#night sun

[bonniebelbonbons]

Sun-kissed trees and pink skies

[autisticstarscream]

I've. finally drawn my first tf oc (/sona...? he was a self insert and now he became his own thing but i still see myself in him. smiles)

Info below cut!

Mourning Sun (later Morning Sun) is a Seeker who had a fucked up system that made him unable to fly/be up high. He is frequently unbalanced and stumbles often. Prior to the War, Mourning Sun worked closely with Transformation Cogs, and using his knowledge created a new alt-mode for himself, essentially disguising himself as a grounder (not pictured). He later joins the Decepticons as a... Medic. Kinda.

He works as the assistant of an actual Medic/Engineer, who uses him as a test subject without his knowledge. She is who makes "Night Sun", under Megatron's orders. He has no memories of when he is Night Sun. Later Night Sun, or Nightquake as he is renamed, becomes his own person.

It is a DID situation. Nightquake was made from a traumatic situation (experimentation and borderline torture). They are very different. I wanted to include Nightquake's colors because I love his palette in contrast to Morning Sun's.

MS started as a self insert OC to ship with Starscream and Skyfire and then he exploded into a fully fledged character that I genuinely have begun writing a plot for. I have mental illness.

ALSO here is Nightquake's actual optic color since you can't see it in the og pic.

[newforever]

https://ift.tt/ISnJ5w4 Night Sun Neptunq

[alephskoteinos]

The light of the hidden sun

An idea I fixate on sometimes is the esoteric mythological idea of the chthonic sun - that is, the sun in the underworld, most particularly in the sense of a dark double of the sun in the sky. In a Satanic context, that's reflected in the idea of Satan as the Sun, in the work of Aleister Crowley's presentation of Satan as the "spiritual sun". Here, though, I'll focus on a more Pagan meaning that ultimately connects to and undergirds the broader polycentric philosophy of Satanism and Paganism that I have. This is basically a long-winded expansion of my previous exploration of this idea via a Twitter thread yesterday.

It all starts out from an exploration of the seemingly rather paradoxical idea of Hades, the Greek god of the underworld par excellence, was also, in his own way, the sun. I remember stumbling on a Wordpress article about the idea, found it fascinating, but struggled to find support for it. Yet, more recently, I have come across something that perhaps lends support to the idea of the "solar Hades" being present within an actual Hellenic cultus, and with an attached theological context even.

In Leonard Thompson's "ISmyrna 753: Gods And The One God" (which you may find as part of a collection of essays titled Reading Religions in the Ancient World), we find a study of a particular funerary inscription that was discovered in 1875 at the Pagos Hill in Smyrna, an ancient Greek city located in what is now the Izmir Province in Turkiye. This inscription describes a sanctuary that was dedicated to numerous deities: Artemis, Helios Apollo, Zeus, Plouton Helios, Koure Selene, Men (an Anatolian god of the moon), and a divinity who seems to have been referred to as "God Himself". This is an interesting element, as it invites questions as to the identity of "God Himself", and the extent of its relationship to the broader "Western" monotheistic conception of God. The inscription is dated between the 1st and 2nd century, which may allow us to speculate about the possible influence of early Christianity or possibly some developments of Hellenistic Judaism that emerged at that time. However, the focus for me is the figure of Plouton Helios, who seems to be none other than Hades in solar form.

Plouton, you may remember, was one of the more polite names given to the god otherwise known as Hades. Hades may have occupied an incredibly important position as the lord of the dead, but he was not often worshipped directly or in name by the Greeks, who feared him because of his association with death. Even the name Hades was not often uttered because the god was seen as "most hateful to mortals", and so he was more often worshipped under different names. Plouton was one of them, and as Plouton he was worshipped as the lord of the fertility and mineral wealth that dwelled beneath the earth. So, then, Plouton Helios is to be understood as a distinct form of Hades, whose epithet surely denotes him as the sun. His consort, Koure Selene, is to be understood as an appearance of the goddess Kore, or Persephone, whose epithet denotes her as the moon.

In any case, Plouton Helios is contrasted with Helios Apollo; the former is an appearance of Plouton/Hades whose epithet is Helios, the latter is an appearance of Helios whose epithet is Apollo. Helios Apollo is perhaps meant to be understood as the daylight sun; both Helios and Apollo as standalone deities each tended to represent the sun and its light to some extent. By implication, then, Plouton Helios represents the sun in a different aspect. A similar contrast is established between Koure Selene and Artemis, in that Artemis is paired with Helios Apollo and, in that setting, she is pretty explicitly associated with the moon.

Plouton Helios as an expression of Hades is probably unique to Smyrna, but what is relevant for me is the meaning of Plouton Helios. According to Thompson, one interpretation, which is attributed to Porphyry and Heraclitus, suggests that Plouton and Kore represent the cycle of vegetation. In this interpretation, Plouton is the sun going down below the earth or around the lower hemisphere, drawing down the fertility of the seeds during the winter solstice or snatching up the shoots. In such a context, Plouton Helios and Koure Selene could have represented with that cycle of vegetation that then also resonated into broader themes pertaining to the cycle of life and death at large. But there's another meaning in play as well: the philosophical theme of the two suns.

Plutarch in On the E at Delphi discusses a theology that was ostensibly imparted to him by the philosopher Ammonius of Athens. This theology centres the god Apollo as a representative of Being itself, which is in turn represented by God, or rather "The One" ("The E"). In answer to the question "What is Being?", Ammonius says that "God", who is held to be eternal, uncreated, and incorruptible, is the sole source of Being, and that for this reason "God" is called Apollo or Apollon. This is supposedly because the name Apollo meant "denying the many", signifying the rejection or negation of multiplicity on behalf of the complete and ineffable unity of Being. But while Apollon was "The One", Plouton was "the many". Plouton, per Ammonius, was obscurity, darkness, and oblivion, whereas Apollon was clarity, light, and memory. Plouton, as Hades, was the realm of the unseen into which all beings pass upon their dissolution, while Apollon, as Helios, was the visible realm of embodied life. If the name Hades was meant to mean "invisible", "unseen" or "the unseen/invisible one", then this connotation makes perfect traditional sense.

It's hard not to escape a sense of the dualism that would later develop into Christian dualism. God, as "The One" and as Apollon, is unambiguously tied to Being, and simultaneously to light, memory, and the visible world, while Plouton/Hades, while not necessarily regarded as "evil", is presented as an antithesis to all of the traits that Ammonius affixes to his "God". Perhaps it is not entirely coincidental that Helios, as the sun god par excellence, would come to be syncretised with Jesus Christ as Christianity began to emerge in Rome, while Satan, in the medieval context, would increasingly take on a role contexutally and aesthetically similar to Hades.

But of course, there are ways to play with the theme presented by Plutarch via Ammonius. In Plutarch's context, Helios Apollo and Plouton Helios emerge as two suns: one sun is the visible sun, the celestial or diurnal sun, in this case representing the unity of Being, and the other sun is the invisible sun, the chthonic or nocturnal sun, in this case representing the unseen realm and the division and dissolution of Being. There are certain approaches to that idea that can be explored. For one thing, my mind found itself drawn to an ostensibly similar split in Kabbalah between Kether, the sefirot representing the primordial unity of God, and Thaumiel, its qliphothic counterpart representing the denial of this unity and, in its place, the counterveiling primordial division of will. Of course, for our purposes, that's where the similarity ends. Still another consideration is the broader pre-Christian landscape of underworld traditions, in which the underworld was not uncommonly imagined as a sort of surreal double of the living world rather than simply a bleak chamber of eternal punishment. However, the theme of the visible and invisible sun also has references with certain later ideas found within Neoplatonism.

In Against The Gallileans, the Roman emperor Flavius Claudius Julianus established that, per Neoplatonist parlance, there was both a visible sun and an invisible sun:

Plato gives the name gods to those that are visible, the sun and moon, the stars and the heavens, but these are only the likenesses of the invisible gods. The sun which is visible to our eyes is the likeness of the intelligible and invisible sun, and again the moon which is visible to our eyes and every one of the stars are likenesses of the intelligible.

This invisible sun would, in Platonist terms, be the Form of the sun that existed beyond the visible sun and underpinned its visible being within the handiwork of Plato's Demiurge. The "hidden sun" in Neoplatonic terms was, of course, Helios, who in Iamblichus' philosophy was also the Paternal Demiurge, and the principle of the noeric, that is to say the hidden. The invisble, in Neoplatonic terms, would refer to the noetic or noeric realms, different levels of the divine mind or intellect from which the visible world ultimately derives its source.

It may indeed be here that the fun begins. Some aspect of that premise can be flipped, where we are dealing with an invisble, underlying layer of reality, but instead it's what Jake Stratton-Kent called the deifying power of the underworld. It's the Darkness out from which light and everything else ultimately derives its source, and perhaps arguably, derives its dark quality from its invisibility from our standpoint. Perhaps, and this is something I've thought about, the black we thematically associate with darkness is similarly connected to experiential standpoint: black containing all possibilities, but we cannot see them. We have no idea might see beyond black, beyond the void when we close our eyes.

The hidden sun in this setting can denote the light of that pure reality, the illumination of the hidden principle that animates embodied life, and, in a certain way, makes it sacred as much as profane. Going down into the bottom of the earth and beholding that dark light, going down into the deifying power of the underworld in gnostic terms gives its own distinct spin to the basic core of Paganism in a way. Using Nietzsche's phrase "nature-idolatry" (by which he praised Goethe for embodying) here for a moment, by which we mean some extent of the worship of nature, the concept I speak to means taking "nature-idolatry" beyond the ordinary gratitude for the faculties of the visible natural world, and into a sort of gnostic appreciation for the whole of nature and the process of embodying it by acknowledging and embracing its true principle and power, the realization of which brings one towards the divine in its true basis and, as a result, affords freedom in the human condition.

In view of the mystagogical tradition of the mysteries and of goeteia, per Amir Ahmadi's examination in The Daēva Cult in the Gāthās, we may extrapolate that the ability to pass through or transgress the boundary between humanity and the gods through magical or occult means is essential to the kind of gnosis of which I speak, which is thus inevitably linked to katabasis: descent into the underworld, typically to realize a godlike afterlife. Thus we hear of the katabasis of Pythagoras, him "disappearing into Hades" by way of an underground chamber and then ritually re-emerging. Thus initiates of the Orphic mysteries must learn the geography of Hades and descend into the underworld to attain their place in the immortal company of the blessed. Empedocles apparently enacted his own form ritual katabasis and supposedly even Zoroaster went down into the underworld. The Greek Magical Papyri contains some fragments of a ritual wherein the practitioner must enter the underworld and then recite spells to protect oneself from hostile daimones, which is on its own very in line with Egyptian magic and particularly the spells meant to ensure the immortality of the pharaoh. Perhaps there is convergence with a much larger theme or tradition in ancient mysticism, where the point was to go down into the divine (perhaps even God!) rather than ascend up into it.

And, of course, I would argue that this is necessary because you cannot apprehend the light that lies below by which of the light of the visible sun: that is, the mundane perception of the mundane world cannot, by itself, penetrate into darkness from outside. It must descend, it must go down into the underworld. Profane illumination (per Walter Benjamin) must enable sight to tear through the normative perception of the world and into the realities it obscures. In the context of Hellenic or Hellenistic convention, Helios, and to some extent Apollo, cannot set foot into the underworld, the rays of the physical sun cannot shine in its darkness, and this must be understood to mean that the light of the mundane-phenomenal or normative consciousness that we abide ourselves in cannot, in itself, penetrate the underworld, and so we must darken ourselves. To follow darkness into the bottom of the earth, and see the hidden sun, whether we understand this as Satan or as Hades.

[noisessobbingdistant]

Metal Mania #8 — Page 17

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My favorite bands are, for different reasons, are Motorhead and Rush as I like just about all of thier material (based on entirely different criterea though) but my favorite metal bands (as of this week) are assembled below according to the ratio of songs I’ve heard of them that I like against the ones that I don’t like.

The Metal Mania League of Gods:

1. SILVER MOUNTAIN

2. MERCYFUL FATE

3. ACCEPT

4. TRUST

5. SCORPIONS

6. SAXON

7. JUDAS PRIEST

8. DIAMOND HEAD

9. BARON ROJO

10. SWEET SAVAGE

11. NIGHT SUN

12. ANVIL CHORUS

13. IRON MAIDEN

14. RAINBOW

15. MSG

[“JOAN BAEZ” is written 5 times to the left of the list with a larger question mark next to it]

[“Axe murder KILLS!” is handwritten to the right of the list]

Well, the list also has to include Angelwitch, Black Sabbath, Electric Sun, Riot, Deep Purple, Bow Wow, Ozzy’s band, Budgie and millions more but I can’t really go on much more. So now it’s your turn—with any correspondance to MM, list your top 10 bands so we can put together the Metal Mania Hall of Metal Gods for future issues. Now what are you waiting for? Send ‘em on in!!

[An image of a man from the neck up; he has a beard and is wearing what looks like a turban. Please correct me if I’m using the incorrect terminology; I don’t know how accurate calling what he’s wearing a turban is, but I’m also not sure about what else it might be called]

Turbaned madmen ARE MIDDLE EASTERN METAL MANIACS!

ANCIENT METALWORK FROM LURISTAN?

DISCO is SHIT

IN HEAVY METAL ZIT PIT!

AARDSCHOK - POSTBUS 4283 - EINDHOVEN

HOLLAND

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[rockarollamansblog]

[altarsmoke]

I’ve collected a large number of tarot decks over the years, and every once in a while I pick up one that just doesn’t gel with me. For whatever reason, we just don’t connect. To help celebrate the season, my loss becomes your gain with this year’s Halloween giveaway.

Rules:

Reblog to enter

Draws held October 31st

Four winners will be selected using a randomizer

Each winner will be able to choose a deck from the offering in order of their draw, with the fourth, or last place winner, receiving that last two remaining decks

If I can’t contact you within 24 hours of the draw, you lose your place

You’re only eligible if you are over the age of majority, and live in the USA or Canada

The Cards:

The Halloween Oracle In its original hard packaging, with the plastic card belt still in place. Never used.

The Night Sun Tarot Some wear on the box, but with original packaging. Includes booklet. Lightly used. Penny Dreadful Tarot Original box, lightly used, does not include a booklet. My memory is fuzzy, but I don’t think it ever came with one.

Wicca Cards Original box. The booklet included, but the cover has been lightly damaged from folding the box tuck. Lo Scarabeo Oracle deck based around Wiccan symbols and practices. It’s this one, here.

Slow Holler Tarot With promotional kerchief and book. First run. There is no box for this deck, it will ship wrapped in its cloth.

Housekeeping:

This event is in no way affiliated with Tumblr. Residents of US and Canada are eligible to enter, if they are over the age of 18. No limit to the number of entries.  Ensure that I can contact you, either via ask or message, if you want to receive your winnings. Please don’t tag with giveaway, or reblog with a giveaway blog. If reblogged to a giveaway blog, your entry will be disqualified.

Happy Halloween

[the-final-sentence]

It would be more fun to watch Samuel, Kyle, and Obie find out for themselves.

Lynne Ewing, from Night Sun