#noremixes

[endtransmissionrecordings-blog]

Keep up with all things ghostinthehills on #twitter follow @aghostinthehill. His new album, “A Haunting Desire For What Is Gone,” drops tomorrow via #noremixes. #electronicmusic #ambient #drone #electroacoustic #music #itunes #bandcamp

[vudio]

(noremixes) 

dope

[burlveneer-music]

William Fields - coords - generative & algorithmic electronic music & visuals; video sample:

Really happy with the fidelity of the A<->V connection. Maybe my favorite piece so far. #audiovisual #realtime #javascript #threejs #webgl pic.twitter.com/tY4uEffs1H

— William Fields (@william_fields) April 14, 2017

William Fields, ½ of the improvisational duo Beck-Fields, releases his first solo album for NOREMIXES. coords, however, is not your typical studio creation; it is an immersive A/V generative experience redefining our sensory reaction to composition and production. “I am hoping to create a synesthetic experience,” explains Fields, “where the music and visuals become one inseparable thing in the listener’s mind and generates a sense of wonder, awe and mystery. A feeling of recognition and beauty, but not knowing or understanding what is going on or how it was created.” For the past five years, William Fields has all but abandoned composing on a piano roll, shifting his approach from composition to the improvisational and performative. Using a live performance rig that is extremely expressive and flexible, Fields’ sound can morph instantly from pure ambience to complex rhythmic assault. His accompanying visual system is event and parameter driven - generating visuals that perfectly match the corresponding musical events. This strong audio/visual connection has long been a passion for Fields, seeing sounds as shapes and forms. He cites Autechre’s “Gantz Graf” video as a reference point and inspiration. It is this control over the generative systems for coords that separates this work from anything Fields has previously released. With coords, everything is 100% generative and algorithmic. Fields programmed and configured the audio-visual system, pressed record, and let it run for 23 minutes. Every 45 seconds or so, the system jumps to new coordinates within the possibility space and a new world is created, even down to the track titles which are displayed in the live video. Not a single control, note, color, or visual form of coords was explicitly composed. “This generative approach to writing is very much inspired by John Cage and Buddhism. Cage struggled throughout his artistic career with the paradox of how to be a composer – who by definition must make judgements and decide what is good or bad – while practicing non-judgmental mind as taught in Zen Buddhism. I also practice Buddhism and I am exploring some of these same issues in this work. I am trying to find ways to avoid putting my ego into the music, and to practice radical acceptance of what is. coords is an exercise in this practice.” *Purchase includes full A/V mp4 download* (c)2017 William Fields + (p)2017 NOREMIXES

[mela12s]

#Repost @sabbir24x7 (@get_repost) ・・・ Thank you for the massive love on #DingDang ❤️ And the now the entire album is out on #youtube #jukebox ... ... ... have fun listening #noremixes #originalmusic #TigerShroff

[dadpreneur]

Y'all youngsters just don't know..."ah-li-ah, say that you remember, ah-li-ah, dancing in September" 😉 #RealMusic #NoAutoTune #NoSamples #NoRemixes #Classic

[burlveneer-music]

Beck-Fields - Noresidency (Live March 25th 2016) by noremixes

In Spring of 2016, the NOREMIXES label held a three month residency at Philadelphia’s The Art Dept. Artists from the label performed alongside friends and guests in an intimate early Friday evening setting. All three events saw incredible performances, and now everyone will at least be able to hear a little of what went down with the NORESIDENCY release series: direct from the board recordings available pay-what-you-want on Bandcamp, streaming on Spotify/Apple Music and on iTunes and other digital retailers for a small fee.

NOREMIXES kicks off its NORESIDENCY release series with the always improvisational Beck­Fields. This recording captures Jeremy Beck (vocal/piano/iPad) and William Fields (laptop/keyboard) in their natural setting of creating music on the fly in real time. Every record that Beck­Fields has ever released was built out of improvisational recording sessions, so the incredible performance captured in these recordings sounds pretty much like the next proper Beck­Fields album. Label owner, Starkey, recounts the performance: “After every song, there was a silence before the clapping began. Everyone in the room was entranced by their sound; it was really remarkable.”

[spaceistheplacerecords]

#Philly field trip with @thisiskateboss for @starkbot's #NoRemixes monthly at Art Dept. (at The Art Dept.)

[7d7o]

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