#peter otto

[natteryaktoad]

David & Pamela Ottomas, Day 77 https://ift.tt/3dG9hul

[natteryaktoad]

David & Pamela Ottomas, Day 76 https://ift.tt/3ktSjRH

[natteryaktoad]

David & Pamela Ottomas, Day 75 https://ift.tt/3aB1Q6u

Merry Christmas, if you're celebrating. Happy Friday if you're not. Let's hope for a better 2021, at any rate... If I load up my game tomorrow I'll take a picture of Cliff or a memeber of his family in a Christmas jumper. If not, perhaps I'll dig out the picture of Ad with his Christmas jumper and black eye from a few years ago.

[natteryaktoad]

David & Pamela Ottomas, Day 74 https://ift.tt/2F6Ktwz

[myvampirebodyoftext]

At times, Gothic texts seem to be engaged in a long, unfinished conversation with each other and with other texts and genres; or, alternatively, Gothic seems to be a labyrinth in which texts echo, plagiarize, but also recontextualize and transform their precursors and competitors.' Otto points out that allusion and plagiarism are only the most superficial forms of 'these debates or inter-textual conversations' and compares Gothic's 'remarkable intertextuality' to 'Victor Frankenstein's monster, a collocation of materials drawn from other sources, bound together in a monstrous (dis)unity'

Julia Round, Gothic in Comics and Graphic Novels, 156

[lostpainters]

Club Solo; Peter Otto

Club Solo; Peter Otto

Peter Otto(1955) is zo’n kunstenaar die eigenlijk alle media gebruikt zonder dat het ene voor het andere onderdoet. Hij schildert, aquarelleert, tekent, blaast glas en maakt sculpturen. Allemaal hebben ze inhoudelijk duidelijk overeenkomsten maar hun uitdrukkingsvorm kent een grote verscheidenheid. Oftewel, zijn tentoonstelling had ook een groepstentoonstelling kunnen zijn met een mooie…

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[untrustyou]

Peter Otto

[untrustyou]

Peter Otto