Alexandre Desplat’s score, which might be peak Desplat for overall invention, is busy at work being a brilliant synergy of Western and Eastern musical forms. With its battery of taiko drums rattling away ominously, but also a fluty, buoyant finale, it suggests a missing link between Toru Takemitsu (Dodes’ka-den’s legendary composer) and the entirely non-Japanese Henry Mancini.
Tim Robey










