#philippe venet

[chicinsilk]

US Vogue September 15, 1964

Philippe Venet Haute Couture Collection Fall/Winter 1964-65. Tania Mallet wears flamenco culottes - shiny, stiffened, whistling ruffles of waxed black lace… a crush of brown taffeta at the waist… tight Basque bodice, buttoned with jewels. Dognin lace. Hair: Roger d'Alexandre.

Philippe Venet Collection Haute Couture Automne/Hiver 1964-65. Tania Mallet porte une culotte de flamenco - volants brillants, raidis, sifflants de dentelle noire cirée… un écrasement de taffetas marron à la taille… corsage basque serré, boutonné de bijoux. Dentelle Dognin. Coiffures : Roger d'Alexandre.

Photo Irving Penn vogue archive

[ripplefactor]

Philippe Venet and Hubert de Givenchy at Le Clos Fiorentina .. Photograph by Bruce Weber, Saint-Jean Cap Ferrat.

[featherstonevintage]

Philippe Venet

L'Officiel Paris, September 1990

Photographed by David MacIntyre

[livesunique]

Parisian Pied-à-Terre, Esplanade des Invalides, 75007 Paris, France

Courtesy: Christie’s

[jacquesdemys]

Elle France September 9, 1968, photographed by David Bailey.

[isabelcostasixties]

Modern Fashions, Autumn winter 1966/1967. Philippe Venet '795' is the name of these two pieces in thick black tartan of Rilson, the blouse is in white silk. "Donas de Casa" magazine, Portugal, October 1966

[chicinsilk]

US Vogue September 15, 1964

Philippe Venet Haute Couture Collection Fall/Winter 1964-65. Veruschka wears a sewn white wool cape coat, firm as felt, slightly fitted to the body under a cape that falls to the waist. Rounded collar, low pockets. Prudhomme wool. Kislav gloves.

Philippe Venet Collection Haute Couture Automne/Hiver 1964-65. Veruschka porte un manteau-cape en laine blanche cousue, ferme comme du feutre, légèrement ajustée au corps sous une cape qui descend jusqu'à la taille. Col arrondi, poches basses. De laine Prudhomme. Les gants de Kislav.

Photo Irving Penn vogue archive

[featherstonevintage]

Philippe Venet

L'Officiel Paris, September 1990

Photographed by Serge Barbeau