Attending the launch of National Productivity Month 2014 #npm2014 (at Suntec Singapore International Convention & Exhibition Centre)
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from China

seen from Russia

seen from Australia
seen from United States
seen from United States
seen from South Africa
seen from China

seen from United States
seen from United States
seen from China

seen from United States

seen from Malaysia
seen from Malaysia
seen from Russia

seen from Singapore
Attending the launch of National Productivity Month 2014 #npm2014 (at Suntec Singapore International Convention & Exhibition Centre)
Shit, it looks like yesterday's Day 30 for National Poetry Month queued instead of being scheduled, so... that'll be fun whenever that happens, augh. At any rate, go read The Old Astronomer.
Fern Hill -- Dylan Thomas
shoutout to poorshadowspaintedqueens and shredsandpatches, because "Now, Adam...." Hee.
Now as I was young and easy under the apple boughs About the lilting house and happy as the grass was green, The night above the dingle starry, Time let me hail and climb Golden in the heydays of his eyes, And honoured among wagons I was prince of the apple towns And once below a time I lordly had the trees and leaves Trail with daisies and barley Down the rivers of the windfall light. And as I was green and carefree, famous among the barns About the happy yard and singing as the farm was home, In the sun that is young once only, Time let me play and be Golden in the mercy of his means, And green and golden I was huntsman and herdsman, the calves Sang to my horn, the foxes on the hills barked clear and cold, And the sabbath rang slowly In the pebbles of the holy streams. All the sun long it was running, it was lovely, the hay Fields high as the house, the tunes from the chimneys, it was air And playing, lovely and watery And fire green as grass. And nightly under the simple stars As I rode to sleep the owls were bearing the farm away, All the moon long I heard, blessed among stables, the nightjars Flying with the ricks, and the horses Flashing into the dark. And then to awake, and the farm, like a wanderer white With the dew, come back, the cock on his shoulder: it was all Shining, it was Adam and maiden, The sky gathered again And the sun grew round that very day. So it must have been after the birth of the simple light In the first, spinning place, the spellbound horses walking warm Out of the whinnying green stable On to the fields of praise. And honoured among foxes and pheasants by the gay house Under the new made clouds and happy as the heart was long, In the sun born over and over, I ran my heedless ways, My wishes raced through the house high hay And nothing I cared, at my sky blue trades, that time allows In all his tuneful turning so few and such morning songs Before the children green and golden Follow him out of grace. Nothing I cared, in the lamb white days, that time would take me Up to the swallow thronged loft by the shadow of my hand, In the moon that is always rising, Nor that riding to sleep I should hear him fly with the high fields And wake to the farm forever fled from the childless land. Oh as I was young and easy in the mercy of his means, Time held me green and dying Though I sang in my chains like the sea.
national poetry month, day 30
Hold Hard, These Ancient Minutes In the Cuckoo's Month Dylan Thomas Hold hard, these ancient minutes in the cuckoo's month, Under the lank, fourth folly on Glamorgan's hill, As the green blooms ride upward, to the drive of time; Time, in a folly's rider, like a county man Over the vault of ridings with his hound at heel, Drives forth my men, my children, from the hanging south. Country, your sport is summer, and December's pools By crane and water-tower by the seedy trees Lie this fifth month unstaked, and the birds have flown; Hold hard, my country children in the world of tales, The greenwood dying as the deer fall in their tracks, The first and steepled season, to the summer's game. And now the horns of England, in the sound of shape, Summon your snowy horsemen, and the four-stringed hill, Over the sea-gut loudening, sets a rock alive; Hurdles and guns and railings, as the boulders heave, Crack like a spring in vice, bone breaking April, Spill the lank folly's hunter and the hard-held hope. Down fall four padding weathers on the scarlet lands, Stalking my children's faces with a tail of blood, Time, in a rider rising, from the harnessed valley; Hold hard, my country darlings, for a hawk descends, Golden Glamorgan straightens, to the falling birds. Your sport is summer as the spring runs angrily.
Poem time
A Welsh Testament -- R. S. Thomas
All right, I was Welsh. Does it matter? I spoke a tongue that was passed on To me in the place I happened to be, A place huddled between grey walls Of cloud for at least half the year. My word for heaven was not yours. The word for hell had a sharp edge Put on it by the hand of the wind Honing, honing with a shrill sound Day and night. Nothing that Glyn Dwr Knew was armour against the rain's Missiles. What was descent from him? Even God had a Welsh name: He spoke to him in the old language; He was to have a peculiar care For the Welsh people. History showed us He was too big to be nailed to the wall Of a stone chapel, yet still we crammed him Between the boards of a black book. Yet men sought us despite this. My high cheek-bones, my length of skull Drew them as to a rare portrait By a dead master. I saw them stare From their long cars, as I passed knee-deep In ewes and wethers. I saw them stand By the thorn hedges, watching me string The far flocks on a shrill whistle. And always there was their eyes; strong Pressure on me: You are Welsh, they said; Speak to us so; keep your fields free Of the smell of petrol, the loud roar Of hot tractors; we must have peace And quietness. Is a museum Peace? I asked. Am I the keeper Of the heart's relics, blowing the dust In my own eyes? I am a man; I never wanted the drab role Life assigned me, an actor playing To the past's audience upon a stage Of earth and stone; the absurd label Of birth, of race hanging askew About my shoulders. I was in prison Until you came; your voice was a key Turning in the enormous lock Of hopelessness. Did the door open To let me out or yourselves in?
national poetry month, day 29
Belle Isle, 1949 We stripped in the first warm spring night and ran down into the Detroit River to baptize ourselves in the brine of car parts, dead fish, stolen bicycles, melted snow. I remember going under hand in hand with a Polish highschool girl I’d never seen before, and the cries our breath made caught at the same time on the cold, and rising through the layers of darkness into the final moonless atmosphere that was this world, the girl breaking the surface after me and swimming out on the starless waters towards the lights of Jefferson Ave. and the stacks of the old stove factory unwinking. Turning at last to see no island at all but a perfect calm dark as far as there was sight, and then a light and another riding low out ahead to bring us home, ore boats maybe, or smokers walking alone, Back panting to the gray coast beach we didn’t dare fall on, the damp piles of clothes, and dressing side by side in silence to go back where we came from. —Philip Levine
national poetry month, day 29
(translation by Lorna di Lucchi)
day 29: "Valentine", Carol Ann Duffy