#olive allyn

[petrichorandasphault]

hihello~

a treat! ft. Olive and Emmy at 23 on a day out in San My

(this is 6 years in the future from where the story is now)

thank you to @mardyart for this amazing, stunning, beautiful commission--it’s given me a little more inspiration to start writing again!

more under the cut re: my lil disappearance if u wanna read!

tldr; I’M (slowly) BACK, BABEY. ish. i’m writing. and i’ll likely share that soon!

ik i haven’t been active in a min--call it the Big Depresso of 2023

i wasn’t feeling my best towards the end of last year, and turning 25 wasn’t... super fun, let’s say that. it’s been a rough couple of months since the start of 2023, but i’ve gotten to a place where i am a little more stable and have been more able to focus on my mental health

as i’ve been feeling a little better, i used some money i had saved for the commission--i stg it’s like mardy just grabbed their 23-year-old selves out of my brain with no effort.

if u have read this far, cool! ur super kind!! i’m hoping to start posting again soon, i just don’t exactly know when that will be. thank u for ur patience, and i love ya lots! <3

[wispcritter]

HAPPY PRIDE!

from me and mine and olive’s and hers, we hope you’re having a safe and healthy pride with you and your loved ones!

.

peep my simself, my partner, V, and our roommate, Mads! happy pride~

@simblrpride  @ts4pride

[petrichorandasphault]

saudade; autumn

the nostalgic longing to be near again to something or someone that is distant, or that has been loved and lost.

Also known as: “the love that remains”

the love that remains tells the story of the Allyn siblings, mainly following second-oldest, Olive, as they navigate what it means to love, lose love, and find it again.

Post resume 4/25/22

[petrichorandasphault]

Dystychiphobia (n.): (3/3)

Olive: God, I’m fucked.

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transcript and links under the cut

Olive: Ugh... Olive: Fuck me. Olive: -to herself- How the fuck did you let it get this bad, Olive? Olive: -sighs- Okay, fucker. Let’s get this room in shape. Matty: -laughing- Finally cleaning that garbage room of yours, Olive? Olive: Fuck you and shut up, Matthew. Matty: Hey! Olive: That’s better. Ugh, now-- Olive: Now I have to get my girlfriend and my best friend to acknowledge me. Cool. Easy. Olive: God, I’m fucked.

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farmhouse lot by @softpine *ps i’m so sorry for what i had 2 do the lot 2 make olive’s room disgusting soso sorry reshade preset by @intravertt

[petrichorandasphault]

Agape (n.): the highest form of love; selfless, sacrificial, and unconditional love; persists no matter the circumstance; always giving and devotes total commitment to seek the highest and the best. (1/5)

10 years ago; 7 months after Patti's death, Emmy gets lost in the woods

Lonely girl, you are my world, And I could be anything you need And if for some reason you don't feel like talkin' I could just sit and enjoy your company Your company

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transcript and links under the cut

-Emmy is crying- -she is lost and doesn’t know where she is- -crack of thunder- Emmy: AAAH! -cries- Emmy: I want my mommy... -thunder- Emmy: -breathes- Someone will find you. You just have to wait out the storm. Emmy: ... -shivers- At least it’s dry... Emmy: Mama? I don’t wanna be alone anymore. And I wanna go home. And I want you to be there, too. Won’t you come back? Please? -creak of the door- Emmy: W-who’s there? AAH! Olive: Princess! Val: Emmy! It’s just us, Emmy, you’re okay! Emmy: -sobbing- Oh my god I was so scared, you guys. Olive: Oh, Emmy. Val: Come on. Everyone’s been looking for you. Emmy: You guys won’t go anywhere, right? Olive: Never, Princess. Val: Yeah, looks like you’re stuck with us.

--

Present Day

Emmy: ...why me. Why again? -sniffs- Fuck. -Emmy’s phone rings-

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Hawkins Memorial Church by @intramoon other lot is by a bastard of a human, dm me if you want the dl link helvetihand italic by @softpine

[petrichorandasphault]

Agape (n.): (4/5)

Olive: She went to her mother’s grave. Adeline: Are you sure? I thought she said she had gone too far-- Olive: Mom, I’m sure. She called out to her mom before the line went dead. Just--please tell Steve to find her. Adeline: Steve? Did you hear that? Yeah she’s gone back to the graveyard--

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transcript and links under the cut

Olive: Princess? Pri--  -crackling over the line-  --are you? Emmy: Ollie? Ollie, I can’t hear you! Olive: Emmy, just tell me where you are, your dad can come get you-- Olive: -crackling over the line- Emmy? Emmy, talk to me-- -crack of thunder- Emmy: Ollie, I don’t know where I am, I’m so far away from the church-- Olive: Can you retrace your steps? You gotta work with me, Princess-- Emmy: Ollie, I’m so scared, I don’t-- -lightning overhead- Emmy: AAH, fuck fuck fuck-- Olive: -over the line- Emmy?? Emmy, talk to me-- Olive: Fuck, Emmy, please talk to me. Adeline: Steve, hold on, Olive’s got her on the phone. Olive: -over the phone- Emmy, fuck, come on-- Emmy: -through the rain- Mom? Is that--Mama? Olive: Fuck. Olive: She went to her mother’s grave. Adeline: Are you sure? I thought she said she had gone too far-- Olive: Mom, I’m sure. She called out to her mom before the line went dead. Just--please tell Steve to find her. Adeline: Steve? Did you hear that? Yeah she’s gone back to the graveyard--

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phone poses by @natalia-auditore Emmy’s running poses by @themoonglitch farmhouse (lot) by @softpine evergreen fields (lot) is by a bastard of a person, so dm me if u want it reshade preset by @intravertt

[petrichorandasphault]

interlude: Olive’s anxieties

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transcript and links under the cut

Olive: -to herself- Okay, yeah. ‘Hi, Emmy--’ No. Princess. You gotta call her Princess or it’ll be--weird. Alright, try again, no worries, no worries. -breathes in out again- ‘Hey, Princess. How was your week--’ Nope. You know exactly how her weekend went, dumbass. -sighs- Okay, it’s fine! This is fine! Third time’s the charm, right? Okay. ‘Hi, Princess. I missed you.’ I mean, that would be fine if her fucking dad weren’t there! Ugh! Adeline: Olive, honey? Who are you talking to? Olive: Uh, shit. Uh -shouts- VAL! I’LL KEEP IT DOWN MOM, SORRY. -to herself- Fuck shit shit. Adeline: Thank you, sweetheart, it’s just early. Olive: Everyone’s home, dipshit, you gotta be careful, ugh. Okay, last try, last try. ‘Hi, Princess. I’m happy you’re home.’ Hey! That one worked! Okay, okay. See? You can do this, everything will be just fine. Olive: You absolutely are the cool suave girlfriend Emmy thinks you are. Yeah. ... -sighs- Emmy doesn’t think you’re cool or suave, idiot. She’s known you for 10 fucking years, christ. Olive: Ugh, let’s just get this over with. -shouts- MOM I’M GOING TO EMMY’S DON’T WAIT UP.

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farmhouse lot by @softpine reshade preset by @intravertt

[petrichorandasphault]

Agape (n.): (2/5)

You're in the house And I am here in the car 'Cause I just need a quiet place Where I can scream How I love you

I want you I want you

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transcript and links under the cut

Dawson: What are you thinkin’ about? Adeline: The kids. What else? Dawson: Oh, Del, they’re fine. They’re teenagers; ‘bound to get into trouble sometime. Adeline: I know that, but... I don’t know. I wish we could help them the way we did when they were babies. I could take the hurt away if they were little again. Dawson: Oh, love, they’re grown. They won’t let you anymore than you can force ‘em. Dawson: They’ll come to us for help when they need it. That’s the best thing we could have taught them. Olive: Um. Mom? Dad? Dawson: What is it, munchkin? Olive: Stephen called. Um. Emmy’s--Emmy’s missing. Adeline: Missing? What do you mean, missing? Olive: She--she got lost in the woods again. They were visiting Patti. A-A storm hit-- Olive: I don’t know what to do, they’re so far away-- I don’t know Breitchester and she’s all alone out there-- Dawson: Munchkin, slow down, when did Steve call? Olive: He’s still on the phone with Val. I told her not to let him call her grandparents. Dawson: Smart move, kiddo. I’m gonna call him from my cell and see if I can’t do anything to help. Adeline: Hey, come here, sweetheart. We’ll find her. Breitchester isn’t very big and she couldn’t have gone far. What scared her? Olive: I could hear the storm in the background of Steve’s call. It’s a bad one.

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farmhouse (lot) by @softpine Dela’s pensive poses by @wirefiish reshade preset by @intravertt