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DIY AGE-OF-SAIL INSPIRED FOULIES

part III: the process

it’s been a couple weeks since i finished making the alterations i wanted to make to the bibs before waxing, but we finally had an open shop day at school where i'm not bothering my buddies over at the Lady Washinton (though let’s be honest, the only reason i’m not there now is because they’re in anacortes and i dont wanna do the whole drive-ferry-drive thing). HOWEVER, that means i got to spend 4 hours painting my overalls with hot toxic soup. as far as the soup recipe goes, I did actually end up changing it again. in my first post i said i’d do varnish, and the second post i said black paint. i was going to measure everything out nice and had oz quantities i was going to adhere to, but i forgot my measuring cup… lets be real though, it’s probably more historically accurate to just throw shit in a pot and go. I’M MEASURING BY VIBES FOR SCIENCE!! the final recipe went something like this:

1lb microcrystalline wax

~1 cup mineral spirits

~3/4 cup tung oil

~1/2 cup rust-oleum oil based enamel paint (black)

~2 tbsp pine tar

I probably could have done more pine tar but the class bucket was basically empty and i didn’t want to walk down the hill to get more. I also know that pine tar takes fucking forever to cure, and even a small amount smells incredibly strong (though i certainly don’t mind, i actually prefer to be covered in the stuff most times- it’s more a courtesy to the non-tall shippers who aren’t used to the incredibly concentrated stink of 10 campfires burning directly into your nostrils). the reason i added the pine tar is because of it’s anti-bacterial and anti-microbial properties, since once the bibs are cured i really won’t be able to wash them. also, from my (limited and haphazard) research, you don’t need a lot to reap those benefits.

i put the wax in a double boiler, and once melted, added the oil, thinner, and paint/pine tar all at once. once it was all sufficiently combined, i started painting it on, let it cool a little bit, and then went back in with a heat gun and brush to help the solution impregnate the fibers of the cloth. oh also. make sure you are in a well ventilated space AND WEAR A RESPIRATOR (see the i-learned section below). i did 2 coats all over in this manner, and then a third over the knees, butt, and ankles for good measure.

oils and tar over any kind of fibrous material can take weeks to fully cure (as i have learned well from rigging), so i am expecting to leave my garment and it’s accoutrements hanging in the shop for about 3 weeks before they reach any kind of wearable or testable condition. everything seemed to soak in pretty well, but i left the shop before everything fully cooled so i’ll do another update at the beginning of next week- i’m anticipating that i over-waxed and there will be some residue i will have to deal with (though in what way is to be decided).

cleanup was pretty easy, considering my proclivity for giant messes with any project i engage in- lots of mineral spirits and several rags seemed to do the trick.

some things i learned/would do differently:

oh my god this recipe makes so much. like. so much. i had like 2 cups leftover and i did 2 coats on my overalls, pockets, AND a 1’x3’ piece of spare canvas. if you were just waxing a pair of pants, halving the recipe would still probably be more than enough

putting the cold liquids into the hot wax makes it congeal a little bit, but you can’t tell when the black paint makes the entire contents of the pot turn, well, BLACK. id put the transparent stuff in first, let it all melt together, and then add the black paint so that there wouldn’t suddenly be so many solid particles all at once

MIX FREQUENTLY. photo 3 shows the difference. i had mixed it really well at the beginning, but once it was all (presumably) a single solution, i stopped worrying about mixing it. the thing about paint/varnish/buildable coatings is that the reason they are buildable or have any sort of pigment is because of the suspended solids within it. this means that over time, the solids will coagulate at the bottom of the container, which is why you have to shake nail polish or stir paint before using it. this also means that i should have been mixing every couple minutes as i was painting it onto the bibs, so i ended up with a very pigmented mixture at the end, and a relatively translucent mix at the beginning. up until a certain point, i was getting a pigment that was not opaque but i was happy with, so i didn’t think too much of it until i was putting on coats that looked more brown than grey or black. anyways, mix your shit.

so… cotton burns. i was painting one leg at a time and then heat gunning it before moving on to the next leg. the wax/oil solution seems to make the fabric more resistant to burning, so the painted bits can take more heat than the untreated cotton next to it. if you, say, for example, (i definitely DID NOT DO THIS) get distracted by a particularly riveting tiktok your friend sent you of a snail vibing on a car windshield while your heat gun is blasting on high 2 inches from your pants, the raw canvas may or may not start smoking. i switched up to painting the Entire back or Entire front before heat gunning, and that seemed to solve the problem (also no more snail tiktoks)

respirators are kind of important. i was in a giant shop with vaulted ceilings next to a wide open garage door and i still had a bit of a headache after 4 hours of standing unprotected next to a pot of hot poison.

photo descriptions:

setup

setup part 2: electric boogaloo

pant ass- upper section 1 coat unmixed, lower section 1 coat mixed

spare canvas in the midst of coat 2

back of spare canvas after coat 1

back of spare canvas after coat 2

waterproof test!

finished garments and spare canvas, ready to cure

cleanup

#tall ship #sailor #historic sailing #boat building #sewing #oilskins #bibs #foulies #tin cloth #waxed canvas #age of sail #rain gear #fibre arts

Me in my Guy Cotten Short Smock & Bib & Braces with bob hat and JCB Safety Wellies on 02/01/2022.

#Guy Cotten #Oilskins #Smock Bib & Braces.#:

ANGEL OTERO

Respira (to my dad), 2019

Oil skins on fabric

269.2 x 218.4 x 15.2 cm

James Rosenquist once said that “paintings are things to remember things by”. When applied to Angel Otero’s newest body of work, the equation of adding memories to paintings gets exponentially richer: layers upon layers of discarded painting fragments and scrapes that Otero thought, were unsuccessful when created, are now brought back to life intermingled with found materials such as lace and wicker, reminiscent of objects imprinted in his memory from his upbringing in Bayamon, Puerto Rico. The name of the exhibition, “Milagros”, is a reference to the charms that people add to their jewelry or hang around the necks of religious statuettes as a means of showing gratitude for “good luck” or for favors received that are considered fulfilled “miracles”. https://blog.mariabrito.com/all-posts/2019/3/10/angel-otero-and-the-miracle-of-memories

#AngelOltero #puertorican #artist #OilSkins #Fabric #contemporary #Milagros #Miracles