Master of the Joseph Sequence - Polyptych Altarpiece with Scenes from the Life of the Virgin (detail)

seen from United States

seen from Malaysia
seen from United States

seen from Malaysia
seen from Türkiye
seen from Malaysia
seen from United States
seen from Russia
seen from United States
seen from Denmark

seen from Malaysia

seen from United States
seen from United States
seen from Australia

seen from Malaysia
seen from United States
seen from Japan

seen from Malaysia
seen from Australia

seen from Malaysia
Master of the Joseph Sequence - Polyptych Altarpiece with Scenes from the Life of the Virgin (detail)
Master of the Legend of Saint Ursula - Triptych of the Annunciation (1483)
“The Annunciation scene is depicted on the central panel of this well-preserved triptych. The interior side of the wings are divided into two parts, each one depicting pairs of male saints: Jerome and Francis at top left, Bernardino of Siena and Anthony Abbot at bottom left, John the Baptist and Benedict at top right, and Michael and Christopher at bottom right. When the wings are closed their exterior sides are visible which are painted in grisaille to imitate stone sculptures of Sts Paul and Bernard.” - Web Gallery of Art
Master of the Joseph Sequence -Polyptych Altarpiece with Scenes from the Life of the Virgin
Master of the Plump-Cheeked Madonnas - Virgin and Child with Saints Dominic, Augustine, Margaret and Barbara (between 1500 and 1525)
Master of the Baroncelli Portraits - Pentecost (c. 1490)
Master with the Parrot - Virgin and Child (between 1525 and 1550)
Master of Affligem - Last Judgment (Zierikzee triptych, central panel), before 1506
Master of the Saint Ursula Legend - Saint Paul with a Donor; Christ Appearing to His Mother (c. 1485)
‘The mysterious artist known to modern scholars as the Master of the Legend of Saint Ursula (after a celebrated series of paintings) seems to have headed an active workshop in Bruges. In the left panel, a donor is portrayed with his patron saint, Paul, whose beheading is shown through an open arch in a city square. In the right panel, Mary and Mary Magdalen appear in the distance, approaching the still-sealed tomb of Christ, while the foreground scene depicts a moment after the Resurrection, when Christ appears to his mother.’ - The MET