Feb 24
by Nicolas Ceccaldi
source: collectionarchive.tumblr.com
seen from Australia
seen from United States
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seen from Türkiye
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seen from Yemen
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seen from United States
by Nicolas Ceccaldi
source: collectionarchive.tumblr.com
Nicolas Ceccaldi
Carte Blanche à David Douard with Nicolas Ceccaldi, Valerie Keane and Antoine Trapp, inner GLOw’ replica, June 04, 2024 — September 30, 2024. Installation view Basement Roma.
by Nicolas Ceccaldi
“Eaux Saines”, 2019 5 pillows 26 x 41 x 192 cm
source: collectionarchive.tumblr.com
Nicolas Ceccaldi at Meyer Kainer
Nicolas Ceccaldi, Eaux Saines (2019). 4 pillows, 20 x 40 x 140 cm, 7 7/8 x 15 3/4 x 55 1/8 inches, Courtesy Galerie Buchholz.
NICOLAS CECCALDI - 'Hymne à la joie’ @ Le Consortium, Dijon (2017)
Picking up on the inverted cross, stylized transitioning from Gothic to Baroque, and remixing classical music.
"Through the appropriation of authentic religious artifacts and the typically gothic and baroque stylistic treatment, Nicolas Ceccaldi evokes satanism in its ecclesiastical version which originates in the foundation of the Church of Satan by Anton LaVey in 1966. [...] the satanic motif exceeds the framework of occultism to become a kitsch allegory of artistic practice as professional activity."
check out source/via contemporaryartdaily.com: https://goo.gl/fCQkgA
Installation images from:
Sunlight arrives only at its proper hour
Curated by Mitchell Algus and Olivia Shao
June 2 - July 30, 2017
Yuji Agematsu, Nancy Arlen, Jeremy Anderson, Hans Bellmer, Bill Bollinger, Lee Bontecou, Robert Breer, Dan Burkhart, Cameron, Nicolas Ceccaldi, Magalie Comeau, Tony Conrad, Jay DeFeo, Michaela Eichwald, Agustin Fernandez, Terry Fox, Ilka Gedő, Jean-Léon Gérôme, Bill Hayden, Matt Hoyt, Steve Keister, Mike Kelley, William Leavitt, Lee Lozano, Robert Mallary, Harold Mendez, Henri Michaux, Eric Orr, Tom Rankin, Deborah Remington, John Singer Sargent, Michael E. Smith, and Unica Zürn
at 356 S. Mission Road
by Nicolas Ceccaldi
source: collectionarchive.tumblr.com