“We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.” — Pascal Mercier (Peter Bieri)
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“We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.” — Pascal Mercier (Peter Bieri)
“Encounters between people, it often seems to me, are like trains passing at breakneck speed in the night. We cast fleeting looks at the passengers sitting behind dull glass in dim light, who disappear from our field of vision almost before we perceive them. Was it really a man and a woman who flashed past like phantoms, who came out of nothing into the empty dark, without meaning or purpose? Did they know each other? Did they talk? Laugh? Cry? People will say: That's how it is when strangers pass one another in rain and wind and there might be something in the comparison. But we sit opposite people for longer, we eat and work together, lie next to each other, live under the same roof. Where is the haste? Yet everything that gives the illusion of permanence, familiarity, and intimate knowledge: isn't it a deception invented to reassure, with which we try to conceal and ward off the flickering, disturbing haste because it could be impossible to live with all the time. Isn't every exchange of looks between people like the ghostly brief meeting of eyes between travellers passing one another, intoxicated by the inhuman speed and the shock of air pressure that makes everything shudder and clatter? Don't our looks bounce off others, as in the hasty encounter of the night, and leave us with nothing but conjectures, slivers of thoughts and imagined qualities? Isn't it true that it's not people who meet, but rather the shadows cast by their imaginations?”
- Pascal Mercier, Night Train to Lisbon
-파스칼 메르시어, 리스본행 야간열차
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Il flusso dei pensieri, delle immagini e dei sentimenti da cui in ogni momento siamo attraversati, questa corrente rapinosa ha una tale violenza che sarebbe un miracolo se non spazzasse letteralmente via e non consegnasse all'oblio tutte le parole che l'altro ci dice, a meno che per puro caso, per puro accidente, non collimino con le nostre parole...
Pascal Mercier - Treno di notte per Lisbona
Antonio Mora artist
We can be sure that we will hold on to the deathbed as part of the last balance sheet – and this part will taste bitter as cyanide – that we have wasted too much, much too much strength and time on getting angry and getting even with others in a helpless shadow theater, which only we, who have suffered importantly, knew anything about ~ Night Train to Lisbon
Pascal Mercier,
on homesickness
Clive Smith, Artist / Ian Cumberland, Distance I / Miriam Adeney, Kingdom Without Borders / Dir. Andrei Tarkovsky, The Sacrifice (1986) / Pascal Mercier, Train to Lisbon / Malcom Liepke, Repose / Margaret Randall, So Many Rooms Has A House But One Roof / Dir. Damien Chazelle, Whiplash (2014)
We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.
Pascal Mercier
night train to lisbon is the kind of book i read simultaneously too fast and too slow, the kind where it‘s hard to take every sentence in because there‘s a limit to my capacity for beauty and feeling, the kind that makes you restless with chasing what lies beneath the words
“We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.” - Pascal Mercier, Night Train to Lisbon
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