The Mistmantle Chronicles, Book 5: Urchin and the Rage Tide
We’re going through the mists, one last time…
Today I’m reviewing the fifth and final book in the Mistmantle Chronicles.
Yeah, yeah, at this point people know the drill. There’s a lovely island inhabited with moles, otters, hedgehogs, and squirrels. Spoilers ahead. This book (written by M. I. McAllister, illustrated by Omar Rayyan, published in 2010) features Mistmantle getting hit with an awful storm called the Rage Tide. There’s also a charismatic troublemaker named Mossberry.
The first thing I have to say is something embarrassing.
This entire time, I’ve been thinking that the animals were human-sized. It was the way they talked about food. I thought, surely they’re treating acorns the way we would. They pick up sea urchins like they’re hand-sized. A fish for us is part of a meal, but for small animals one fish would be a feast for several creatures.
But, no. I’m the world’s biggest goof. There is a castle built in the roots of a tree. There’s simply no way they’re not to scale with real world animals.
But they do age like humans. This book (finally) gives us an exact number on the time that passes! Eight years. Our hero Urchin is full grown, with a page of his own.
The beginning is a pure delight, as it should be. If your fantasy book about squirrels doesn’t have a joyful winter solstice party at the beginning, what are you even doing? No, really. It’s so essential to show why this world is worth protecting and treasuring.
From there… that’s where the pacing gets funny. These books will not-infrequently have confusing timelines, where island-wide events happen in just a few days or a few hours.
There’s a warning about the storm during the solstice party. Meanwhile, Mossberry the squirrel is undermining animals’ belief in the monarchy and Brother Juniper. Chapter 3 has Urchin discovering that, and asking Mossberry’s followers to explain what’s going on. Chapter 4 has the beginning of the Rage Tide and the confrontation with Mossberry. And by chapter 5, it’s over.
After that, I was like… wait, what is this book about?
There’s a pair of children who are missing for a few chapters. I was never really invested. Urchin’s page leaves the island to look for Sepia, who got washed away. And ultimately it turns out there is another Rage Tide coming toward Mistmantle. But all in all, I think the confrontation with Mossberry was rushed.
Honestly, I dislike the addition of Mossberry. Book 3 already had irrational fear and mistrust being the enemy (and Linty, who mistakenly believed she had to hide Princess Catkin). After so many books where I was positively surprised by the treatment of disability… Mossberry is kind of just “evil because he’s crazy”.
He’s delusional and it’s not explained in any detail like it was for Linty. He spends most of the book in a cell yelling obscenities. There was one bit of sympathy that I liked: Padra the otter captain says that Mossberry can’t get away from himself. Anyone else can just go away, but Mossberry’s stuck with himself. But overall, it’s not ideal.
Two further notes about disability: the otter scribe Tay is described as using a wheelchair. We get no further description. I want to see how an otter wheelchair works!
Also, at the end of the last book, the squirrel Scatter got injured. She started as a maid for Lady Aspen, and even years after Aspen was revealed as a murderous traitor Scatter was loyal and carefully maintained her grave. Scatter was injured during the Raven War and couldn’t walk anymore. But unless I missed it, Scatter isn’t mentioned at all in this final book. It’s just interesting that she’s been around since book 1 but didn’t appear at all in this one. Especially since we know animal wheelchairs apparently exist!
Some notes about species equality:
Overall, this series handles it the best out of most series I’ve read. I love the balance between making species matter (otters tend to like the water, squirrels leap through trees) and subverting the generalizations (not all moles hate the water, and Hope the hedgehog is just as good at digging as the best moles). Mistmantle has an otter scribe in the beginning, but a squirrel trains under her and takes over. We see some squirrel priests, but in this book an otter is training to be the next one and it’s not unusual.
The second chapter has a discussion about captains. They want at least one captain for each of the species, but they’re also concerned that would mean not choosing the best animals for the job. So basically they’re talking about affirmative action. It’s just interesting.
In spite of being the fifth book, the book does a good job of introducing things and explaining them (which is awesome in a children’s book). McAllister really knows her stuff.
I could just be getting fonder of the books. But I really think Rayyan has been improving, book-by-book. His art’s really sensational.
To get back to Sepia, the squirrel washed away early on: she and Urchin are kinda-together in this book. In the last review, I mentioned how funny I thought it was when Queen Cedar basically shrugged and guessed Urchin might be interested in Sepia. I buy the relationship in this book— they’re two likeable characters with a lot of positive traits. Eight years is plenty of time for feelings to develop.
But it’s also interesting to me since it’s another off-screen romance. We get the eight year timeskip, now they’re in love, and even during this book they mainly just think about each other because they’re separated. These are highly platonic books, with a lot of focus on the strong non-romantic relationships.
Before Sepia can get back to the island, though, there’s a sacrifice. One of the big details of the book which I haven’t mentioned yet is that King Crispin has to trade his life for Sepia’s.
It did get me. Knowing this book series was ending, and seeing this character I’ve known for five books, made me sad.
But if I’m honest, that emotional punch is one of the big things keeping this book afloat for me. This book would be notably worse, for me, if it didn’t have that emotional aspect. And I wish the death had happened in a better book.
The books say that Crispin was actually injured ever since the Raven War in the last book. It’s weak writing. He was technically on the verge of death buying time for eight years, except no one really noticed, so…? It’s too convenient.
These are generally great ensemble-cast fantasy books, though. We see the young people growing into the next generation of adults safeguarding the island, with proteges of their own. I love that.
I also want to talk about faith. There’s a perspective in these books that I hadn’t quite seen before.
I think this series has a uniquely positive view of religion, while also not just being pro-Christianity. Children’s books will sometimes have Christian elements that, y’know, bring up a lot of weird questions. What does it mean if Redwall characters are talking about Satan?! Or maybe they have basically-Christianity, but with different names.
But in this world, faith truly is a positive force. The books aren’t unquestioningly saying that we should believe. It’s not “the Heart is like God and that’s why it’s good and we should believe in it”. We legitimately see the power of the Heart. Plenty of times in every book, people pray because it’s all they can do.
It makes a lot of sense, because McAllister is married to a minister. The author bio in all the books is something like “M. I. McAllister wrote the Mistmantle Chronicles, she has children, she lives in England, and she’s married to a minister.” So clearly, faith is important to her. But it’s also fascinating that someone like that didn’t just make mouse-Christianity. The books have their own faith which is very different in some ways.
Getting back to this book, in particular: one of the ideas for how to get Sepia back through the mists (since she left via water, she can’t return that way) is to bring her the Heartstone. In book two, that’s how Urchin and Juniper miraculously came back via water. They unknowingly had the Heartstone on their ship.
But, this book explains that the Heartstone isn’t just a magic relic. It’s not an exact science and besides, it would be wrong to treat the Heartstone as a tool to get through the mists.
I would never come up with that perspective. I’m not religious, so to me it really would just be a magic item for gaming the system. The books really show-don’t-tell why faith matters. It’s awesome.
On a lighter note— McAllister also seems to enjoy scenes where one character is like “I’ve failed you, my King. Take back this sword, I don’t deserve it, I’ve done such a bad job here that I have to resign”. And then the King is like “no, you’re so good at your job I won’t let you!”.
And you know what? She’s darn right! It’s so cool! Great trope!
My personal rating for this book: 4
Also, I haven’t done this before, but I want to rank the series as a whole. The Mistmantle Chronicles has truly been an unexpected joy for me. These past few months have had plenty of days when I really needed stories about loyal animals who love each other. And most importantly, stories written at an easy reading level. But they also start to bring in serious themes, and they generally treat them in a positive way. I have never read a better series in this genre. I highly, highly, highly recommend them.
My personal rating for this series: 4.5