'The Great Siren' by Paul Delvaux, 1947.
seen from China

seen from Russia
seen from United States
seen from Russia
seen from China
seen from China
seen from United States
seen from United States
seen from Netherlands

seen from Malaysia

seen from China

seen from Russia
seen from United States
seen from United States

seen from Belarus
seen from Poland

seen from United States
seen from Germany

seen from Russia
seen from United States
'The Great Siren' by Paul Delvaux, 1947.
La conversation, Paul Delvaux, 1944
Paul Delvaux (1897-1994)
Group of nude figures in a forest
The Sabbath (1962)
Sketchbook, Paul Delvaux, (c. 1939-44), MoMA: Drawings and Prints
Kay Sage Tanguy Fund Size: 5 1/8 x 7 1/4" (13 x 18.4 cm) Medium: Pen and ink and wash on paper
http://www.moma.org/collection/works/85656
Woman with a Mirror, Paul Delvaux, 1945, Minneapolis Institute of Art: Paintings
Although Delvaux never participated formally in the Surrealist movement, he is visually involved with the "painters of the dream", particularly with Magritte and de Chirico. His smooth, detached style is closely akin to that of the Surrealists. Delvaux never employed the strange juxtaposition or incongruities found in Magritte's work, nor the jumbled perspective of de Chirico. But, his paintings do present a mysterious obtuse reality. Woman is the center of his dream world, silent, waiting, and always with sexual undertones. Size: 35 3/4 x 31 x 2 1/2 in. (90.81 x 78.74 x 6.35 cm) (outer frame) 28 3/8 x 23 1/2 in. (72.07 x 59.69 cm) (canvas) Medium: Oil on masonite
https://collections.artsmia.org/art/1879/
Stillness of Night (Paix du Soir), Paul Delvaux, 1960, Brooklyn Museum: Contemporary Art
Size: 47 1/2 x 90 1/2 in. (120.7 x 229.9 cm) frame: 50 x 98 in. (127 x 248.9 cm) Medium: Oil on masonite
https://www.brooklynmuseum.org/opencollection/objects/89649
Paul Delvaux
Nymphs Bathing - Paul Delvaux