#p4k2015

[wordsareflowing-emc]

View this post on Instagram

You can follow a rose wherever it grows Yeah you can fall in love in Times Square Destroyer @ Pitchfork Paris 2015 #p4k2015 #p4kparis #p4k #Destroyer (presso Grande halle de la Villette)

[wordsareflowing-emc]

You can fall in love in Times Square #Destroyer #p4k #p4kparis #p4k2015 (presso Grande halle de la Villette)

[coachcalledme-thetiger]

i love him

[newdealcrew]

JUUG don't stop

[junebugfogle]

What happens at Pitchfork, stays at Pitchfork (+tumblr ) pubickpervert warsawarsaw

[rudemelon]

Pitchfork 2015 looks feat; perfect boy

[thirtyvichambers]

thirtyVIchambers.tumblr.com

[bensgrabbag]

Clearest demonstration of who owns this year’s festival Somewhere around the time of The Hot Rock and All Hands On The Bad One, Sleater-Kinney went from being “a great band” to “one of the greats.” This year’s comeback tour cemented their status as one of America’s better live acts, and on Saturday night, the group had barely begun “The Fox” when it became clear it was the undisputed boss of Pitchfork 2015. As much a victory lap as a performance, Corin Tucker and Carrie Brownstein offered up a set jam-packed with exhilarating explosions of ferocious rock passion, as Janet Weiss pounded the entire audience into submission with her heavy-hitting style. Not even a mid-song kick that sent her right onto her butt could keep Brownstein down, as her jagged, angular riffing propelled the songs forward and cleared space for Tucker’s speaker-rattling wail. Despite a sound mix that too often kept that lead guitar overshadowed by Tucker’s bass-heavy ax-work (notable especially when Tucker’s guitar went nearly silent after a particular pedal was turned off, during “One More Hour”), Sleater-Kinney owned every frame of the stage. And judging by the rapturous crowd reception, it owned every acre of the entire park, too. [Alex McCown]

Pitchfork Music Fest 2015: Rain, Chance The Rapper, and a bunch of new Wilco · Recap · The A.V. Club

THEY WERE SO GOOD