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Periplum performing A Thousand Feet Deep, Stadt Moers Park in Whiston, Merseyside. 2022.
“A thousand feet deep, beneath the fields of Knowsley, is a land of power & invention. Magic is rising from under our feet.”
The Glass Ceiling. . #middlesbrough #teesside #mima #periplum #suffragette #suffragists #visual #staging #pyrotechnics #love #canon #canon70d #canonuk #canonphoto #canoneos #canonphotos #canonrebel #canonphotography #canon📷 #canon📸 #canon_photo #events (at Middlesbrough) https://www.instagram.com/p/BphnKHLB5UF/?utm_source=ig_tumblr_share&igshid=z3ntxrjiwc5m
The Glass Ceiling. . #middlesbrough #teesside #mima #periplum #suffragette #suffragists #visual #staging #pyrotechnics #love #canon #canon70d #canonuk #canonphoto #canoneos #canonphotos #canonrebel #canonphotography #canon📷 #canon📸 #canon_photo #events (at Middlesbrough) https://www.instagram.com/p/BpeooheBHEF/?utm_source=ig_tumblr_share&igshid=1oq0ja041mn2o
Navigating the Pisan Cantos (II)
To read in periplum is the relief of abandoning any hope of commanding a birds-eye view. Pound is to me, for inducing that salutary surrender of control, a poet of freedom maugre his poem's obscurity and its pockets of stinking pus.
Pound’s Cantos is a musical composition on multiple scales of order. I haven’t begun to fathom the polyrhythmic escapade it is. If you take the myriad gists that shine and go – glaukopis, as the olive leaves do, or as the eyes and mind of Athena are (74/458) – a shine that rubs off on those lucky enough to be at hand –
O Lynx, γλαυκῶπις coming up from the olive yards (79/510)
– if you take them…
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Periplum: “451″, Brighton Festival 2015. Performance based on the Novel by Ray Bradbury. Co-produced by Periplum and Newbury Corn Exchange. Built at 101 Outdoor Arts Creation Space in Greenham, England.
©Raysto Images
Periplum: “451″ Publicity shoot.
February 2015
©Raysto Images
Periplum promotional image for
"A 1000 Revolutions Per Moment"
© raysto images
