Saint Petersburg. The Bronze Horseman, an equestrian statue of Peter the Great by a sculptor Etienne Falconet. It’s located in the Senate Square near Saint Isaac’s Cathedral and the State Hermitage Museum by the Neva riverbank.

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Saint Petersburg. The Bronze Horseman, an equestrian statue of Peter the Great by a sculptor Etienne Falconet. It’s located in the Senate Square near Saint Isaac’s Cathedral and the State Hermitage Museum by the Neva riverbank.
Peter the Great by Godfrey Kneller
Бронзовая фигура первого русского царя «бороздит» Москву-реку с 1997 года. Он пришвартовался на искусственном острове, который находится на разделении Москвы-реки и водоотводного канала. Скульптура была создана Зурабом Церетели по заказу Правительства Москвы в честь 300-летия российского флота.
The flood in Saint-Petersburg, Peter the First the musical by Frank Wildhorn and Yuri Aleksandrov. It's for linocut.
I wanted to do three of these, so I did.
First one is canon to the blog, second one is the Peter the First verse, the last one is for a fanfic that I keep thinking about writing but I never do, even when I have a thick ass notebook dedicated to writing it so I could easily access it and write without worries, why do I never write??
He opened his eyes, and the first thing he noticed through the murky water blur of his vision was the smell of sweetened sulfur. He would have gagged, but the immediate sensation following the scent of sugared rotten eggs was a ceaseless beating of his body that somehow reached his soul, rendering him unable to move. He lied there, tangled in his sweaty sheets, trying to force his throat to cough, trying to force his eyes to clear, trying to--
“Who the hell do you think you are?!!!!”
That did it.
The hooded figure makes their return to the Kirkland-Oxenstierna manor, formed in a cloud of black wisps crackling with blue and white electricity. With hands in the deep pockets of their robes, the figure crosses over to the bed, stopping at the foot to gaze upon the occupant: the young, troubled man curled on his side, hair splayed all over the pillows, some sticking to his face from the saliva during his sleep. The figure glances at the open script lying in the empty spot next to him, and in the coldest pit of their heart, they can't help but feel... proud. And guilty, as they move to the side of the bed and pat the man's head.
Peter only murmurs and furrows his brow at the touch, but otherwise remains asleep. Sighing, the figure focuses on the empty space next to them. They reach out and curl their fingers into the air.
Clawing into the fabric of reality is much like digging a hand into burning slush, atoms and structures fighting to stay together and remain whole. The first few times it hurts like hell, but one gets used to it overtime. And one would expect the ripping of reality to have a cataclysmic blast, noise to upend the soul and destroy a human's fragile sanity. But as the figure tears, it sounds little else than a gentle rip of paper. The figure creates a gap long and wide enough to enter; though there are infinite rivers of realities and incomprehensible amount of space between here and the destination, the bedroom appears as if sitting right on the other side. They turn back to the bed. They shift Peter onto his back and hook their arms under his knees and shoulders, taking a deep breath and channeling their energy. They lift.
A thrum emits from Peter's body. A bright, golden light illuminates from Peter, and a moment later, this barrier of physics breaks, bursting into the air and vanishing. The figure can make the copy of the young micronation, now, and as they lift, yet another cloud of black wisps and electricity forms in their arms, whipping and stirring about as it's pulled from the sleeping man. It's quick to form the twin body of Peter, but just before monstrosity became flesh and blood, the figure notices the palm-sized singularity lying in the center of the black cloud's chest.
Turning to the rip, the figure grunts, "Christ, why are you so fucking heavy?!" and eases Peter into the new reality. Then, after catching a breath, the figure vaults into the gap and falls after him.
Saint Petersburg. Monument to Peter the Great at Mikhailovsky Castle
The Italian sculptor Bartolomeo Carlo Rastrelli made a model of the monument during the lifetime of Peter I, however, the sculpture was completed only by 1747, when Alessandro Martelli cast it in bronze.