).

Browse >>> Renaissance Poland-Lithuania - The Realm of Venus - Art in Poland (Artinpl) >>> for more ...

© Marcin Latka

Interesting and useful? Now you can buy me a coffee.