_This Day in Repeat Play_ As ABBA just broke into the over 200 club, it dawned on me that one could calculate how long a given song has been on this computer and re-sort by who has gotten the most plays/day action, even if lots of the high-rep count tracks have gotten there via shorter periods of being the looped audio for the duration of a specific task where they’ve dove into meditation territory.
_Outliers and Miscellany; the > 1x/alternate day gang_
Clicky keyboard is just a loop of clicky keyboard sounds that I thought would encourage typing;
Hall and Oates 527 is the “8x(waiting for)” that also became an alarm clock ringtone, though I don’t think that use adds into its playcount.
“Pretty Pimpin’” has full length legitimate plays, and that can be chalked up to the fact that on the road (and at home, but at home I listen to terrestrial radio like the anachronism I am,) I listen to a playlist during the shower so that I can avoid forgetting myself and staying in there for an hour. Which I can do. And have done. And needs to be avoided sometimes.
Jimmy Chamberlin is a drum clinic thing that is just the drums from “Tonight, Tonight”. That does well in grant-writing season.
“Cantaloop” has made some great strides in play this last week just because it was top of mind, but a version on infinite-jukebox has been found to be less distracting as it is not as predictable. Familiar but not predictable. Hoho, that’s a thesis right there.
The bouncy jangly guitar of “Imaginary Butler” is my favorite: I’m frankly alarmed I’ve actually let the song finish that many times because given the ability to just rewind/replay, surely that’s happened many more times.
The entirely of Meadowlands made a huge rush for the top, I want to say, 2 grants ago.
(I really was productive this morning, so this kind of afternoon replete with mathematical shenanigans [mathenanigans?] is not ideal, but not unearned.)












