Mexico 🇲🇽 Three different films: Perdita Durango, Alucarda & La Tia Alejandra
1. The film La Tía Alejandra (1979). 🎥Aunt Alejandra arrives to a familiar household consisting of two parents and three children. Immediately the woman’s presence begins to interfere with the couple’s happiness and also sexuality. Everything seems to be surrounded by an aura of mystery.
Auntie teaches children witchcraft but when one of the children mocks her, she caused his death…She comes to a bathroom and makes the water so hot it burns the teenage girl’s body. Children hate the Auntie and she revenges. Husband starts to drink and is driven away from home. Finally Lucía, the wife, tries to save what is left and takes the active role.🔥👵You can compaire this movie to mother-child relationship in Carrie, or Psycho, depicted as abnormal and perverse. Lucía too desires independence and yearns to lead her own life, yet she is unable to break away from her “auntie’s” dominating influence. As a fantasy it is an important developmental step so that the separation - individuation process is completed and we can get distance to the mother. More interesting than average ⭐️⭐️⭐️
2. 🎥Alucarda (1977): Constant screaming and overacting. Movie borrows a lot from Carmilla - Sheridan Le Fanu’s novel and films and the rest from Mother Joan of the Angels, TheDevils... Perhaps it is more interesting to look for the psychological side of the film.
👯♀️ Alucarda (a Dracula, Mircalla - Marcilla - Carmilla) deals with twinship -themes. Is she just a fantasy figure? Justine’s sadistic inner world?
✝️Name ”Justine” is perhaps borrowed from DeSade’s novel. Is Alucarda just a channel for the aggression and shame, is it about Justine’s own sexuality? The film becomes more interesting if you look at it from different sides of one person.
Enlarge the image to see the borrowed dialogue
💞We all have the need to feel a degree of alikeness with other people. Processes of internalization are motivated by and emerge as the self’s protection of its existence through increasingly advanced ways to ensure the object’s availability in the individual’s world of experience. Identification is an essential form of internalization processes. (Tähkä 1996 & Tähkä R.) What it means to be treated as human by others? ”What I really want is just a sister” can be a wish of a clone-like relationship. Heinz Kohut (1978) calls this phenomena a twinship-transference / - self-object. This longing can also be sexualized.
☸️ In the Jungian psychology, in order to reach a relationship and integration of the Self for the individuation process, typically a person must face, reconcile, and assimilate two central components of the personal unconscious: 1) the Shadow, 2) Anima. Perhaps like in this scene (below) from Perdita Durango.
3. 🌪This is for the friends of Santeria, black humor and 🩸 violence Perdita Durango, released as Dance with the Devil in the United States, is a 1997 Spanish/Mexican action-crime-horror film directed by Álex de la Iglesia, based on Barry Gifford's 1992 novel 59° and Raining: The Story of Perdita Durango. It stars Rosie Perez as the title character and Javier Bardem.
🎬The film is reminiscent of many great other films. Such as: Wild at heart, Badlands, True Romance, Natural Born Killers, Bonny and Clyde, Il Capitano…both Perdita Durango and Wild at Heart go back to original novellas by Gifford. Isabella Rossellini played PERDITA DURANGO in David Lynch’s WILD AT HEART.
🔪Of course, real-life killer couples also come to mind, like: Homolkas, Sarah Jane and John Makin, Ian Brady & Myra Hindley, Mona Watson & Michael Howell, Suzan & James Carson…
🎭In the movie Romeo (Bardem) is a self-styled Santeria guru who spends most of his time flitting from one crime to another. When Perdita and Romeo hook up, all Hell breaks loose. Actually Romeo steals the show from Perdita…he is just amazing Santeria priest…captivating like a Rockstar ⭐️ Gandolfini, Perez …casting is Great
😨😨😨😨Human sacrifices, sadism, kidnapping, rape, murder, featus trafficking …
😂😂😂 Funny but then suddenly again not…
⭐️⭐️⭐️⭐️ Furious magic
🔪🔪🔪🔪Violence - Hay drogas y mucha violencia
😆 Screamin’ Jay Hawkins has a role in the film
🐆 One of the rear male witch performances in the film that actually is really worth seeing !
Best quote:
Romeo Dolorosa : I'm going to dance with the devil under the pale moonlight!
Perdita Durango : Go fuck yourself, Romeo.
Romeo Dolorosa : What's wrong? It's from Batman.
Perdita Durango : Fuck Batman!
✂️✂️✂️! The original Spanish version runs 10 minutes longer and features more sex and violence and ends with some characters digitally morphing into the scene finale from Vera Cruz. 🇩🇪 edition was original 126Mins.
©ST
Recommended Source:
Reenkola, E. (2002). The Veiled Female Core. New York. Other Press.
