Holzinger's SANCTA shot by Sergey Skip

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Holzinger's SANCTA shot by Sergey Skip
Hindemith Sonata 3 fugue but it DOESNT suck ass (WIP)
Paul Hindemith (1895-1963) - String Quartet No. 2 in F minor, Op. 10, written in 1918.
00:00 - I. Sehr lebhaft, straff im Rhythmus 05:46 - II. Thema mit Variationen. Gemächlich 15:43 - III. Finale. Sehr lebhaft
Performers: Kocian Quartet:
Pavel Hůla (violin), Jan Odstrčil (violin), Zbyněk Paďourek (viola), Václav Bernášek (cello)
Anna Ishii and Bernard Dubois II
Anna Ishii 石井 杏奈 and Bernard Dubois II, “The Four Temperaments” (“Melancholic”, “Sanguinic”, “Phlegmatic” and “Choleric”), choreo by George Balanchine based on the proto psychological theory “The Four Temperaments” by Claudius Galenus, music by Paul Hindemith, (Theme with Four Variations for String Orchestra and Piano), set and costume by Kurt Seligmann. As part of the program for Ludmilla Chiriaeff’s 100th Birthday, Les Grands Ballets Canadiens, Salle Wilfrid Pelletier, Montreal, Quebec, Canada.
Source and more info at: Les Grands Ballets Canadiens Website Les Grands Ballets Canadiens on TikTok Les Grands Ballets Canadiens on Twitter Les Grands Ballets Canadiens on You Tube Les Grands Ballets Canadiens on Facebook Les Grands Ballets Canadiens on Instagram Photographer Sasha Onyshchenko Website Photographer Sasha Onyshchenko on 500px Photographer Sasha Onyshchenko on Twitter Photographer Sasha Onyshchenko on Threads Photographer Sasha Onyshchenko on Behance Photographer Sasha Onyshchenko on Pinterest Photographer Sasha Onyshchenko on Facebook Photographer Sasha Onyshchenko on Instagram
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In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term sonance has been proposed to encompass or refer indistinctly to the terms consonance and dissonance.
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Introduction: Andrew Hill, a name that resonates with profound depth and innovation in the world of jazz, remains one of the most enigmatic and influential pianists and composers of the 20th century. Born ninety-three years ago today on June 30, 1931, in Chicago, Illinois, Hill’s unique approach to jazz has left an indelible mark on the genre. His contributions, characterized by complex…
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