The irony of Armando reciting the chorus of a love song as he ponders about Nicolas Mora and his relationship with Betty. This happened after ranting to Mario about how "su Betty tiene un novio" and why she didn't trust him enough to confide in him. At this stage, I think he was jealous of the relationship Nicolas had with Betty, but didn't understand why. No boss would react this way about his assistant's private life unless there were personal feelings involved.
Betty and Nicolas are in the Le Noir, and Armando is dying of jealousy but only bc he can't hear they talking.
Bc that's so much siblings energy. This is clearly an older sister fighting with her younger brother. If Armando hadn't arrived, Betty would have left there pulling Nicolas by the ears.
My husband is deeply disappointed that Betty wanted to dissolve Terramoda and give Ecomoda back to the Mendozas/Valencias without taking anything from them before going to Cartagena lmao
He says that Betty will go on vacation and have a good time at the beach with the French guy while she literally left her whole family unemployed since everyone was living off Ecomoda and Terramoda lmaooo my man wants revenge and for Betty and Nicolás to keep Terramoda as their own individual business and say fuck you to Armando
This is why no rich and hot CEO will ever give him her business smh
My Peak TV Journey *Betty la Fea La Historia Continua*
I need to say upfront, that I was really excited about this series, and I remain mostly satisfied. I look forward to the second season continuing (and wrapping up?) this story. I also finished watching the edited-for-Peacock version of the original. I will say that the sequel is for people like me, people who think the original loses steam after the return from Cartagena. While the original series shows Armando in touch with his emotions, it doesn’t show him having any idea how to act on them in a healthy manner. Despite this he and Betty accept that they’re still in love, generally better together so they get together without resolving Betty’s deep trust issues, or how Armando still needs to learn anger management and better communication skills. It’s amazing they lasted as long as they did.
I don’t want to fight anyone over the quality of the series, but there are some things I have to defend. Namely the structural differences between the sequel and original. By structural, I mean mostly pacing, cast size, and how information is revealed. The differences between setting up a story that will most likely run through through hundreds of episodes more or less uninterrupted for over a year vs something that the two episode once a week, for a total of ten where continuation will be indefinite is essentially a change of medium. The techniques and rules for storytelling change. The now de-cannonized sequel spinoff Ecomoda is criticized for being too much of a sitcom when figuring out how to deal with similar structural change. La Hisotria Continua is more like the original telenovela in tone and plot points, but those have to unfold differently than the original. (Also in being more like the original, it’s going to torture its main characters anew. If you can’t accept it, don’t watch and don’t comment.) In the original an early episode is dedicated to Betty and Nicholas reading a magazine covering an event Ecomoda hosted, with flashbacks to said event. Through this we really get to know many of the major characters and what they are trying to do. This season comes with the assumption that we are familiar with most of the characters, but we don’t really know what they’ve been up to, and most importantly, we don’t know how they relate to the new characters. Crucially, it isn’t laid out so we know what kind of danger Betty is walking into this time. In the original the intrigue was “what will happen?” Here it’s more “what has happened?” This comes with mixed results. The first episode especially felt needlessly confusing. And even by the end of the season, there were things, like how and why Majo got involved with Ecomoda, that I wish had been clarified already. However, there was a moment in the second episode made it more clear that they knew what they were doing. This starts with Betty telling Bertha and Sandra that she was not a good president of Ecomoda because she only made the rich richer. I took this as a sign that this was taking on the extreme classism in the original, how it was mostly treated as “that’s the way the world works” kind of way.
The series opens at Don Roberto’s (Armando’s father) funeral. Armando’s relationship with his father was always fucked up though the original series seemed to lose interest in the more negative aspects of Roberto’s character as it went on. One of the messed up things about their relationship was how accommodating Roberto was to Daniel, son of his former business associates and Armando’s rival. The not too subtle subtext is that Roberto thought of Daniel as a more serious minded person for business and wished Armando was more like him, while also showing little to know interest in anything else about who Armando was as a person. He didn’t have much interest in who Daniel was as a person either. This all business approach helped him appear to be out of the fray, when he really very much was in it. In the new series, through a video of his will, Roberto sets up a plan for Ecomoda that manipulates a reluctant Betty back into the office of the presidency while telling Armando how he once again failed as president. No wonder after Roberto’s death Armando is haunted by visions of Roberto saying Armando should have spent more time in prison, and that he doesn’t deserve someone as wonderful as Betty. The latter statement is ironic, given that Roberto treated Betty pretty coldly. Everyone ignores the fact that in the original series when they first met he refused to shake her hand. Roberto definitely deserves some of the blame for how Marcela became a lingering presence over Betty and Armando’s marriage, and Betty never feeling entirely welcome in the Mendoza family. And of course as we later learn, her fired Betty to appease Marcela, when that was bad for everyone.
Looking back after the season, I think Marcela might have been the character who most benefited from the changes in structure. The story was put into motion by her worst qualities, her anger, lack of curiosity, the ways she isolates herself. But she didn’t have enough air time to for these traits to become too tiresome and have us give up on her. And she is left in a position where she has to make some life changing decisions. We learn early on Marcela blames Betty for Daniel’s downfall. Betty was aware that something was wrong with the company financially, alerted the police and the investigation led to Daniel being arrested for money laundering and then being murdered in prison. But, for the plot of this series, the real issue is how aggressively Marcela only sees what she wants to see. Marcela seems to have natural blinders towards so much in life. She wants vengeance against Betty and Armando by forcing them out of Ecomoda and then taking over with Ignacio. But she is not paying attention to what Ignacio is doing. When she learns if a lot of it in the last episodes she’s appalled. Her relationship with Ignacio is the inverse of how she treated Armando as a boyfriend. But it is reminiscent of how she never had interest in the running of Ecomoda, never checked in on Armando and Mario’s business schemes and ignored how her brother sexually harassed her best friend. So her not checking in more on Nacho feels in character, if a part of her character that’s always been frustrating. After the reveal that Ignacio is her half brother, instead of her nephew as she believed, I began to wonder if it was a revelation to force her to change this aspect of her character? Does knowing her father had a second family make her aware that this isn’t just keeping her head high out of the muck? (Or whatever she says to herself.) She’s ignoring things that matter. It also made me think are we supposed to reassess her constant monitoring of Armando during their relationship as some kind of subconscious way of making up of all the ways she ignored the poor behavior of the men in her immediate family? For most of the season the relationship between Marcela and Nacho was treated as a mystery, much of the office assuming that he was her boyfriend, while fans knew he was a secret member of the Valencia family and having the full answer include how much Marcela doesn’t look at or explore things involving her familys interesting. I hope the next season follows up on this. Some of the follow up will involve Pascual, Nacho’s secret parter and Marcela’s new love interest. I’m not sure Pascual will actually be good for Marcela in the long run. She needs to have her single minded desire to hurt Betty and Armando broken by other desires. And I don’t think she’s thought of wanting anything else for a while. But he gives mixed messages all the time. As a secret patter who express interest in becoming part of the high society fashion world. But in his first scene he says the line “Para mi papero y papito son los mismos nombres.” Indicating he’s not that interested in changing his identity. He has a couple of ugly divorces and says he wants to be fawned over by models, but he also is instantly smitten with Marcela and pursues her with the most blunt and crass language I can imagine. He also has as little interest in remaking Ecomoda’s image as he does his own image, to Nacho’s presumed chagrin.
Marcela also had surprisingly little interaction Patricia, which did affect a lot of the show. It’s an interesting way showing of how people have changed and stayed the same. During the first episode I hated Bertha and Sandra’s jokes about Patricia’s husband. They were gross and agist. (Later meeting him at the quinceñera flash back made Patricia’s relationship seem like elder abuse. But, I kind of like that Patricia’s in a relationship that she wants to be known, but doesn’t want to bring attention to. It’s a change of pace from the original where she was single, desperate and frequently saying how she could have a boyfriend whenever she wanted. The change seems like an appropriate response to Daniel regularly offering to pimp her out to his friends. I also like that she was promoted to Gutierrez’s position as a way to show everything being different but similar. Patricia was always about bossing around el cuartel. Gutierrez also seemed to think of his job as chiding people back into looking busy whenever. The change in position a good reason for Bertha and Sandra’s renewed hatred for Patricia a fits with the ways Gutierrez was awful. Bertha’s obsession with “chisme” might actually make her good at the job, She can make people feel seen and heard and communicate between workers and executives. People could feel more motivated to work when they understand more of what is going on in the company. But it doesn’t fit with the intense classism that rules Ecomoda. It would be a view of the position completely alien to Gutierrez.
As I was saying earlier, whatever is going on with Majo, Mario and Armando seems more needlessly confusing than intriguing. Why is Armando friendly with Majo again after her kiss at the end of the first episode causes such disruption? Those scenes with the them at the club were weird. I don’t for a second believe she’s an alternate love interest, but why should I care? As the season went on I find myself more intrigued by the lack of scenes between Majo and Mario. He talks her up whenever he’s alone with Armando and even expected her to have a conjugal visit with him in prison. Yet she never talks about Mario, and they never talk directly to each other. I’ve come to think of her as not so much wanting Armando, as wanting Armando to want a divorce because that what Mario, her secret real employer, wants. But this is based on absence, rather than what’s on screen. For what does Mario want control over Armando? And why is he still so bad at vetting potential business alliances? I hate the character of Mario, but the season could have improved by filling in some gaps about what he’s up to.
Betty’s alternate love interest, Esteban, isn’t a better defined character than Majo, but at least he’s not supposed to have created some kind of bond with the main characters off screen in the time between series’s. He’s a better alternative love interest than Michel in that he’s a better listener and has more in common with Betty. But he’s still too boring to compete with Armando.
As someone who always thought Armando didn’t show enough what he learned, I kind of loved events on the third and fourth episodes as revisiting things in the original series. This included punch Esteban like he punched Nicolas in the original for being a perceived romantic rival. While that was a new low, it did motivate Armando to change his behavior. If anything, the original series suggests that violently lashing out is fine when you’re lashing out at the right people as demonstrated by him later punching Mario. His attempt to change includes joining a group therapy with Freddy. This leads to revisiting Armando in drag, only this time to better understand Betty’s point of view, not simply be emasculated for the failures of his toxic masculinity and homophobia, as in the original. In some ways I felt for him more in this series than I did in the original. He just seemed so lost, but also not putting himself at the center of everything as he did in the original. Betty briefly made him VP of Finances, a role to which he is not suited, but doing so gives him the time to confess to his misdeeds on his own time. I found myself wishing that they made Armando majoring in something more mechanical a bigger part of his character. Then I could say “that’s what he’s good at.” But he seems otherwise most interested in maintaining vendor and supplier relations which seems closer to Marcela’s specialty. Being at Ecomoda is bad for him as a person. During the flashback to the fight while Betty left him he says he sacrificed his social circle for their relationship. There is a truth to this. Mario’s ability to slip back into his life is a sight of how real it feels. But the bigger truth is that between the hours he spent at Ecomoda, and the class rigidity of the institution, he never had the opportunity to make new friendships. This is poignantly present in his scenes with Freddy, where we see how hard it is to accept Freddy as a friend.
All this talk about how social hierarchies having ruinous effect on personal it’s time to do a brief, segue about the uses of “usted” and “tú” in both series, with the caveat that I am neither a native Spanish speaker nor a Colombian nor someone who’s ever been to Colombia. I know I’m missing a lot of cultural context. I have heard that Colombia uses “usted” more than other Spanish speaking countries. Still, the use in the original seemed extreme. It helped illustrate the ingrained classicism of the original. Betty and Armando reverting to “usted” even en a flashback to happier times, after beginning to use “tú” near the end of the original is a bad sign. It adds opportunity to misunderstand one another and hints that they haven’t quite gotten over the class divide after years of marriage. In the original it sometimes seems like one has to be upper class to deign tutear. The Cuartel, Betty’s parents within their relationship and with Betty, as well as Betty with Nicolás all use “usted” with each other despite being personally close. In contrast to this Patricia’s use of "tú" comes off as impudent, and Nicolás only uses "tú" when trying to impress Patricia by pretending to have more money than he’s worth. This language barrier, in the original Betty sees herself as an extension of Armando who always had to prove herself. (This is common amongst Ecomoda employees, see Berta’s reluctance to share Gutierrez’s home phone number while he was sexually harassing Aura Maria and Sandra’s self-flagellation after lying to Mario.) By the new series Betty strongly associates more with the employees of Ecomoda than any of its owners. Which explains her return to “usted,” and Mila’s regular use of “tú” as a sign of how hard it is for them to get each other. The continuation seems pretty aware that this emphasis on formality was a not great set up for life.
Mila starts the season very angry with her mother and ends angry with her father. While taking notes I surmised that all the hurtful things Mila said to Betty early on showed a fear of understanding what happened between her parents. She knew it was too potentially painful. She chose to support Armando because she thought he wanted to reconnect in a way Betty didn’t. This fear is completely founded, and when she does find out about her parents history, the reason her mother quickly abandoned trust in her father, she switches allegiance. Though this happens right around the time Betty is starting to consciously realize that her reaction to Armando was out of proportion to the current situation.
Early in the season Betty says something about needing to break vicious cycles. She’s right about that need, but her technique of just cutting off all contact is by now her own contribution vicious cycle, and therefore counter productive. She would have known more about what she was walking into returning to Ecomoda if she opened those emails. Also, while she definitely had the right to be angry with Armando about how his failed negotiations with Roberto and Marcela affected her, and the way she was cut out of them, it would have been better for all if after a couple of days of cooling down they decided to meet for counseling. The extended radio silence was just bad for everyone. Also I would like more detail on what Betty and Nicolas were up to in their time away from Ecomoda. I am under the impression that Doña Julia was ill and died during that time period, so Betty spent a lot of time with her mother during her last days. But what else? What was she thinking about as possible futures? Nicolas is even more of a blank slate. All I know is that Mila has apparently been telling him for yeas that the amount of hair gel he uses makes him look older than necessary. She is right, see any picture of Mario Duarte out of character.
While I wish more detail was given to Betty’s life away from Ecomoda, I like pretty much everything about how she acts after she returns. As I said before, I like how explicitly she relates to non share holding staff instead of favoring the actionistas. This includes her promoting Freddy and demoting Mario. I hope there is more follow up on that next season. More concerning this season’s plot, I like that Betty got the heads up about financial shenanigans from Hugo. It was unexpected, but in character for both. Also it reflects poorly on Marcela, who could have gotten answers to what Armando was doing if she just talked to Hugo like an equal.
I don’t know anything about the Colombian’ legal system. So I can’t say anything about how realistically or not Armando turning himself and Gutierrez in between the episodes. The important thing is how it plays in comparison to his downward spiral after Betty exposed the Terramoda scheme in the original. Which is that he’s more willing to take responsibility for his actions, go public and not pick fights. Betty also has changed since then, demonstrated by going to visit him in jail and talk. Then they have sex in a scene reminiscent of their first time in the original, only with some roll reversal. This is emotionally confusing for Betty. In someways exactly the situation that she thought of to justify cutting him off with no contact. On the other hand she gets to speak to someone who cares about the real emotional turmoil affecting her and learns more about Ecomoda’s quagmire.
Another recently revealed aspect of Betty I would like to see more of is what led Betty to tell her father that he wasn’t a great husband. He wasn’t, but it was something that couldn’t be articulated outside of some face making Doña Julia did, and the way Betty and her mother hid things from him. It fits with a theme of the series of saying things they couldn’t say in the original. Hermes’ dogmatism is in conflict with Betty’s journey of becoming more of a humanist.
I’m now going to wrap this up by writing about the new generation followed by some thoughts on finish the original series in a more complete way than ever before.
Other than Mila, Ignacio is the best defined of the new characters. Viewers were quick to say he has the Daniel Valencia role of the original. After all he is someone aligned with Marcela acting antagonistically towards Betty and Armando. And while this series played with that assumption, the two characters are most interesting in their differences. Ignacio is charming while Daniel was aggressively not. To the extent Daniel had charm, it’s based on the idea that he’s saying to your face what other people say behind your back. As a guy setting up a mass surveillance program through Ecomoda, Ignacio not going to pretend that he’s the one person telling the truth to your face. But he sincerely does like Mila, even though the circumstance means he’s betrayed her before anything started between them. At the end of this season I found myself wishing that there was more time spent on Jeff and Carmen so that the love quadrangle that Mila and Ignacio are with them felt juicier. It’s got long running soap potential.
Finishing the original while watching this has brought back some of the dread that I had going into the last section of the novela. Much of the post Cartagena plot feels like the show is spinning its wheels before deciding how to hastily rush to the finish line. Contributing to this feeling is the over reliance on flashbacks. The scenes involving Betty’s return to Ecomoda are particularly bad with this, and they didn’t even cut them from the Peacock edits. (These would have been some of the first edits I would make.) This section drops various subplots, including Inesita’s estranged husband coming home to die, which real does make the way the series doesn’t know what it is doing stand out. Theresa are some high points likeel desfile del Cuartel. But that is also supposedly the resolution of the Sofia/Jenny plot, and it’s not satisfying as such. I get that the cast and crew were exhausted, and some of them had signed contracts to work with other tv networks lessening their availability. But on a level of pure drama, these plots points are simply inexcusable. Also dropping the cuartel’s pilots makes them worse friends. They suddenly only have gossiping about Betty going and no respect for boundaries or treating her like an actual person, instead of the lead in a telenovela. Equally inexcusable is how because Armando now is conscious of his feelings for Betty, the fact that he expresses them by stalking her on meetings he wasn’t invited to and secretly steeling and reading her diary, is considered fine. It is why I can’t be too angry at Betty for dropping him the way she did.
This time around I was aware of how often real life designer Bettina Spitz had her name dropped and showed up on screen. Didn’t even realize I was missing that before.
[BLF] Episode 1 – Reunited (but it doesn’t feel so good) - Part 3
Back at the Pinzon’s, we see Nicholas and Betty together again.
I’ve always loved their friendship, not only because it has always brought out a lighter side of Betty, but also because it sometimes felt like the only moments we got to see her laughing and enjoying herself. After she becomes part of the Cuartel, she gets some more laughters and a sense of belonging, which I imagine is a first-time occurrence based on the flashbacks we get from her time as a kid and later in the university, but even then, and maybe because she enjoys being part of the Cuartel so much and wouldn’t like to have her ‘membership’ revoked for some reason, Betty is still shy and most of her jokes are the self-deprecating type, especially in the early days.
It makes perfect sense, all things considered. A big part of Betty’s sense of humor is in fact developed as a way to survive all the nastiness of a world that rejects her so bluntly time and time again because of her looks, so we also happen to see her and Nicolas making fun of themselves very often, but it’s with him that we actually see her inhibited version first, more willing to share her thoughts, more relaxed and at ease.
So, getting to see the unstoppable duo, together again, was such a gift! And how amazing it is that over 20 years later Ana Maria and Mario can so unseemly return to them?
The ease and comfort they share being in each other’s company is such a delight, that I do wonder how Nicolas fit in Betty’s life after she becomes a married woman. It’s clear they have remained very close, not only he was around in Ecomoda, but we see Nicolas later in Mila’s birthday videos and I can easily picture him joining them for several meals time and time again, but let’s not forget that Nicolas Mora is also the spark that ignited Mario and Armando’s insecurities back in the day, and we know for a fact that Armando is the jealous type.
My thoughts are that likely they never became friends themselves. The only thing these two men seem to have in common is their love and appreciation for Betty, but likely Nicolas never truly forgot just how much Armando hurt his best friend (I know I wouldn’t) and I don’t imagine Armando ever grows comfortable with Nicolas and Betty closeness and seeing how his beloved wife is and has always been more of herself when close to her friend. One could say: but they were married for so long, how much closer could they be? And while I can’t say this is a universal truth, what I have seen, is that more often than not, while theoretically you should feel comfortable enough to just be yourself and be loved for it when you find ‘The One’, the reality of it, is usually well, easier said than done.
For people who feel insecure for one reason or another – and we know just how much of Betty’s personal history account for that – more often than not there’s bound to be some struggle to just relax and let it happen, out of some form of Impostor Syndrome. Which seems like a pretty good assumption, especially after Nicolas makes a crack about Betty not being in magazine covers even after she was no longer ugly and Betty says she never stopped being one, not to them.
If that’s how Betty’s felt through all those years and how she still feels, all while Armando is – till this day – a catch, well, it speaks volumes, doesn’t it?
In that sense, friendship can be at times a lot easier to deal with, with less pressure to be anything other than yourself, especially in one as old and Nicolas and Betty’s.
But the reality of Nicolas and Armando’s relationship is likely something will only get hints at, throughout the season, though probably just that, since the writers hardly seem to have the time to show the bits that we actually *need* to see in order to understand what’s what.
So back at the Pinzons’ home, like so many other times in the past, we get Betty venting at her best friend. She talks about how not only Armando but the Mendozas have managed to spoil her daughter and get in the middle of their relationship and, again, I’m not surprised.
While Roberto has always been respectful and eventually recognized Betty’s competence and worth, Margarita never hid her distaste and I can’t imagine she ever truly understood why her precious son chose this woman over her beloved and protected Marcela.
Yeah, family holidays must have been pret-ty awkward.
Next: Cut to flashback. (I guess now they felt like showing a little more than just telling. And this is when the timeline gets more than a little clunky.)
