Convergence: Week 10
Cultural and media studies have for many years presented a convincing argument that television, like other popular media, presents content that is for entertainment, pleasure and political messages that are perceived by the general population in many different ways. This form of entertainment is often re edited and used over and over again in a variety of ways to share, develop social relationships and present associated messages via different mediums. Like most things in the modern age, television has evolved as a medium and how the audience interacts with it in the digital realm (Harrington, 2013).
Twitter has forged an integral relationship with television in the digital age, where people share their unedited perception of television content in real time and in some cases of reality television, their thoughts are actually shared in real time on the program as it is shown live.
Through the utilisation of hashtags and connection with followers and other users of twitter, people can discuss and share their thoughts on broadcast content in real time. In the past these types of conversations were often had, but were limited to physical, time and social relationship limitations. In many cases this was often referred to as “water cooler” talk at work, where people would discuss what they had seen the previous evening at work the next day, with their work colleagues, customers and other daily acquaintances. Now these conversations and opinions can be expressed in real time with a much wider audience engaging, some known to a person and some total strangers. This can be referred to as the “virtual lounge room”. Television shows will now endorse this type of discussion through advertising a hashtag associated with their show (Harrington, 2013).
Television coverage of twitter conversations associated with the actual program are time dependent and can only be used when the content occurs live, such as the modern day fascination with reality television.
Television has been a well-accepted medium in modern society and often polarises public opinion, interaction, social activity and creating fan bases. In modern society the rapid evolution of social media has not become a competitor of television but a complimentary medium where the two can interact and social media will often be a promotional vehicle and interactivity for the television program (Woodford, 2013). This has not been lost on the advertising and business world where data collection services such as Nielsen now collate data from social media for marketing purposes. This has forced these data collectors and advertisers to broaden their analysis of metrics and what and how they measure audience numbers and participation (Woodford, 2013).
When measuring these participation levels, an excitement index may be used to analyse the interaction and engagement with the television program. There will be programs which generate consistent twitter numbers evenly throughout the show, while others will have peaks and troughs, indicating that the audience is being prompted by a “hook” in the program content to engage. In many cases this is measured through maximum tweets per minute, as an engagement metric (Woodford, 2013). There is also an ability to measure the volatility of twitter discussions about a television show in comparison to other shows, genres, networks and even countries or cultures, independent of the program total audience. The advantage of these measures is that they can be calculated easily and quickly for a high volume of traffic on an episode to episode basis, which may also be used for other social networks that has the same transparency of information (Woodford, 2013).
This convergence of real time television and twitter are just the starting blocks to social medias complimentary engagement with television as an evolutionary step in the social and public media arenas.
References:
Harrington, Stephen. 2013. “Ch 18 Tweeting about the Telly: Live TV, Audiences, and Social Media.” InTwitter and Society edited by Katrin Weller, Axel Bruns, Jean Burgess, Merja Mahrt & Cornelius Puschmann, 237-248. New York, NY: Peter Lang. (Available on CMD)
Woodford, Darryl, Katie Prowd and Axel Bruns. 2013. “Telemetrics: Towards Measuring Social Media Engagement with Television.”
Woodford, Darryl. 2014. Week 9 – New Media, Big Data and Telemetrics (guest lecture by Darryl Woodford). Retrieved from:http://blackboard.qut.edu.au/webapps/portal/frameset.jsp















