Konstantin Andreyevich Ukhtomsky, The Small Winter Garden in the Apartments of Alexandra Fyodorovna from Types of Rooms in the Winter Palace, c 1870s, watercolor.
seen from Nigeria
seen from United States

seen from Iraq

seen from Japan
seen from Spain
seen from Tunisia
seen from Türkiye
seen from Malaysia
seen from Yemen
seen from Yemen
seen from United States
seen from China
seen from China

seen from Malaysia
seen from China
seen from Australia

seen from United States
seen from Australia

seen from China

seen from T1
Konstantin Andreyevich Ukhtomsky, The Small Winter Garden in the Apartments of Alexandra Fyodorovna from Types of Rooms in the Winter Palace, c 1870s, watercolor.
Castle Lednice, Czech Republic
Interiors of the Winter Palace: The Fourth Reserve Apartment - Bedroom by Eduard Hau, 1868.
Rundāle Palace, Latvia
Assembly under Peter I
Artist: Stanisław Chlebowski (Polish, 1835–1884)
Date: 1858
Medium: Oil on canvas
Collection: The State Russian Museum, Saint Petersburg, Russia
Description
In 1718, Peter the Great issued a decree establishing assemblies, entertainment evenings that became an essential part of St. Petersburg's social life. They served as the prototype for the lavish high-society balls for which the Russian imperial court was renowned. Assemblies were held in rotation in the homes of the nobility and were distinguished by a certain democratic spirit. Anyone could attend, excluding peasants and members of the urban poor. Dancing, various games, and interesting conversations were common pastimes. By introducing assemblies, Peter sought to introduce certain Western European traditions to Russian soil. He considered them useful and, in particular, served to emancipate women, whose lives had previously been focused exclusively on domestic duties.
Othello
Artist: Edouard Frederic Wilhelm Richter (French, 1844–1913)
Date: 1880-1881
Medium: Oil on canvas
Collection: Huddersfield Art Gallery, Huddersfield, United Kingdom
Description
This painting is by the French orientalist painter, Edouard Frederic Wilhelm Richter (1844-1913), who exhibited in Munich and at the Paris Salon, where this work was shown in 1881. The exotic nature of Shakespeare's Othello made it a suitable subject. The painting shows the events actually occurring, rather than in a stage setting. In a rich palace interior, Othello addresses the duke and senate, justifying his marriage to Desdemona, whilst Desdemona herself appeals to her father, Brabanzio, who grabs the table emphasizing his upset and confusion. Onlookers to left and right re-invest the scene with a notion of theatricality.
Rooms of the Palace (Detail) - Raffaele Minotto, 2022.
Italian, b. 1969 -
Oil on panel , 80 x 80 cm.
Jean Baptiste Fortuné de Fournier (French, 1798-1864) • Le cabinet de travail de l'Impératrice Eugénie (The study of Empress Eugènie) • Unknown date • Château de Compiègne